Barnaba Da Modena, 1328 – 1386

Barnaba Da Modena: De 9 mest kända målningarna

The Virgin and Child between Saint John the Baptist and Saint Michael (1350) är det mest kända verket av Barnaba Da Modena och finns i Musée du Petit Palais i Avignon. Madonna and Child (1367) och Pentecost (1371) är de nästa två verk som världen känner till bäst. Av de 9 verk av Barnaba Da Modena i vår katalog, här är de 9 som samlare och museum besökare tittar mest på, med årtal, museum och historien bakom varje verk.

Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad oktober 2026. Varje mästerverk på denna sida kan beställas som en handmålad oljereproduktion av museikvalitet eller som ett konsttryck i den storlek du väljer.

Porträtt av Barnaba Da Modena
Barnaba Da Modena · 1328 – 1386
Född · död
1328 – 1386, Modena
Verk i vår katalog
9
Mest kända
The Virgin and Child between Saint John the Baptist and Saint Michael (1350)
Flest verk på
National Gallery

Topp 10: Barnaba Da Modenas mest kända målningar

Virgin and Child (1370) av Barnaba Da Modena
5

Virgin and Child

1370 · Oil On Canvas · Louvre, Paris

To gaze upon this depiction of the Virgin and Child is to step directly into the devotional heart of fourteenth-century Italy. The scene unfolds with an almost palpable intimacy; the Virgin Mary, adorned in rich blue robes and crowned with regal grace, cradles her infant son close to her breast. It is a moment suspended in time—a tender communion that speaks volumes of maternal love intertwined with divine mystery. Barnaba…

Virgin and Child (1360) av Barnaba Da Modena
7

Virgin and Child

1360 · Tempera On Panel · Museum of Fine Arts, Boston

In the quiet intimacy of Barnaba da Modena’s Virgin and Child, we are invited into a sacred moment that transcends the centuries. Created around 1360, this masterpiece serves as a profound window into the spiritual heart of the Trecento period. The painting captures a deeply human connection between the Virgin Mary and her infant son, presenting a scene where divine majesty meets maternal tenderness. As she cradles the young boy,…

Crucifixion (1375) av Barnaba Da Modena
9

Crucifixion

1375 · Tempera On Panel · Museum of Art, Indianapolis

In the quiet sanctity of the Museum of Art in Indianapolis, there exists a window into the fourteenth century that transcends the mere passage of time. The Crucifixion by Barnaba da Modena, executed around 1375, is not merely a painting but a profound spiritual encounter. As one gazes upon this tempera on wooden panel, the viewer is immediately enveloped by the solemnity of the late medieval period. The composition centers…

De motiv Barnaba Da Modena målade mest av

De fyra motiv som förekommer oftast bland dessa mästerverk, med det främsta exemplet på varje.

Var du kan se Barnaba Da Modenas målningar

De 8 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Barnaba Da Modena Målningar från denna lista
National Gallery, LondonNational Gallery London 2 Pentecost, Scenes of the Virgin; The Trinity; The Crucifixion
Musée du Petit Palais, AvignonMusée du Petit Palais Avignon 1 The Virgin and Child between Saint John the Baptist and Saint Michael
Städel Museum, FrankfurtStädel Museum Frankfurt 1 Madonna and Child
Gemäldegalerie, BerlinGemäldegalerie Berlin 1 Madona and Child
Louvre, ParisLouvre Paris 1 Virgin and Child
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Mourning Virgin
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 1 Virgin and Child
Museum of Art, IndianapolisMuseum of Art Indianapolis 1 Crucifixion

Barnaba Da Modena genom decennierna: ett mästerverk för varje decennium

  1. 1350s
  2. 1360s
  3. 1370s
    Pentecost (1371) av Barnaba Da Modena
    #3 av 9

    Pentecost

    Ålder 42 – 51 · National Gallery

Barnaba Da Modenas målningar: vanliga frågor

Vilken är den mest kända målning av Barnaba Da Modena?Visa svaret

The Virgin and Child between Saint John the Baptist and Saint Michael (1350), Musée du Petit Palais, Avignon. Därefter följer Madonna and Child (1367) och Pentecost (1371).

Vid vilken ålder målade Barnaba Da Modena The Virgin and Child between Saint John the Baptist and Saint Michael?Visa svaret

22 år gammal: The Virgin and Child between Saint John the Baptist and Saint Michael dateras från 1350 och Barnaba Da Modena föddes 1328.

Hur många målningar av Barnaba Da Modena finns det?Visa svaret

Vår katalog innehåller 9 verk av Barnaba Da Modena, daterade från 1350 till 1375.

Var kan jag se de mest kända målningarna av Barnaba Da Modena?Visa svaret

De flesta av dem finns i National Gallery (London), Musée du Petit Palais (Avignon) och Städel Museum (Frankfurt). Tabellen ovan listar museerna ett efter ett.

Under vilken period målade Barnaba Da Modena sina mest kända verk?Visa svaret

Under 1370s: 4 av de 9 verk som finns på denna sida härstammar från den tiden, däribland Pentecost.

Vilken är den tidigaste kända målningen av Barnaba Da Modena, och vilken är den senaste?Visa svaret

Det tidigaste på denna sida är The Virgin and Child between Saint John the Baptist and Saint Michael (1350), det senaste Crucifixion (1375).

