Charles Bonnet, Swizz Naturalist and Philosopher (1785) är det mest kända verket av Henrik Plötz och finns i Nationalmuseum i Stockholm. Portrait of Prince Willem George Frederik (1795) och Portrait of a woman (1800) är de nästa två verk som världen känner till bäst. Av de 4 verk av Henrik Plötz i vår katalog, här är de 4 som samlare och museum besökare tittar mest på, med årtal, museum och historien bakom varje verk.
Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad november 2026. Varje mästerverk på denna sida kan beställas som en handmålad oljereproduktion av museikvalitet eller som ett konsttryck i den storlek du väljer.
De 2 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Henrik Plötz | Målningar från denna lista |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 2 | Charles Bonnet, Swizz Naturalist and Philosopher, King Khristian VII of Denmark and Norway |
 Rijksmuseum |
Amsterdam | 2 | Portrait of Prince Willem George Frederik, Portrait of a woman |
Charles Bonnet, Swizz Naturalist and Philosopher (1785), Nationalmuseum, Stockholm. Därefter följer Portrait of Prince Willem George Frederik (1795) och Portrait of a woman (1800).
38 år gammal: Charles Bonnet, Swizz Naturalist and Philosopher dateras från 1785 och Henrik Plötz föddes 1747.
Vår katalog innehåller 4 verk av Henrik Plötz, daterade från 1785 till 1800.
De flesta av dem finns i Nationalmuseum (Stockholm) och Rijksmuseum (Amsterdam). Tabellen ovan listar museerna ett efter ett.
Det tidigaste på denna sida är Charles Bonnet, Swizz Naturalist and Philosopher (1785), det senaste Portrait of a woman (1800).
Charles Bonnet, Swizz Naturalist and Philosopher och King Khristian VII of Denmark and Norway är bland de 2 verk på denna sida som innehas av Nationalmuseum, Stockholm.
Ja. Varje målning på denna sida kan beställas som en handmålad oljereproduktion av museikvalitet eller som ett konsttryck i den storlek du väljer, direkt från målningens egen sida.
Henrik Plötz was a multifaceted German artist and inventor born in Pinneberg. His diverse talents spanned several disciplines, as he was a painter, flautist, and miniaturist. His early life was marked by significant transitions; after losing his parents at a young age, he was raised by the Danish General Caesar Lüttichau, who ensured he received flute lessons in Fredericia. By 1768, he secured a position in the Royal Chapel in Copenhagen. However, his musical career was altered after a journey to Switzerland, where an illness prevented him from playing the flute further.
Following this, Plötz turned his focus toward visual arts and mechanics. He studied under an enamel painter and later with the mechanician P. J. Droz. His intellectual pursuits led him to Genthod, where he worked with the naturalist Charles Bonnet, creating plates of insects and plants and assisting with botanical and mechanical experiments.
Plötz was a man of profound technical curiosity, known for inventing precision instruments. He developed a physionotrace and a pantograph to create profile portraits with mechanical accuracy. His inventive spirit continued in Naples and later in Berlin, where he shared an atelier with Christian Hornemann. In 1799, he moved to Copenhagen to serve as a court mechanician under Christian Günther von Bernstorff. During his time in Copenhagen, he invented various devices, including a stamping machine designed to produce non-copyable banknotes.
His artistic output was notable for its dedication to the European tradition of miniature painting. His legacy also extended through his family, as his son, Carl Ludwig, followed in his footsteps as a miniature painter.