Still Life with Green Bowl (1935) är det mest kända verket av Hermann Euler och finns i Bavarian State Painting Collections i München. Av de 2 verk av Hermann Euler i vår katalog, här är de 2 som samlare och museum besökare tittar mest på, med årtal, museum och historien bakom varje verk.
Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad november 2026.
Museet som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Hermann Euler | Målningar från denna lista |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 2 | Still Life with Green Bowl, Strauss |
1935 är året för varje daterat mästerverk av Hermann Euler på denna sida: här är de, i ordning efter kändisskap.
Still Life with Green Bowl (1935)
35 år gammal: Still Life with Green Bowl dateras från 1935 och Hermann Euler föddes 1900.
Vår katalog innehåller 2 verk av Hermann Euler.
De flesta av dem finns i Bavarian State Painting Collections (München). Tabellen ovan listar museerna ett efter ett.
Under 1935: 2 av de 2 verk som finns på denna sida härstammar från den tiden, däribland Still Life with Green Bowl.
Still Life with Green Bowl och Strauss är bland de 2 verk på denna sida som innehas av Bavarian State Painting Collections, München.
Born in Aschaffenburg, Germany, Hermann Euler was the son of Konrad Euler and Meta Hein. His artistic path began in Munich, where he initially pursued painting without formal training before attending the Malschule of Moritz Heymann. He later studied at the Academy of Fine Arts Munich, first in the class of Heinrich von Zügel and subsequently under Angelo Jank, from whom he graduated as a master student in 1927. In 1925, he joined the Künstlervereinigung Münchner Secession. His travels to Norway and France, often accompanied by his wife, the painter Daisy Campi, were significant to his development. In 1934, Euler moved his family from Munich to a farm in Eichbichl am Rinssee. His later years included travels to Italy, Yugoslavia, France, and Spain, until his death in 1970.
Euler’s work evolved from impressionistic subject dissolution toward a cultivated expressive handwriting. His paintings are characterized by a certain rhythm and decisiveness in form, often appearing as if written onto the canvas with a vigorous gesture. He was a skilled draftsman, and in his later years, he frequently utilized a black brushstroke over a more glazing paint application. His technique involved applying oil paint alla prima onto a primed canvas, resulting in surfaces that varied from thick impasto to matte, glazing layers. His subject matter often drew from the immediate surroundings of his farm, including walled cottage gardens and still lifes placed within landscapes, which challenged traditional perceptions of scale and proportion.