Frédéric Bazille, 1841 – 1870

De 86 mest kända målningarna av Frédéric Bazille

Målningen som gjorde Frédéric Bazille känd är Baddragare (Sommarscen) (1869); den hänger på Fogg Art Museum i Cambridge. Familjemöte (1867) och The Pink Dress (1864) följer efter i samlarnas och museumbesökarnas hjärtan. Av de 88 verk av Frédéric Bazille i vår katalog är dessa 86 de mest beundrade, var och en presenterad med sitt datum, sitt museum och vad som utmärker dem.

Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad oktober 2026. Varje mästerverk på denna sida kan beställas som en handmålad oljereproduktion av museikvalitet eller som ett konsttryck i den storlek du väljer.

Porträtt av Frédéric Bazille
Frédéric Bazille · 1841 – 1870
Född · död
1841 – 1870, Montpellier
Rörelse
Impressionist landscape
Verk i vår katalog
88
Mest kända
Baddragare (Sommarscen) (1869)
Flest verk på
Musée Fabre

Frédéric Bazille: de tio mästerverken

Baddragare (Sommarscen) (1869) av Frédéric Bazille
1

Baddragare (Sommarscen)

1869 · Olja på duk · Fogg Art Museum, Cambridge

Jean Frédéric Bazille och Sommarskådet – En Hymn till Ungdomens Vitalitet Jean Frédéric Bazille är en konsthistorisk figur vars verk fortsätter att fascinera oss än idag, särskilt hans målning ”Sommarskådet” från 1869. Detta mästerverk är inte bara ett tekniskt briljant exempel på impressionismen utan också ett psykologiskt och kulturellt betydelsefullt dokument över en viktig epok inom konsthistorien. Bazille lyckades fånga essensen av ungdomens energi och glädje till sommaren genom sina…

Handmålad oljereproduktion från $281 32 × 32 cm
Familjemöte (1867) av Frédéric Bazille
2

Familjemöte

1867 · Olja på duk · Musée d'Orsay, Paris

Jean Frédéric Bazille’s “Family Reunion” (1867) är en fascinerande och detaljerad representation av ett socialt samtal utomhus, en bild som fångar en livlig scen under ett stort träd. Verket, skapat i en tid av snabba förändringar inom konstvärlden, är inte bara en målning; det är en inblick i 19:e seklets franska samhälle och den nya impressionistiska rörelsens uppkomst. Bazille, en ung konstnär som var nära förhållningssamma till andra framstående impressionister…

The Pink Dress (1864) av Frédéric Bazille
3

The Pink Dress

1864 · Acrylic On Canvas · Musée d'Orsay, Paris

Marilyn Monroe’s “Pink Dress,” designed by William Travilla for Howard Hawks’ 1953 film *Gentlemen Prefer Blondes*, transcends mere costume; it embodies an enduring symbol of glamour, ambition, and the seductive allure of Hollywood. The dress itself—a shocking pink silk satin gown adorned with black satin lining and a large bow—represents more than just fabric and embellishments; it encapsulates a pivotal moment in cinematic history and continues to fascinate audiences today.

Handmålad oljereproduktion från $181 27 × 37 cm
La Toilette (1870) av Frédéric Bazille
4

La Toilette

1870 · Acrylic On Canvas · Musée Fabre, Montpellier

The Painting's Significance and Context La Toilette, an oil-on-canvas painting by Jean Frédéric Bazille, is a remarkable work of art that showcases the artist's skill in capturing intimate moments. Created in 1869-1870, this painting is one of Bazille's last works before his untimely death in the Franco-Prussian War. Composition and Symbolism The painting depicts three women in a room, with one woman lying on a bed while the other two…

Handmålad oljereproduktion från $181 31 × 32 cm Samma storlek som originalet $657 127 × 132 cm Beställ i originalstorlek →
Landscape on the Shore of Lez (1870) av Frédéric Bazille
5

