Edward Hopper, 1882 – 1967

The 100 Most Famous Paintings by Edward Hopper

The painting that made Edward Hopper famous is Nattugglor, The Art Institute of Chicago, Chica (1942); it hangs in the Art Institute of Chicago, Chicago. Automat (small) and Huset vid järnvägen (1925) follow it in the hearts of collectors and museum visitors. Of the 366 works by Edward Hopper in our catalogue, these 100 are the most admired, each presented with its date, its museum and what sets it apart.

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Porträtt av Edward Hopper
Edward Hopper · 1882 – 1967
Född · död
1882 – 1967, Upper Nyack
Rörelse
Samtida realism
Verk i vår katalog
366
Mest kända
Nattugglor, The Art Institute of Chicago, Chica (1942)
Flest verk på
MoMA - Museum of Modern Art

Edward Hopper: the ten masterpieces

Nattugglor, The Art Institute of Chicago, Chica (1942) av Edward Hopper
1

Nattugglor, The Art Institute of Chicago, Chica

1942 · Olja på duk · Art Institute of Chicago, Chicago

Skapad år 1942 fångar detta ikoniska måleri en sen nattscen inuti ett café som aldrig stänger, och har blivit en av de mest igenkännliga bilderna inom amerikansk konst. Mer än bara en skildring av stadslivet är det en djupgående utforskning av modern alienation och den tysta ensamheten som kan hittas även mitt i pulserande storstäder. Hoppers verk, *Nighthawks*, resonerar djupt med betraktaren, inte genom dramatik utan genom subtil psykologisk laddning.

Automat (small) av Edward Hopper
2

Automat (small)

Acrylic On Canvas · Des Moines Art Center, Des Moines

Edward Hopper’s “Automat” (small), a deceptively simple depiction of a woman seated alone at a cafe table, is a masterclass in conveying the profound sense of solitude that characterized much of 20th-century American life. Painted during a period of rapid urbanization and social change, this work resonates with a quiet melancholy that speaks to the alienation inherent in modern existence. Hopper’s ability to capture fleeting moments of human experience –…

Huset vid järnvägen (1925) av Edward Hopper
3

Huset vid järnvägen

1925 · Olja på duk · MoMA - Museum of Modern Art, New York

Introduction to Edward Hopper and His Work Edward Hopper, a renowned American artist, is celebrated for his captivating oil paintings that often depicted modern life in the early 20th century. One of his most notable works is "House by the Railroad," which is currently housed at the Museum of Modern Art (New York, United States). This painting, created in 1925, showcases Hopper's unique style and ability to evoke a sense…

New York Film (1939) av Edward Hopper
4

New York Film

1939 · Akryl på duk · MoMA - Museum of Modern Art, New York

MålningenEdward Hoppers "CITE>New York Movie" är en gripande oljemålning på duk skapad 1939. Den huseras för närvarande vid det prestigefyllda Museum of Modern Art (MoMA) i New York City, USA. Detta mästerverk exemplifierar Hoppers unika förmåga att fånga essensen av stadslivet, ofta med fokus på teman som isolering och kontemplation. Komposition och SymbolikMålningen skildrar en kvinna som står ensam framför en röd gardin inne i ett teater. Hon är uppslukad…

untitled (5560) av Edward Hopper
5

untitled (5560)

Oil On Canvas · MoMA - Museum of Modern Art, New York

Edward Hopper's untitled (5560) is far more than a mere depiction of a roadside service station; it is a distilled essence of the American experience, a moment frozen in time that speaks volumes about human connection and the profound weight of isolation. Painted during the transformative years between 1942 and 1945, this monochrome masterpiece captures a scene familiar to the mid-century traveler—the late-night glow of artificial light illuminating a sparsely…

Early sunday morning Whitney Museum of American (1930) av Edward Hopper
6

Early sunday morning Whitney Museum of American

1930 · Oil On Canvas · Whitney Museet för amerikansk konst, New York

Early Sunday Morning: A Portrait of Quietude Edward Hopper’s “Early Sunday Morning,” painted in 1930, isn't merely a depiction of a New York City street; it’s an arresting distillation of the anxieties and aspirations inherent in the American psyche during the Depression era. Executed in oil paint on canvas, this iconic piece exemplifies Hopper’s signature style – American Scene Painting—characterized by stark realism combined with a palpable sense of solitude…

Automat (1927) av Edward Hopper
7

Automat

1927 · Olja på duk

Edward Hoppers “Automat” från 1927 är mer än bara en målning; det är ett porträtt av tidens ensamhet, fångat i ljus och skugga. Målningen, som nu finns bevarad på Des Moines Art Center i Iowa, föreställer en kvinna som sitter ensam vid ett runt bord i en automat – en tidig form av självbetjäningsrestaurang – under en mörk, nykter natt. Hopper lyckas med konstnärlig precision fånga den subtila melankolins atmosfär…

Söndag (1926) av Edward Hopper
8

Söndag

1926 · Olja på duk · The Phillips Collection, Washington, D.C.

