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Forest Landscape with Bathing Children
Handmålad oljereproduktion från $181 35 × 29 cm
Samma storlek som originalet $202 45 × 37 cm Beställ i originalstorlek →
Carl Eberts mest kända målning är Forest Landscape with Bathing Children (1867), i Bavarian State Painting Collections, München. Tillsammans med Evening Landscape (1875) och Landscape society in a park utgör de de tre verk som alla känner igen. Vår katalog listar 5 verk av Carl Ebert; de 5 nedan är de som världen betraktar mest, var och ett med sitt årtal, museet som förvarar det och varför det är betydelsefullt.
Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad november 2026. Varje mästerverk på denna sida kan beställas som en handmålad oljereproduktion av museikvalitet eller som ett konsttryck i den storlek du väljer.
De 2 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Carl Ebert | Målningar från denna lista |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
Carl Ebert målade i knappt 9 år, från 1867 till 1875: följ decenniet år för år, genom målningarna som skapade namnet.
Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, München. Därefter följer Evening Landscape (1875) och Landscape society in a park.
46 år gammal: Forest Landscape with Bathing Children dateras från 1867 och Carl Ebert föddes 1821.
Vår katalog innehåller 5 verk av Carl Ebert, daterade från 1867 till 1875.
De flesta av dem finns i Bavarian State Painting Collections (München) och Lenbachhaus (München). Tabellen ovan listar museerna ett efter ett.
Det tidigaste på denna sida är Forest Landscape with Bathing Children (1867), det senaste Evening Landscape (1875).
Forest Landscape with Bathing Children och Evening Landscape är bland de 2 verk på denna sida som innehas av Bavarian State Painting Collections, München.
Ja. Varje målning på denna sida kan beställas som en handmålad oljereproduktion av museikvalitet eller som ett konsttryck i den storlek du väljer, direkt från målningens egen sida.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.