Landscape on the Shore of Lez

1870 · Oil

Landscape on the Shore of Lez is a significant work by Frédéric Bazille, an artist whose life was marked by a brief but intense period of creativity. Born in 1841, Bazille’s career was tragically cut short when he died in 1870. This particular painting, completed in June 1870, represents one of his final artistic statements. It is a large landscape that the artist himself described as an eclogue, a term…

Handmålad oljereproduktion från $181 39 × 26 cm
The Family Gathering (1867) av Frédéric Bazille
6

The Family Gathering

1867 · Oil On Canvas · Musée d'Orsay, Paris

To stand before The Family Gathering is to step directly into a sun-dappled afternoon of pure, unscripted joy. This painting by Jean Frédéric Bazille captures more than just a social assembly; it arrests the very essence of conviviality. One feels the gentle warmth emanating from the canvas, as if the viewer has stumbled upon this private moment in time. The composition is masterfully arranged beneath the generous canopy of a…

Handmålad oljereproduktion från $381 39 × 25 cm
The Scoter (1864) av Frédéric Bazille
7

The Scoter

1864 · Oil · Musée Fabre, Montpellier

The painting depicts a bird perched upon a wooden surface that possesses a yellowish hue. The central subject is a bird that appears to be dead or in the process of dying. This bird is positioned near the center of the frame and occupies most of the composition.

Handmålad oljereproduktion från $181 29 × 35 cm
Le petit jardinier, ca Museum of Fine Arts, (1867) av Frédéric Bazille
8

Le petit jardinier, ca Museum of Fine Arts,

1867 · Oil On Canvas · Museum of Fine Arts, Houston, Houston

A woman in a pink dress occupies the center of this 1867 composition, her form integrated into a lush, verdant landscape. She holds a watering can, a quiet gesture of tending to the earth. Around her, the garden is alive with color and movement. A large bush erupts with red flowers, providing a sharp contrast to the deep greens of the foliage. In the distance, another figure walks away, adding…

Handmålad oljereproduktion från $181 36 × 27 cm
Saint-Saveur av Frédéric Bazille
9

Saint-Saveur

Oil On Canvas

There is a profound stillness in this pastoral scene, a moment of rural serenity captured under a bright, diffused sky. The landscape unfolds in a series of gentle, undulating hills that recede into the distance, painted with a soft atmospheric perspective that makes the far-off treeline appear light and ethereal. In the foreground, the scene is anchored by the presence of two cows; one rests peacefully upon the earth while…

Handmålad oljereproduktion från $181 52 × 19 cm
Portrait of an Unknown Sitter as a Troubadour (1875) av Frédéric Bazille
10

Portrait of an Unknown Sitter as a Troubadour

1875 · Oil On Canvas · Dallas Museum of Art, Dallas

In this intimate oil portrait, we find ourselves drawn into a quiet, private moment with a young man. The composition is a close-up, bust-length study that pushes the subject toward the viewer through a dramatic use of chiaroscuro. A deep, nearly black background provides a void from which the sitter emerges, illuminated by a highly directional light source. This light catches the contours of his face, leaving the other side…

Handmålad oljereproduktion från $181 29 × 35 cm Samma storlek som originalet $204 38 × 46 cm Beställ i originalstorlek →

Fler mästerverk av Frédéric Bazille, 11 till 86

View of the Village (1868) av Frédéric Bazille
#18

View of the Village

1868 · Musée Fabre

Jean Frédéric Bazille’s “View of the Village,” painted in 1868, stands as a quintessential example of the Impressionist spirit—a movement that sought to capture fleeting impressions of light…

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Portrait of Renoir (1867) av Frédéric Bazille
#20

Portrait of Renoir

1867 · Musée d'Orsay

Jean Frédéric Bazille's “Portrait of Renoir” stands as a testament to the burgeoning Impressionist movement, capturing not merely an likeness but also a palpable sense of contemplative emotion.…

Beställ en reproduktion från $181 →
Reclining Nude (1864) av Frédéric Bazille
#23

Reclining Nude

1864 · Musée Fabre

Jean Frédéric Bazille's 'Reclining Nude,' painted in 1864, is more than just a depiction of the human form; it’s a carefully constructed evocation of serenity and sensual grace,…