Den urbana ensamhetens essens Edward Hoppers ”Söndag” fångar stillheten och introspektionen i en urban scen som tycks utspela sig en söndagsmorgon. Målningen föreställer en ensam man som sitter på en träbänk framför stängda butiksfasader, vilket frammanar en känsla av isolering och eftertanke som är så karakteristisk för Hoppers verk. Detta stycke är en mästerlig utforskning av det mänskliga tillståndet, placerat mot fonden av det tidiga 1900-talets Amerika. Ett mästerverk inom…

Gas (1940) av Edward Hopper
9

Gas

1940 · Olja på duk

Edward Hoppers Solitära Ljus – En Djupdykning i "Gas" Edward Hoppers "Gas", målad 1940, är mer än bara en bild av en bensinstation; det är ett porträtt av amerikansk ensamhet och längtan, fångat i ett ögonblick av stillhet. Verket, som nu finns tillgängligt som en exakt handmålad reproduktion på wahooart.com, inbjuder oss att stanna upp och reflektera över den subtila melankolin som präglade Hoppers konst och hans förmåga att fånga…

Chop Suey (1929) av Edward Hopper
10

Chop Suey

1929 · Olja på duk

”Chop Suey”, skapad av Edward Hopper 1929, är en fängslande oljemålning som bjuder in betraktaren till den intima men ändå isolerade världen i en diner från 1920-talet. Detta mästerverk exemplifierar Hoppers signaturstil, där amerikansk realism vävs samman med subtila expressionistiska influenser för att frammana en känsla av nostalgi och stilla eftertanke.

More Edward Hopper masterpieces, 11 to 100

Kontoret vid nätten (1940) av Edward Hopper
#11

Kontoret vid nätten

1940

En blick in i 1900-talets mitt i Amerika Edward Hoppers ”Kontoret vid natt” (1940) är en mästerlig skildring av en kontorsmiljö från mitten av det tjugonde århundradet. Denna…

Sommartid (1943) av Edward Hopper
#12

Sommartid

1943

Edward Hoppers “Summertime”, målad 1943 under en period av betydande samhällsförändringar och krigstryck, är ett mästerverk som fångar den tysta dramatiken i det amerikanska livet på 1940-talet. Det…

Solsken i en kafé (1958) av Edward Hopper
#13

Solsken i en kafé

1958 · Yale University Art Gallery

Edward Hoppers Sunlight in a Cafeteria (1958) är en mästerlig skildring av urban ensamhet, utförd med den precision och emotionella tyngd som definierar hans ikoniska stil. Denna olja…

Människor i solen (1960) av Edward Hopper
#14

Människor i solen

1960

Edward Hoppers verk är ofta associerade med en melankolisk stillhet, en subtil reflektion över det amerikanska livet under 1900-talets första halva. Men bakom den lugna ytan finns en…

Cape Cod Morning (1950) av Edward Hopper
#15

Cape Cod Morning

1950

Ett ögonblick av stilla reflektion: Edward Hoppers mästerverk Scenen: En kvinna i kontemplation Edward Hoppers ”Cape Cod Morning” fångar ett fridfullt men samtidigt fascinerande ögonblick av ensamhet. Målningen…

Rum för Turister (1945) av Edward Hopper
#16

Rum för Turister

1945 · Yale University Art Gallery

Edward Hopper, en namn som omedelbart framkallar bilder av stillhet och subtil melankoli, var inte bara en målare av scener; han var en poet av ljus och skugga,…

nighthawks (1942) av Edward Hopper
#17

nighthawks

1942 · Art Institute of Chicago

A Window Into Loneliness: Exploring Edward Hopper’s Nighthawks Edward Hopper's "Nighthawks," completed in 1942 during the tumultuous backdrop of World War II, transcends mere representation; it embodies a…

Kupé C av Edward Hopper
#18

Kupé C

är ett typexempel på Hoppers fascination för ensamma figurer på genomresa. Målningen skildrar en kvinna som sitter ensam i en tågkupé, med ansiktet vänt mot sin bok och…

Två Komiker (1965) av Edward Hopper
#19

Två Komiker

1965

Edward Hoppers målning från 1965, "Två Komiker", är inte bara en representation av två figurer på en scen; det är en noggrant konstruerad meditation över ensamhet, den flyktiga…

New York Movie, Moma, NY (1939) av Edward Hopper
#21

New York Movie, Moma, NY

1939

Konstverket skildrar ett dunkelt upplyst rum – kanske en hotellobby eller en storslagen lägenhet – befolkad av ett fåtal gestalter. Kompositionen är medvetet komplex och skapar en känsla…

Summer Evening (1947) av Edward Hopper
#22

Summer Evening

1947

A Portrait of Quietude: Exploring Edward Hopper’s “Summer Evening” Edward Hopper's "Summer Evening" isn’t merely a depiction of a scene; it’s an exquisitely crafted meditation on human experience—a…

