Jerónimo Cosida, 1510 – 1592

Jerónimo Cosidas målningar: De 3 mest kända verken, rankade

Jerónimo Cosidas mest kända målning är Blessed Bridget (1550), i University of Navarra Museum, Pamplona. Tillsammans med The birth of John the Baptist (1578) och Noli Me Tangere (1570) utgör de de tre verk som alla känner igen. Vår katalog listar 3 verk av Jerónimo Cosida; de 3 nedan är de som världen betraktar mest, var och ett med sitt årtal, museet som förvarar det och varför det är betydelsefullt.

Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad november 2026. Varje mästerverk på denna sida kan beställas som en handmålad oljereproduktion av museikvalitet eller som ett konsttryck i den storlek du väljer.

Porträtt av Jerónimo Cosida
Jerónimo Cosida · 1510 – 1592
Född · död
1510 – 1592, Zaragoza
Verk i vår katalog
3
Mest kända
Blessed Bridget (1550)
Flest verk på
University of Navarra Museum

De 10 mest kända målningarna av Jerónimo Cosida

Noli Me Tangere (1570) av Jerónimo Cosida
3

Noli Me Tangere

1570 · Oil On Panel · Museo del Prado, Madrid

The scene unfolds in Noli Me Tangere, a work by the Spanish Renaissance painter Jerónimo Cosida. Created around 1570, this oil on pine wood captures a profound moment of spiritual encounter. The painting presents a biblical episode that many interpret as the Resurrection, specifically the moment Jesus meets Mary Magdalene. There is a palpable tension in the air as the figures interact within this sacred narrative.

Handmålad oljereproduktion från $256 27 × 37 cm Samma storlek som originalet $313 47 × 61 cm Beställ i originalstorlek →

Var du kan se Jerónimo Cosidas målningar

De 3 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Jerónimo Cosida Målningar från denna lista
University of Navarra Museum, PamplonaUniversity of Navarra Museum Pamplona 1 Blessed Bridget
Saragossa Museum, SaragossaSaragossa Museum Saragossa 1 The birth of John the Baptist
Museo del Prado, MadridMuseo del Prado Madrid 1 Noli Me Tangere

Jerónimo Cosidas mest kända målningar, år för år

29 års verk av Jerónimo Cosida, från 1550 till 1578, år för år: de mest kända målningarna från varje år, i kronologisk ordning.

  1. 1550
  2. 1570
    Noli Me Tangere (1570) av Jerónimo Cosida
    Nr. 3 av 3

    Noli Me Tangere

    Ålder 60 · Museo del Prado

    The scene unfolds in Noli Me Tangere, a work by the Spanish Renaissance painter Jerónimo Cosida. Created around 1570, this oil on pine wood captures a profound moment…

  3. 1578

Frågor om Jerónimo Cosidas målningar

Vilken är Jerónimo Cosidas mest kända målning?Visa svaret

Blessed Bridget (1550), University of Navarra Museum, Pamplona. Därefter följer The birth of John the Baptist (1578) och Noli Me Tangere (1570).

Hur gammal var Jerónimo Cosida när Blessed Bridget målades?Visa svaret

40 år gammal: Blessed Bridget dateras från 1550 och Jerónimo Cosida föddes 1510.

Hur många målningar har Jerónimo Cosida skapat?Visa svaret

Vår katalog innehåller 3 verk av Jerónimo Cosida, daterade från 1550 till 1578.

Var finns Jerónimo Cosidas mest kända målningar?Visa svaret

De flesta av dem finns i University of Navarra Museum (Pamplona), Saragossa Museum (Saragossa) och Museo del Prado (Madrid). Tabellen ovan listar museerna ett efter ett.

Vilka är Jerónimo Cosidas tidigaste och senaste kända målningar?Visa svaret

Det tidigaste på denna sida är Blessed Bridget (1550), det senaste The birth of John the Baptist (1578).

Kan jag köpa en reproduktion av en Jerónimo Cosida-målning?Visa svaret

Ja. Varje målning på denna sida kan beställas som en handmålad oljereproduktion av museikvalitet eller som ett konsttryck i den storlek du väljer, direkt från målningens egen sida.

Om Jerónimo Cosida

The Renaissance Master of Aragon

In the golden era of the Spanish Renaissance, few figures commanded as much versatility and devotion as Jerónimo Vicente Vallejo Cósida. Born into a noble family around 1510, Cósida was far more than a mere painter; he was a true polymath of the sixteenth century, weaving his creative spirit through the disciplines of sculpture, goldsmithing, and architecture. His life, spanning nearly sixty years of tireless artistic production, was deeply rooted in the province of Zaragoza, where he became a cornerstone of the Aragonese Renaissance. As an artist who never traveled to Italy, his mastery was not born of direct pilgrimage to the heart of the Renaissance, but rather through a profound ability to absorb and translate the most sophisticated European currents into a uniquely Spanish vernacular.

The evolution of Cósida’s hand is a journey from the meticulous precision of his early training to the sweeping, emotive grandeur of Mannerism. Having studied in Valencia under the guidance of Vicente Masip, he began his career with a focus on the intricate details of altarpieces and mural paintings. His early works, such as the Altarpiece of San Juan Bautista for the Tarazona Cathedral, reveal a craftsman obsessed with the delicate nuances of form. As his career matured, Cósida became a pioneer of innovation in Aragon, working alongside the Italian master Tomás Peliguet to introduce a new level of sophistication to the region's sacred art. His style eventually blossomed into a sophisticated Mannerism, where he drew inspiration from the divine grace of Raphael and the subtle, atmospheric shadows of Leonardo da Vinci.

A Legacy of Devotion and Detail

To gaze upon a work by Cósida is to witness a profound dialogue between technical rigor and spiritual elegance. He possessed an extraordinary capacity for detail, particularly in his treatment of the feminine figure and the delicate textures of drapery. His compositions were often elaborate, utilizing complex spatial arrangements that guided the viewer's eye through sacred narratives with a sense of rhythmic grace. This meticulousness was not merely decorative; it served to elevate the theological weight of his subjects, making the divine feel tangibly present within the earthly realm.

His professional life was marked by significant patronage and monumental achievements that left an indelible mark on Spanish ecclesiastical history:

  • Artistic Stewardship: Serving as the artistic adviser to Hernando de Aragón, the Archbishop of Zaragoza, Cósida secured a position of immense influence, allowing him to maintain a prolific workshop and decorate the most prestigious local cathedrals.
  • Mastery of the Altarpiece: He is credited with decorating over twenty-five altarpieces, works that served as the visual and spiritual focal points for countless communities, even though many have been lost to the passage of time.
  • Stylistic Synthesis: His ability to blend the linear precision of Albrecht Dürer with the soft, idealized beauty of the Italian masters created a unique aesthetic that defined an era in Spanish art.
  • Enduring Works: Notable surviving pieces, such as the Birth of St. John the Baptist altarpiece from the Charterhouse of Aula Dei, stand as testaments to his ability to capture profound emotion through stylized canons and luminous color palettes.

Though much of his physical output has been dispersed or destroyed, the historical significance of Jerónimo Cosida remains unshakeable. He was a bridge between eras, a man who took the burgeoning influences of the High Renaissance and anchored them firmly in the soil of Spain. Through his work, the elegance of gesture, the intricacy of detail, and the majesty of sacred composition found a permanent home in the heart of Aragon, ensuring that his name would forever be linked to the dawn of Spanish modern painting.