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Portrait of Edouard Blau (1866) av Frédéric Bazille
#25

Portrait of Edouard Blau

1866 · National Gallery of Art

“Portrait of Édouard Blau,” painted by Jean Frédéric Bazille in 1866, stands as a testament to the burgeoning Impressionist movement's fascination with capturing fleeting moments of light and…

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Self Portrait (1870) av Frédéric Bazille
#26

Self Portrait

1870

In this poignant Self Portrait, painted in 1870, we encounter Frédéric Bazille not merely as a painter, but as a man caught in the delicate transition between youthful…

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Self-Portrait (1867) av Frédéric Bazille
#28

Self-Portrait

1867 · Minneapolis Institute of Art

Self-Portrait is an oil on canvas painting by the artist Frédéric Bazille. Created in France, this work belongs to the Impressionism movement. The subject of the painting is…

Beställ en reproduktion från $181 →
Landscape at Chailly (1865) av Frédéric Bazille
#64

Landscape at Chailly

1865 · Art Institute of Chicago

Jean Frédéric Bazille’s “Landscape at Chailly,” painted in 1865, isn't merely a depiction of a Swiss hillside; it’s a distilled essence of Impressionist philosophy—a fleeting capture of light,…

Beställ en reproduktion från $181 →
Self Portrait with Palette (1865) av Frédéric Bazille
#78

Self Portrait with Palette

1865 · Art Institute of Chicago

Jean Frédéric Bazille's "Self Portrait with Palette," painted in 1865, is more than just a depiction of an artist; it’s a poignant snapshot of ambition, vulnerability, and the…

Ta hem den från $181 →
Portrait of Renoir (1867) av Frédéric Bazille
#80

Portrait of Renoir

1867 · Cleveland Museum of Art

The Portrait of Renoir is an oil on canvas figure portrait created by the artist Frédéric Bazille. Executed in 1867, this work depicts Pierre-Auguste Renoir, who was a…

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Frédéric Bazilles målningar per period

De motiv Frédéric Bazille målade mest av

De fyra motiv som förekommer oftast bland dessa mästerverk, med det främsta exemplet på varje.

Var du kan se Frédéric Bazilles målningar

De 8 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Frédéric Bazille Målningar från denna lista
Musée Fabre, MontpellierMusée Fabre Montpellier 22 La Toilette, The Scoter, Petite Italienne chanteuse des rues
Musée d'Orsay, ParisMusée d'Orsay Paris 8 Familjemöte, The Pink Dress, The Family Gathering
National Gallery of Art, WashingtonNational Gallery of Art Washington 6 Portrait of Edmond Maitre, Portrait of Edouard Blau, Edmond Maître
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 2 Self-Portrait, The Banks of the Lez
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 2 Landscape at Chailly, Self Portrait with Palette
Fogg Art Museum, CambridgeFogg Art Museum Cambridge 1 Baddragare (Sommarscen)
Museum of Fine Arts, Houston, HoustonMuseum of Fine Arts, Houston Houston 1 Le petit jardinier, ca Museum of Fine Arts,
Dallas Museum of Art, DallasDallas Museum of Art Dallas 1 Portrait of an Unknown Sitter as a Troubadour

Frédéric Bazille, decennium för decennium: det mest betydelsefulla verket från varje period

  1. 1850s
  2. 1860s
    Baddragare (Sommarscen) (1869) av Frédéric Bazille
    Nr. 1 av 86

    Baddragare (Sommarscen)

    Ålder 19 – 28 · Fogg Art Museum

    Jean Frédéric Bazille och Sommarskådet – En Hymn till Ungdomens Vitalitet Jean Frédéric Bazille är en konsthistorisk figur vars verk fortsätter att fascinera oss än idag, särskilt hans…

  3. 1870s
    La Toilette (1870) av Frédéric Bazille
    Nr. 4 av 86

    La Toilette

    Ålder 29 · Musée Fabre

    The Painting's Significance and Context La Toilette, an oil-on-canvas painting by Jean Frédéric Bazille, is a remarkable work of art that showcases the artist's skill in capturing intimate…

Frédéric Bazilles mästerverk: frågor och svar

Vilken målning är Frédéric Bazille mest känd för?Visa svaret

Baddragare (Sommarscen) (1869), Fogg Art Museum, Cambridge. Därefter följer Familjemöte (1867) och The Pink Dress (1864).