Hotel room (1931) av Edward Hopper
#23

Hotel room

1931

The Poignant Stillness of a Private Moment In Edward Hopper’s 1931 masterpiece, Hotel Room, the viewer is invited into a sanctuary of profound introspection. The scene is deceptively…

Excursion into Philosophy av Edward Hopper
#24

Excursion into Philosophy

A Quiet Drama: Unveiling Edward Hopper’s “Excursion into Philosophy” Edward Hopper's "Excursion into Philosophy" is a profoundly evocative work that encapsulates the core tenets of American Realism, offering…

The Cat Boat (1922) av Edward Hopper
#25

The Cat Boat

1922 · Smithsonian American Art Museum

Edward Hopper's “The Cat Boat,” created in 1922, stands as a quintessential emblem of American Modernism—a deceptively simple scene imbued with profound psychological depth. More than just depicting…

Rooms By The Sea (1951) av Edward Hopper
#26

Rooms By The Sea

1951

Rooms By The Sea: A Portrait of Quiet Contemplation Edward Hopper’s “Rooms by the Sea” transcends mere depiction; it's a distillation of mood, an embodiment of American Modernism’s…

Reclining Nude (1927) av Edward Hopper
#27

Reclining Nude

1927

Introduction Reclining Nude, a watercolour painting by Edward Hopper, is a quintessential example of the artist's unique style and contribution to the New Realism movement. Created in 1927,…

Rooms by the Sea (1951) av Edward Hopper
#28

Rooms by the Sea

1951

The Painting: A Representation of Serenity "CITE>Edward Hopper's 'Rooms by the Sea' (1951) is a masterpiece that embodies the essence of stillness and contemplation. The painting, available for…

House At Dusk (1935) av Edward Hopper
#29

House At Dusk

1935

The Painting: An Overview "CITE>Edward Hopper:CITE>'s House At Dusk, created in 1935, is a quintessential example of the artist's ability to capture the essence of American life through…

Apotek (1927) av Edward Hopper
#30

Apotek

1927 · Museum of Fine Arts

Ett Tyst Ögonblick i Staden: En Utforskning av Edward Hoppers ”Drug Store” (1927) ”Drug Store,” målad 1927 av den amerikanske mästaren Edward Hopper, är en gripande skildring av…

Sun on Prospect Street (Gloucester, Massachusetts) (1934) av Edward Hopper
#31

Sun on Prospect Street (Gloucester, Massachusetts)

1934

Edward Hopper's "Sun on Prospect Street" isn't merely a depiction of a Gloucester street scene; it’s a distilled essence of early 20th-century American experience. Painted in 1934, during…

Woman in the Sun (1961) av Edward Hopper
#32

Woman in the Sun

1961

A Moment Frozen in Light: Edward Hopper’s “Woman in the Sun” Edward Hopper's "Woman in the Sun," painted in 1961, isn’t merely a depiction of a nude figure;…

Second Story Sunlight (1960) av Edward Hopper
#33

Second Story Sunlight

1960

A Moment Suspended: Unveiling Edward Hopper’s “Second Story Sunlight” Edward Hopper's 1960 oil on canvas, *Second Story Sunlight*, is a quintessential example of American Realism at its most…

Night Windows (1928) av Edward Hopper
#34

Night Windows

1928 · MoMA - Museum of Modern Art

A Window Into Solitude: Exploring Edward Hopper’s Night Windows Edward Hopper, a name synonymous with the quiet contemplation of modern existence, wasn't merely capturing landscapes; he was distilling…

New York Office (1962) av Edward Hopper
#35

New York Office

1962

Edward Hopper’s “New York Office,” painted in 1962, transcends mere depiction; it embodies the very essence of modern solitude—a feeling profoundly familiar to viewers grappling with the complexities…

Office in a Small City (1953) av Edward Hopper
#36

Office in a Small City

1953

In the vast gallery of American Realism, few works possess the haunting, cinematic stillness found in Edward Hopper’s 1953 masterpiece, Office in a Small City. To gaze upon…

City Roofs (1932) av Edward Hopper
#37

City Roofs

1932

A Quiet Moment of Urban Existence Edward Hopper’s “City Roofs” (1932) is more than just a depiction of a cityscape; it's a poignant meditation on modern life, isolation,…

Self-Portrait (1930) av Edward Hopper
#38

Self-Portrait

1930

This oil on canvas painting depicts a man wearing a brown hat and a blue shirt. He is shown with a serious expression, looking directly at the viewer.…

Monhegan-hus, Maine av Edward Hopper
#39

Monhegan-hus, Maine

Introduktion till amerikansk realism Edward Hopper, en framstående amerikansk realistisk målare, är världsberömd för sina fängslande oljemålningar som skildrar både urbana och rurala miljöer. Hans unika stil har…

Four Lane Road av Edward Hopper
#40

Four Lane Road

Edward Hopper's "Four Lane Road," painted in 1956, isn’t merely a depiction of a roadside scene; it’s a distilled essence of the American experience – a poignant meditation…