Vilka motiv målade Barnaba Da Modena?Visa svaret

Byzantine style (3), Virgin mary (2) och Madonna and child (2), av totalt 9 verk på denna sida.

Vad målade Barnaba Da Modena på, och med vad?Visa svaret

Tempera On Panel: 2 av 9 verk på denna sida.

Vilka målningar av Barnaba Da Modena finns i National Gallerys samlingar?Visa svaret

Pentecost och Scenes of the Virgin; The Trinity; The Crucifixion är bland de 2 verk på denna sida som innehas av National Gallery, London.

Var kan jag köpa en Barnaba Da Modena-reproduktion?Visa svaret

Ja. Varje målning på denna sida kan beställas som en handmålad oljereproduktion av museikvalitet eller som ett konsttryck i den storlek du väljer, direkt från målningens egen sida.

Barnaba Da Modena: biografi

Barnaba da Modena (c. 1328 – c. 1386): A Byzantine Echo in Lombard Painting

Barnaba da Modena stands as a singular figure in the artistic landscape of fourteenth-century Italy—a pioneer who bravely championed a stylistic tradition largely abandoned by his contemporaries, firmly rooted in the grandeur and spirituality of Byzantium. Born around 1328 in Modena (Emilia), he emerged from obscurity to become arguably the first Lombard painter of considerable renown, leaving behind an impressive oeuvre that testifies to his unwavering devotion to this venerable artistic heritage. His activity spanned Lombardy, Piedmont, and Pisa in Tuscany, establishing him as a pivotal artist within the burgeoning cultural dynamism of the era.
  • Early Life & Training: Precise biographical details surrounding Barnaba’s formative years remain elusive. Records indicate he was active in Genoa from approximately 1364, where he secured patronage and honed his craft amidst a vibrant artistic milieu. This Genoese engagement undoubtedly exposed him to the prevailing stylistic currents of the time—a stark contrast to the increasingly naturalistic tendencies gaining traction elsewhere in Italy.
  • Byzantine Influence: Barnaba’s distinctive style is undeniably indebted to Byzantine painting, particularly its use of gold leaf and shimmering backgrounds. He meticulously replicated techniques perfected centuries earlier, prioritizing luminous color palettes and compositional schemes that emphasized symbolic grandeur rather than realistic representation. This commitment to tradition speaks volumes about his artistic sensibilities and reflects a profound understanding of the visual language of religious art.
  • Notable Works & Patronage: Barnaba’s prolific output encompassed around fifty paintings—a remarkable achievement considering the period—primarily focused on depictions of the Virgin Mary and Christ, often framed within elaborate architectural settings reminiscent of Byzantine churches. His commissions included prominent roles in Genoa’s Palazzo Ducale and contributed significantly to the artistic embellishment of ecclesiastical spaces throughout Lombardy.
  • Technique & Innovation: Despite adhering to Byzantine conventions, Barnaba demonstrated considerable technical skill—a testament to his meticulous attention to detail and masterful manipulation of pigment. His paintings exhibit a remarkable level of refinement, achieved through painstaking layering of glazes and incorporating subtle gradations of color that imbue the images with an ethereal quality.
  • Legacy & Influence: Barnaba’s artistic vision profoundly impacted subsequent generations of Lombard painters. Notably, Nicolò da Voltri continued his stylistic trajectory in Liguria until circa 1420, perpetuating Barnaba's Byzantine aesthetic and solidifying his position as a foundational figure in the development of Lombard painting. His enduring legacy resides not merely in his individual masterpieces but also in his contribution to shaping the artistic landscape of his time—a beacon of spiritual contemplation amidst the burgeoning complexities of the Renaissance.

Major Achievements & Artistic Style

Barnaba’s most celebrated achievements lie in his masterful execution of monumental frescoes adorning churches throughout Lombardy and Genoa. These works exemplify the pinnacle of Byzantine influence, characterized by:
  • Gold Leaf Backgrounds: Extensive use of gold leaf created radiant surfaces that evoked the splendor of imperial cathedrals—a deliberate stylistic choice reflecting Barnaba’s reverence for Byzantine iconography.
  • Symbolic Composition: Paintings prioritized conveying theological concepts through carefully orchestrated visual narratives, emphasizing spiritual significance over mere aesthetic beauty.
  • Luminous Color Palette: Barnaba skillfully employed vibrant hues—particularly blues and reds—to illuminate biblical scenes and imbue them with emotional intensity.

Connections & Artistic Context

Barnaba’s artistic milieu was shaped by the prevailing stylistic trends of his time, yet he steadfastly resisted the emerging naturalism championed by artists like Giotto di Bondone. He remained firmly committed to Byzantine principles—a conscious decision that distinguished him from many of his contemporaries and cemented his reputation as a champion of tradition. His work stands apart as an exceptional example of artistic integrity—a testament to his unwavering devotion to conveying spiritual truths through visual art.

Further Exploration

For deeper insights into Barnaba da Modena’s life and oeuvre, consult the following resources:
  • tiraboschi, Giuseppe Maria.Storia della letteratura lombarda dal secolo IX al XVI. Milano: Boccaveri Editore, 1867.

Alla 9 verk av Barnaba Da Modena →