Hur gammal var Frédéric Bazille när Baddragare (Sommarscen) målades?Visa svaret

28 år gammal: Baddragare (Sommarscen) dateras från 1869 och Frédéric Bazille föddes 1841.

Vilka är Frédéric Bazilles tio främsta målningar?Visa svaret

Baddragare (Sommarscen), Familjemöte, The Pink Dress, La Toilette, Landscape on the Shore of Lez, The Family Gathering, The Scoter, Le petit jardinier, ca Museum of Fine Arts,, Saint-Saveur och Portrait of an Unknown Sitter as a Troubadour. Rankingen ovan visar år och museum för varje verk.

Hur många verk målade Frédéric Bazille?Visa svaret

Vår katalog innehåller 88 verk av Frédéric Bazille, daterade från 1859 till 1870.

I vilka museer kan jag se Frédéric Bazilles mästerverk?Visa svaret

De flesta av dem finns i Musée Fabre (Montpellier), Musée d'Orsay (Paris) och National Gallery of Art (Washington). Tabellen ovan listar museerna ett efter ett.

När målade Frédéric Bazille sina mästerverk?Visa svaret

Under 1860s: 53 av de 86 verk som finns på denna sida härstammar från den tiden, däribland Baddragare (Sommarscen).

Vilka är de första och sista kända målningarna av Frédéric Bazille?Visa svaret

Det tidigaste på denna sida är Mystic marriage of Saint Catherine (1859), det senaste La Toilette (1870).

Vilka var Frédéric Bazilles favoritmotiv?Visa svaret

Portraits (6), Men (6) och Man (5), av totalt 86 verk på denna sida.

Vilken teknik föredrog Frédéric Bazille?Visa svaret

Oil On Canvas: 23 av 86 verk på denna sida.

Vilken konstinriktning tillhör Frédéric Bazille?Visa svaret

Impressionist landscape, som målningarna på denna sida visar.

Vilka mästerverk av Frédéric Bazille finns utställda på Musée Fabre?Visa svaret

La Toilette, The Scoter och Petite Italienne chanteuse des rues är bland de 22 verk på denna sida som innehas av Musée Fabre, Montpellier.

Kan jag äga en reproduktion av ett mästerverk av Frédéric Bazille?Visa svaret

Ja. Varje målning på denna sida kan beställas som en handmålad oljereproduktion av museikvalitet eller som ett konsttryck i den storlek du väljer, direkt från målningens egen sida.

Livet för Frédéric Bazille

The Brief Radiance of Jean Frédéric Bazille

Jean Frédéric Bazille’s story is one of immense promise tragically cut short, a fleeting yet significant contribution to the burgeoning Impressionist movement. Born in Montpellier, France, on December 6, 1841, into a prosperous Protestant family involved in wine production, Bazille initially seemed destined for a life far removed from the world of art. His parents, while supportive, insisted he pursue medical studies alongside his artistic inclinations – a compromise reflecting the societal expectations of the time and their desire for his financial security. This duality would shape his early years, dividing his attention between anatomical dissection and the captivating allure of color and light. However, it was within the vibrant atmosphere of Paris, where he relocated in 1862 to continue his medical training, that Bazille’s artistic path truly began to unfold.