Woman at Cafe Table (1907) av Edward Hopper
#41

Woman at Cafe Table

1907 · Whitney Museet för amerikansk konst

Woman at Cafe Table: A Portrait of Urban Isolation Edward Hopper’s “Woman at Cafe Table,” painted in 1906-1907, stands as a quintessential emblem of New Realism and embodies…

First Row Orchestra (1951) av Edward Hopper
#42

First Row Orchestra

1951 · Hirshhorn Museum and Sculpture Garden

A Portrait of Quiet Observation: Exploring Edward Hopper’s “First Row Orchestra” Edward Hopper's "First Row Orchestra," painted in 1951, transcends mere depiction; it embodies the very essence of…

House by the Railroad av Edward Hopper
#43

House by the Railroad

In his 1925 masterpiece, House by the Railroad, Edward Hopper presents a scene that captures a profound sense of isolation through a meticulously controlled interplay of light and…

untitled (3714) av Edward Hopper
#44

untitled (3714)

Edward Hopper's "Untitled (3714)," painted in 1942, isn’t merely a depiction of a diner interior; it’s a distilled essence of modern American loneliness. This deceptively simple scene—an elderly…

el palacio (1946) av Edward Hopper
#45

el palacio

1946

Edward Hopper’s 1946 painting, “El Palacio,” isn’t merely a depiction of a city street; it’s a carefully constructed tableau of urban solitude and the quiet anxieties of modern…

the city (1927) av Edward Hopper
#46

the city

1927

The City, painted by Edward Hopper in 1927, is a striking black and white depiction of early 20th-century American urban life. This artwork isn't merely a representation of…

rooms by the sea av Edward Hopper
#47

rooms by the sea

Edward Hopper’s Rooms by the Sea is a painting from 1951 that depicts an interior space with a doorway opening toward the ocean. The scene features a room…

The Camel's Hump (1931) av Edward Hopper
#49

The Camel's Hump

1931

Edward Hopper's "The Camel’s Hump," painted in 1931, isn’t merely a depiction of a mountain range; it’s a distilled essence of American loneliness and the quiet drama unfolding…

the el station av Edward Hopper
#50

the el station

In the quiet, heavy atmosphere of Edward Hopper’s “The El Station,” we are invited into a moment suspended in time, where the bustling energy of the American metropolis…

Dawn in Pennsylvania (1942) av Edward Hopper
#51

Dawn in Pennsylvania

1942

A Solitary Glimpse: Dawn in Pennsylvania by Edward Hopper Edward Hopper’s *Dawn in Pennsylvania*, painted in 1942, isn't merely a depiction of a railroad station; it’s a distilled…

Corn Hill (1930) av Edward Hopper
#52

Corn Hill

1930

Edward Hopper's "Corn Hill," painted in 1930, isn’t merely a depiction of a rural landscape; it’s a poignant meditation on isolation and the quiet dignity of human existence…

tramp steamer (1908) av Edward Hopper
#53

tramp steamer

1908

A Storm-Tossed Soul: Edward Hopper’s “Tramp Steamer” Edward Hopper's "Tramp Steamer," painted in 1908, isn’t merely a depiction of a ship at sea; it’s a profound meditation on…

Self Portrait, , Whitney Museum of American (1930) av Edward Hopper
#54

Self Portrait, , Whitney Museum of American

1930

Edward Hopper's "Self Portrait," painted in 1930, isn’t merely a depiction of an artist; it’s a distilled essence of the anxieties and quietude that defined much of early…

Rocks at the Fort Gloucester (1924) av Edward Hopper
#55

Rocks at the Fort Gloucester

1924

Edward Hopper's 1924 painting, “Rocks at the Fort Gloucester,” is more than just a landscape; it’s a quiet meditation on human presence within the vastness of nature and…

Morning sun, Columbus Museum of Art, Columbus, (1952) av Edward Hopper
#56

Morning sun, Columbus Museum of Art, Columbus,

1952

A Window into Quietude: Exploring Edward Hopper’s “Morning Sun” Edward Hopper's "Morning Sun," painted in 1952, isn’t merely a depiction of a room; it’s an encapsulation of the…

Study of a Seated Woman (1899) av Edward Hopper
#57

Study of a Seated Woman

1899

Edward Hopper's "Study of a Seated Woman," rendered in 1899, isn’t merely a depiction of a figure; it’s a distilled essence of late 19th-century American introspection. This intimate…

Portrait Of Orleans av Edward Hopper
#58

Portrait Of Orleans

WahooArt offers exquisite hand-painted reproductions of Edward Hopper's "Portrait of Orleans," allowing you to bring this iconic work of American art into your home or office. Each reproduction…

sun empty room av Edward Hopper
#59

sun empty room

Edward Hopper's "Sun in an Empty Room," painted in 1963, isn’t merely a depiction of a vacant room; it’s a distilled essence of modern American isolation and the…

