1990
173.0 x 206.0 cmKonstverket som visas på denna sida skyddas av upphovsrättslagen, vilket innebär att vi inte lagligt kan skapa eller sälja en identisk reproduktion. Detta skydd upprätthålls genom internationella avtal såsom den Bernkonventionen och genom nationella lagar, inklusive de som fastställs av Amerikansk upphovsrättslag – Titel 17. Alla rättigheter förbehållna. Återgivning av konstverk är förbjuden utan skriftligt tillstånd från WahooArt.
Som ett respektfullt och lagligt alternativ erbjuder vi skräddarsydda, handmålade konstverk inspirerade av originalet. Våra skickliga och professionella konstnärer studerar noggrant originalets stil, stämning och konstnärliga essens för att skapa ett nytt, unikt verk som väcker samma känsla – samtidigt som det förblir en originell skapelse i egen rätt.
Denna metod följer fullt ut upphovsrättsliga regler eftersom den inte innebär kopiering eller duplicering av det skyddade konstverket. Istället är det en kreativ nytolkning – en ny målning som är influerad av originalet men inte identisk med det.
Handmålad olja på duk i din valda storlek och ram, tillverkad efter beställning av våra konstnärer. (
Byt till tryckta exemplar Byt till digital bildförsäljning)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Ange den bredd och höjd du behöver för att passa din ram eller din vägg. Eftersom detta är handmålat kan konstnären vid en annan form måla lite mer runt bilden eller beskära den något – du väljer själv. Vi skickar en digital mockup för godkännande innan målningen påbörjas. Bilden som visas på denna sida representerar inte det slutgiltiga resultatet — det är endast mockuppen som visar det.
Leverans över hela världen () på 3–4 veckor istället för standard 5 veckor. (24 oktober). Inga kompromisser med kvaliteten.
Room in Samur
Reproduktionsstorlek
Born in London on September 16, 1950, Stephen Farthing has emerged as a profound voice in contemporary British art, weaving together the intellectual rigor of art history with a visceral, painterly language. His journey is one defined by a deep engagement with both the classical and the avant-garde, a duality that allows his work to resonate across different eras. Educated at the prestigious Saint Martin's School of Art, where he earned his bachelor's degree in 1973, and later at the Royal College of Art in London, Farthing’s academic foundation provided him with the technical mastery required to explore complex themes. A pivotal moment in his early development was receiving a scholarship to study at the British School at Rome, an experience that undoubtedly deepened his connection to the weight of historical tradition and the architectural grandeur of the classical world.
Farthing’s artistic style is most notably characterized by its Cubist-influenced approach, where the stability of form is intentionally disrupted. He utilizes a fragmented perspective to explore social themes and historical narratives, creating canvases that feel like layered excavations of memory and meaning. His technique often involves a masterful manipulation of texture and color, employing multiple layers of paint to create palpable, tactile surfaces. This method does more than just add depth; it serves his broader mission to provoke contemplation on the human experience and the complexities of society. Through the fracturing of landscapes and urban scenes, he captures a sense of disorientation and alienation that mirrors the anxieties of the modern age, making his work a poignant reflection of contemporary existence.
The trajectory of Farthing’s career is marked by an extraordinary breadth of international exposure and academic leadership. Since returning from Italy in 1977, he has showcased his vision in diverse cultural landscapes, including solo exhibitions in Brazil, Uruguay, Mexico, Australia, Japan, and the United States. His presence on the global stage was further solidified by his participation in the 1989 São Paulo Biennale and his tenure as the Artist in Residence at the Hayward Gallery in London. Beyond the gallery walls, Farthing has demonstrated a unique ability to bring fine art into public spaces, notably painting large-scale murals for the Cleveland Browns Football Club in Ohio and Aston Villa Football Club in Birmingham.
Parallel to his creative output, Farthing has maintained a distinguished career as an educator and historian. His influence extends far beyond the canvas through his roles as:
His accolades are as numerous as his influences; a member of the Royal Academy of Arts since 1998, he has won prizes in the John Moores Liverpool Exhibition on eight separate occasions between 1976 and 1999. With works held in prestigious collections such as the National Portrait Gallery and his involvement in curated projects like "Drawing from Turner" at Tate Britain, Stephen Farthing remains a monumental figure whose work continues to bridge the gap between the historical echoes of the past and the pressing social commentaries of the present.
1950 -
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Glasalternativet är endast tillgängligt i storlekar under 110 cm.