Forging a Path Amongst Giants

Paris proved to be a crucible for young Bazille. He quickly fell in with a circle of artists who would become synonymous with Impressionism: Claude Monet, Pierre-Auguste Renoir, and Alfred Sisley. Studying under Charles Gleyre provided him with formal training, but it was the shared passion and radical ideas exchanged amongst these friends that truly ignited his artistic vision. Bazille’s financial stability – a fortunate contrast to the often precarious existence of his companions – allowed him to generously support them, offering studio space and materials. This generosity wasn't merely practical; it stemmed from a deep camaraderie and belief in their collective potential. He became a vital hub for this emerging group, fostering an environment of experimentation and mutual encouragement. His early works, like *The Pink Dress* (c. 1864), already demonstrate a keen eye for capturing fleeting moments and the effects of light – hallmarks that would define Impressionism. He wasn’t simply mimicking established styles; he was actively participating in the creation of something entirely new. The influence of Eugène Delacroix, with his bold use of color and dramatic compositions, is subtly felt in Bazille's early work, yet he moved beyond academic conventions to embrace a more modern sensibility.

A Style Defined by Light and Friendship

Bazille’s artistic style, though developing rapidly, possessed a unique character within the broader Impressionist aesthetic. While sharing their fascination with *plein air* painting – working outdoors to directly capture the nuances of natural light – his compositions often exhibited a more structured quality than Monet’s or Renoir’s. He frequently combined figure painting with landscape, placing his subjects thoughtfully within their environment, as seen in masterpieces like *Family Reunion* (1867-1868). This work is not merely a depiction of familial gathering; it's an exploration of light filtering through the trees, animating the scene and imbuing it with a sense of warmth and intimacy. His paintings weren’t just about *what* he saw, but *how* he saw it – the emotional resonance evoked by color, form, and light. He was deeply influenced by Claude Monet, particularly in his exploration of capturing the ephemeral effects of sunlight, yet he retained a more grounded approach than his friend, often incorporating carefully considered compositional elements. Bazille’s palette tended to be richer and darker than many of his Impressionist colleagues, reflecting his Languedoc roots and a desire for greater depth and contrast.

A Life Interrupted: Legacy and Remembrance

The blossoming career of Jean Frédéric Bazille was brutally interrupted by the Franco-Prussian War in 1870. Driven by a sense of patriotic duty, he joined a Zouave regiment just months after the conflict erupted. Tragically, he was killed in action on November 28, 1870, at the young age of 28, near Beaune-la-Rolande. His death sent shockwaves through the artistic community, robbing them of a talented friend and generous benefactor. His premature demise meant his work remained relatively unknown for many years. However, in recent decades, Bazille’s contributions have been increasingly recognized and celebrated. Today, his paintings are held in prestigious museums like the Musée d'Orsay in Paris, and reproductions allow art lovers worldwide to experience the beauty and innovation of his vision. Bazille’s legacy extends beyond his artistic output; he embodies the spirit of youthful idealism, unwavering dedication, and the power of friendship that defined the early days of Impressionism. He remains a poignant reminder of the potential lost, yet also a testament to the enduring impact of a brief but brilliant career.

Key Works and Influences

Bazille’s oeuvre, though limited in size, is remarkably diverse. *The Pink Dress* (1864) exemplifies his early exploration of capturing fleeting moments and atmospheric effects. *Family Reunion* (1867-1868), a complex composition featuring multiple figures bathed in dappled sunlight, showcases his ability to integrate figure painting with landscape. *Studio in Rue de Furstenberg* (c. 1869) offers a glimpse into the social life of Parisian artists, while *Bathers (Summer Scene)* (1874), painted shortly before his death, reveals his fascination with capturing the beauty of the human form in natural settings. Beyond Monet and Renoir, Bazille was influenced by Eugène Delacroix’s dramatic use of color and composition, as well as the Realist painters like Gustave Courbet who emphasized direct observation and social commentary. His work reflects a synthesis of these diverse influences, resulting in a unique artistic voice that deserves greater recognition.

A Lasting Impression

Despite his tragically short life, Frédéric Bazille left an indelible mark on the development of Impressionism. His willingness to experiment with *plein air* painting, his innovative compositional techniques, and his deep appreciation for light and color helped pave the way for future generations of artists. His generosity and unwavering support of his fellow painters further cemented his place as a vital figure in the Parisian art scene. Bazille’s story serves as a powerful reminder that artistic genius can flourish even amidst personal hardship, and that the briefest of flames can illuminate an entire movement.