The Long Leg (1930) av Edward Hopper
#60

The Long Leg

1930

A Quiet Drama on the Waves: Edward Hopper’s *The Long Leg* (1930) Edward Hopper's *The Long Leg*, painted in 1930, is more than just a seascape; it’s a…

Bridle Path (1939) av Edward Hopper
#61

Bridle Path

1939

Bridle Path: A Portrait of Quietude in Modern America Edward Hopper’s “Bridle Path,” painted in 1939, stands as a quintessential emblem of American Realism—a genre that sought to…

night windows av Edward Hopper
#62

night windows

In the quietude of a dimly lit room, where the boundaries between the interior soul and the external world begin to blur, lies the profound essence of Edward…

Hotel by a Railroad (1952) av Edward Hopper
#63

Hotel by a Railroad

1952

Edward Hopper's "Hotel by a Railroad," painted in 1952, isn’t merely a depiction of an interior scene; it’s a carefully constructed meditation on loneliness, isolation, and the subtle…

Queensborough-Bridge (1913) av Edward Hopper
#64

Queensborough-Bridge

1913

In the vast landscape of American modernism, few images capture the quiet tension of urban existence as poignantly as Edward Hopper’s Queensborough Bridge. Painted in 1913, this monumental…

paris street av Edward Hopper
#65

paris street

In the quiet corners of Edward Hopper’s “Paris Street,” we encounter more than just a cityscape; we find a profound meditation on the human condition. Painted in 1926,…

cape cod morning av Edward Hopper
#66

cape cod morning

In the quietude of an early summer morning, Edward Hopper captures a moment that feels both profoundly intimate and hauntingly distant. Cape Cod Morning is not merely a…

sunday av Edward Hopper
#67

sunday

The Painting and Its Context Sunday, a painting by Edward Hopper, is a quintessential representation of modern American life in the early 20th century. Created in 1926, this…

Evening Wind av Edward Hopper
#68

Evening Wind

Edward Hopper’s “Evening Wind,” executed in 1930, stands as a quintessential emblem of American Modernism—a deceptively simple image brimming with psychological depth and masterful artistic execution. More than…

otitlad (7523) av Edward Hopper
#69

otitlad (7523)

”otitlad (7523)” är mer än bara en skildring av en fest; det är en gripande kommentar om det mänskliga tillståndet. Dess blandning av stilistiska influenser, i kombination med…

People in the Sun (1960) av Edward Hopper
#70

People in the Sun

1960

Edward Hopper's People in the Sun, completed in 1960, serves as a profound meditation on the human experience, capturing a sense of quietude and the pervasive feeling of…

The lee shore, private (1941) av Edward Hopper
#71

The lee shore, private

1941

Edward Hopper's "The Lee Shore," painted in 1941, isn’t merely a depiction of a coastal scene; it’s a distilled essence of American loneliness and the subtle anxieties simmering…

Rocks and Sea (1919) av Edward Hopper
#72

Rocks and Sea

1919 · Whitney Museet för amerikansk konst

A Moment Frozen in Azure The sea air feels heavy and salt-laden as the eye meets the deep, blue expanse of this landscape. In this 1919 scene, the…

Porträtt av konstnären av Edward Hopper
#73

Porträtt av konstnären

Edward Hopper's "Self Portrait," painted between 1925 and 1930, isn’t merely a depiction of an artist; it’s a profound meditation on isolation, introspection, and the quiet dignity of…

Sheridan Theatre av Edward Hopper
#74

Sheridan Theatre

Edward Hopper’s Sheridan Theatre, painted in 1937, isn't merely a depiction of an interior scene; it’s a carefully constructed tableau of loneliness and unspoken narratives. The painting immediately…

Freight Car at Truro av Edward Hopper
#75

Freight Car at Truro

In the vast, sweeping landscape of American art, few images capture the heavy, cinematic silence of a moment quite like Edward Hopper’s Freight Car at Trurol. Painted in…

Lighthouse at Two Lights (1929) av Edward Hopper
#76

Lighthouse at Two Lights

1929

Edward Hopper’s Lighthouse at Two Lights, completed in 1929, presents a striking visual meditation on the interplay between light and shadow. The composition features a tall lighthouse situated…

summer interior (1909) av Edward Hopper
#77

summer interior

1909

Edward Hopper’s Summer Interior, painted in 1909, presents a scene of profound stillness within a domestic setting. The composition centers on a young woman positioned on the floor…

cape cod evening av Edward Hopper
#78

cape cod evening

In the quiet corners of American Modernism, few images resonate with as much profound, whispered intensity as Edward Hopper’s Cape Cod Evening. At first glance, the painting presents…

rooms for tourists av Edward Hopper
#80

rooms for tourists

A Quiet American Narrative: Exploring Edward Hopper’s “Rooms for Tourists” Rooms for Tourists, painted in 1945 by the master of American Realism, Edward Hopper, is a captivating study…

Södermans morgon av Edward Hopper
#81

Södermans morgon

Edward Hoppers “South Carolina Morning”, målad 1955, är en gripande representation av den afrikanska amerikanska kvinnan Dinah som står framför sitt hem i Charleston, South Carolina. Detta oljemaleri,…

Intermission (small) av Edward Hopper
#82

Intermission (small)

Edward Hopper’s Solitary Stage: Unpacking “Intermission” Edward Hopper's "Intermission" (1963) isn’t merely a painting; it’s a distilled moment of American solitude, a poignant tableau captured with the artist’s…

untitled (7096) av Edward Hopper
#83

untitled (7096)

Edward Hopper’s “Untitled (7096),” a painting rendered in the twilight hours, isn’t merely a depiction of a pharmacy storefront; it’s a distilled essence of 20th-century American loneliness. Completed…

Eleven AM av Edward Hopper
#84

Eleven AM

Edward Hopper, a master of American realism, possessed an uncanny ability to distill the essence of modern life – its quiet desperation, its pervasive loneliness, and its fleeting…

New York Pavements, (1924) av Edward Hopper
#85

New York Pavements,

1924

Edward Hopper's "New York Pavements," painted in 1924, stands as a quintessential emblem of American Modernism—a deceptively simple depiction that speaks volumes about the anxieties and quiet contemplations…

Lighthouse and Building, Portland av Edward Hopper
#86

Lighthouse and Building, Portland

Edward Hopper’s Luminous Solitude: Exploring “Lighthouse and Building” Edward Hopper's "Lighthouse and Building," painted in 1927, isn’t merely a depiction of a coastal scene; it’s a masterful distillation…

Circle Theatre av Edward Hopper
#87

Circle Theatre

In the quiet, heavy atmosphere of Edward Hopper’s "Circle Theatre," we are invited to witness more than just a street corner in a bustling metropolis; we are invited…

Room in Brooklyn (1932) av Edward Hopper
#88

Room in Brooklyn

1932 · Museum of Fine Arts

Edward Hopper's "Room in Brooklyn," painted in 1932, isn’t merely a depiction of an interior space; it’s a distilled essence of American loneliness and the quiet contemplation that…

Seven A.M. (1948) av Edward Hopper
#90

Seven A.M.

1948

In the quiet, early hours of a mid-century morning, Edward Hopper’s "Seven A.M." invites us into a space where time seems to hold its breath. Painted in 1948,…

The City (1927) av Edward Hopper
#91

The City

1927

A Quiet Vision of Urban Life: Edward Hopper’s “The City” (1927) Subject and Composition: “The City” presents a strikingly composed street corner scene, a quintessential example of Edward…

First Row Orchestra (1951) av Edward Hopper
#92

First Row Orchestra

1951

A Moment Frozen in Time: Edward Hopper’s “First Row Orchestra” Edward Hopper's "First Row Orchestra," painted in 1951, isn’t merely a depiction of an evening at the theater;…

House with big pine av Edward Hopper
#93

House with big pine

The painting depicts a white house featuring a black roof and a large chimney positioned on its side. Two windows are visible within the structure. The setting includes…

Valley Of The Seine (1908) av Edward Hopper
#94

Valley Of The Seine

1908

Edward Hopper's "Valley Of The Seine," painted in 1908, isn’t merely a landscape; it’s a distilled essence of early 20th-century America – a poignant tableau of solitude and…

Ryder's House (1933) av Edward Hopper
#95

Ryder's House

1933

Edward Hopper’s “Ryder’s House,” completed in 1933, stands as a quintessential emblem of American Realism during the Depression era. More than just a depiction of a simple farmhouse…

Intermission av Edward Hopper
#96

Intermission

Edward Hopper’s Intermission, painted in 1963, isn't merely a depiction of a theater lobby; it’s a meticulously crafted tableau of human isolation and the poignant beauty of unspoken…

Gas, Moma, NY (1940) av Edward Hopper
#97

Gas, Moma, NY

1940

Edward Hopper’s “Gas,” painted in 1940 and currently residing at MoMA (Museum of Modern Art), isn't merely a depiction of a roadside gas station; it’s a masterful distillation…

Cape Cod Morning (1950) av Edward Hopper
#98

Cape Cod Morning

1950

In the vast landscape of American modernism, few images resonate with as much profound stillness as Edward Hopper’s 1950 masterpiece, Cape Cod Morning. This striking canvas serves as…

Room for tourists, Yale University Art Gallery, (1945) av Edward Hopper
#99

Room for tourists, Yale University Art Gallery,

1945

A Quiet American Night: Exploring Edward Hopper’s “Room for Tourists” “Room for Tourists,” painted in 1945 by master realist Edward Hopper, is more than just a depiction of…

Eleven A.M. (1926) av Edward Hopper
#100

Eleven A.M.

1926

Edward Hopper’s “Eleven A.M.” (1926) is more than just a depiction of a woman in a room; it’s a meticulously crafted meditation on the quiet loneliness inherent within…

Edward Hopper's paintings by period

The subjects Edward Hopper painted most

The four subjects that return most often among these masterpieces, with the finest example of each.

Where to see Edward Hopper's paintings

De 8 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Edward Hopper Målningar från denna lista
MoMA - Museum of Modern Art, New YorkMoMA - Museum of Modern Art New York 4 Huset vid järnvägen, New York Film, untitled (5560)
Whitney Museet för amerikansk konst, New YorkWhitney Museet för amerikansk konst New York 10 Early sunday morning Whitney Museum of American, Woman at Cafe Table, Rocks and Sea
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 3 Nattugglor, The Art Institute of Chicago, Chica, nighthawks, Interior (Model Reading)
Yale University Art Gallery, HartfordYale University Art Gallery Hartford 3 Solsken i en kafé, Rum för Turister
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 3 Apotek, Room in Brooklyn
Hirshhorn Museum and Sculpture Garden, Washington, D.C.Hirshhorn Museum and Sculpture Garden Washington, D.C. 3 First Row Orchestra
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 2 The Cat Boat
Des Moines Art Center, Des MoinesDes Moines Art Center Des Moines 1 Automat (small)

Edward Hopper, decade by decade: the defining painting of each

  1. 1890s
    Study of a Seated Woman (1899) av Edward Hopper
    No. 57 of 100

    Study of a Seated Woman

    Ålder 8 – 17

    Edward Hopper's "Study of a Seated Woman," rendered in 1899, isn’t merely a depiction of a figure; it’s a distilled essence of late 19th-century American introspection. This intimate…

  2. 1900s
    Woman at Cafe Table (1907) av Edward Hopper
    #41 of 100

    Woman at Cafe Table

    Ålder 18 – 27 · Whitney Museet för amerikansk konst

    Woman at Cafe Table: A Portrait of Urban Isolation Edward Hopper’s “Woman at Cafe Table,” painted in 1906-1907, stands as a quintessential emblem of New Realism and embodies…

  3. 1910s
    Queensborough-Bridge (1913) av Edward Hopper
    No. 64 of 100

    Queensborough-Bridge

    Ålder 28 – 37

    In the vast landscape of American modernism, few images capture the quiet tension of urban existence as poignantly as Edward Hopper’s Queensborough Bridge. Painted in 1913, this monumental…

  4. 1920s
    Huset vid järnvägen (1925) av Edward Hopper
    #3 of 100

    Huset vid järnvägen

    Ålder 38 – 47 · MoMA - Museum of Modern Art

    Introduction to Edward Hopper and His Work Edward Hopper, a renowned American artist, is celebrated for his captivating oil paintings that often depicted modern life in the early…

  5. 1930s
    New York Film (1939) av Edward Hopper
    Rank 4 / 100

    New York Film

    Ålder 48 – 57 · MoMA - Museum of Modern Art

    MålningenEdward Hoppers "CITE>New York Movie" är en gripande oljemålning på duk skapad 1939. Den huseras för närvarande vid det prestigefyllda Museum of Modern Art (MoMA) i New York…

  6. 1940s
    Nattugglor, The Art Institute of Chicago, Chica (1942) av Edward Hopper
    No. 1 of 100

    Nattugglor, The Art Institute of Chicago, Chica

    Ålder 58 – 67 · Art Institute of Chicago

    Skapad år 1942 fångar detta ikoniska måleri en sen nattscen inuti ett café som aldrig stänger, och har blivit en av de mest igenkännliga bilderna inom amerikansk konst.…

  7. 1950s
    Solsken i en kafé (1958) av Edward Hopper
    #13 of 100

    Solsken i en kafé

    Ålder 68 – 77 · Yale University Art Gallery

    Edward Hoppers Sunlight in a Cafeteria (1958) är en mästerlig skildring av urban ensamhet, utförd med den precision och emotionella tyngd som definierar hans ikoniska stil. Denna olja…

  8. 1960s
    Människor i solen (1960) av Edward Hopper
    No. 14 of 100

    Människor i solen

    Ålder 78 – 85

    Edward Hoppers verk är ofta associerade med en melankolisk stillhet, en subtil reflektion över det amerikanska livet under 1900-talets första halva. Men bakom den lugna ytan finns en…

Edward Hopper's masterpieces: questions and answers

Which painting is Edward Hopper best known for?Show the answer

Nattugglor, The Art Institute of Chicago, Chica (1942), Art Institute of Chicago, Chicago. Next come Automat (small) and Huset vid järnvägen (1925).

How old was Edward Hopper when painting Nattugglor, The Art Institute of Chicago, Chica?Show the answer

60 years old: Nattugglor, The Art Institute of Chicago, Chica dates from 1942 and Edward Hopper was born in 1882.

What are Edward Hopper's ten greatest paintings?Show the answer

Nattugglor, The Art Institute of Chicago, Chica, Automat (small), Huset vid järnvägen, New York Film, untitled (5560), Early sunday morning Whitney Museum of American, Automat, Söndag, Gas och Chop Suey. The ranking above gives the year and the museum of each.

How many works did Edward Hopper paint?Show the answer

Our catalogue lists 366 works by Edward Hopper, dated from 1899 to 1965.

In which museums can I see Edward Hopper's masterpieces?Show the answer

Most of them are in MoMA - Museum of Modern Art (New York), Whitney Museet för amerikansk konst (New York) och Art Institute of Chicago (Chicago). The table above lists the museums one by one.

When did Edward Hopper paint the masterpieces?Show the answer

In 1920s: 15 of the 100 works on this page date from then, among them Huset vid järnvägen.

What are the first and last famous paintings of Edward Hopper?Show the answer

The earliest on this page is Study of a Seated Woman (1899), the latest Två Komiker (1965).

What were Edward Hopper's favourite subjects?Show the answer

Solitude (46), Isolation (41) och Urban landscape (24), among the 100 works on this page.

Which technique did Edward Hopper favour?Show the answer

Oil On Canvas: 34 of the 100 works on this page.

What art movement is Edward Hopper part of?Show the answer

Samtida realism och American realism, as the paintings on this page show.

Which masterpieces by Edward Hopper hang at the MoMA - Museum of Modern Art?Show the answer

Huset vid järnvägen, New York Film och untitled (5560) are among the 4 works on this page held by the MoMA - Museum of Modern Art, New York.

The life of Edward Hopper

Den amerikanska scenens stillhet

Edward Hopper föddes i Upper Nyack, USA. Hans tidiga år präglades av ett stadigt betraktande av världen, en vana som tog sin början i barndomens skisser, noggrant daterade och signerade. Trots att hans föräldrar föreslog en mer praktisk bana inom kommersiell illustration, förblev hans fokus fäst vid den fria konsten. Han studerade vid New York School of Art under William Merritt Chase och Robert Henri. Dessa år gav honom den tekniska skicklighet som krävdes för att skildra världen osminkad och ärlig. Han sökte inte de flyktiga penseldragen hos impressionisterna som han mötte i Paris; istället utvecklade han ett sätt att se som prioriterade ett ögonblicks stillhet framför en folkmängds rörelse.

Hans verk kretsar ofta kring det vardagliga. Han betraktade hus, diners, kontor och hotellrum. Han skalade bort onödiga detaljer för att blottlägga en scenes underliggande emotionella sanning. I House by the Railroad (1925) avslöjar en enkel komposition en känsla av mysterium och isolering. Han använde ljus och skugga inte bara för att beskriva ett rum, utan för att sätta en stämning. Den exakta återgivningen av en skugga på en vägg eller hur ljuset faller genom ett fönster blev hans sätt att kommunicera sina motivs psykologiska tillstånd.

Ljuset och det urbana interiören

Sättet som ljuset tränger in i ett rum på är en central karaktär i hans målningar. I Nighthawks (1942) skär det skarpa lysrörsljuset från en nattöppen diner genom mörkret på en övergiven stadsgata. Figurerna där inne är fysiskt nära varandra men verkar förlorade i sina egna tankar, bortkopplade från varandra. Denna känsla av anonymitet i en trång stad blev ett återkommande tema. Han fångade spänningen i att vara ensam på en offentlig plats, en känsla som ekar i verk som Automat och Office in a Small City. Han var fascinerad av hur det artificiella ljuset interagerar med nattens naturliga mörker.

Hans hustru, Josephine Nivison Hopper, var en ständig närvaro. Som medkonstnär fungerade hon ofta som hans modell, och hennes närvaro kan förnimmas i karaktäriseringen av många av hans kvinnogestalter. Tillsammans levde de ett anspråkslöst liv och tillbringade ofta somrar i New England, vilket i sin tur påverkade de landskap han målade. Hans skildringar av det amerikanska landskapet, såväl det rurala som det urbana, betonar ofta en viss karghet eller tomhet. Oavsett om det rör sig om en bensinstation vid vägkanten i Gas (1940) eller ett tyst rum på ett hotell, är motivet alltid skärningspunkten mellan en fysisk plats och en privat, inre upplevelse.

Ett arv av observation

Hoppers inflytande sträcker sig in i filmens och litteraturens visuella språk. Hans förmåga att skapa en känsla av psykologisk spänning genom komposition har noterats av många som studerar hur berättelser förmedlas genom bilder. Hans målningar finns bevarade på stora museer världen över, i samlingar som Whitney Museum of American Art och Museum of Fine Arts i Boston. Han strävade inte efter storslagna historiska narrativ. Istället fann han sitt motiv i vardagslivets tysta hörn, där han förvandlade ett enkelt fönster eller en förbipasserande främling till en studie i det mänskliga tillståndet. Hans arbete förblir en studie i den tystnad som existerar mellan människor.

Alla 366 verk av Edward Hopper →