2016
40.0 x 3.0 cm
Fondazione Hospice Seràgnoli OnlusGiclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. (
Köp handmålat konstverk Byt till digital bildförsäljning)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Du kan ange egna mått för att passa en specifik ram eller yta. Om det valda måttet inte överensstämmer med originalbildens proportioner kommer vi antingen att beskära konstverket eller utöka bilden med en speglad eller enfärgad kant. En digital mockup skickas för ditt godkännande innan produktionen påbörjas.
Vänligen notera att förhandsvisningen på skärmen inte återspeglar den faktiska beskärningen eller utökningen. Endast mockuppen visar den slutgiltiga kompositionen korrekt.
Även om anpassade storlekar är möjliga, rekommenderar vi att du väljer ett mått från den fördefinierade listan för att bevara de ursprungliga proportionerna.
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Reproduktionsstorlek
Michele De Lucchi was born in Ferrara, Italy, in 1951. He received his architectural degree from Florence University, setting the stage for a career that would challenge conventional design norms. His formative years coincided with a period of radical experimentation in architecture and art, profoundly influencing his artistic trajectory.
De Lucchi emerged during a time of significant upheaval in the design world. He became a key figure within movements like Cavart, Studio Alchimia, and most notably, the Memphis Group. These groups rejected the austerity of Modernism, embracing playful forms, bold colors, and unconventional materials. His early work was heavily influenced by artists and designers who questioned established aesthetics and sought to create a more expressive and human-centered design language.
De Lucchi’s career spans both industrial design and architecture. He has designed iconic lamps and furniture for leading Italian and European companies, including Artemide, Olivetti, Alias, Unifor, Hermès, and Alessi. Some of his most recognizable works include:
Beyond product design, De Lucchi has undertaken numerous architectural projects, including building designs and restorations in Japan, Germany, Switzerland, and Italy. He’s worked with major corporations like NTT, Deutsche Bank, Novartis, Enel, Olivetti, Piaggio, Poste Italiane, and Telecom Italia.
In 1999, De Lucchi was commissioned to renovate a series of Enel power plants, demonstrating his ability to blend aesthetic sensitivity with functional requirements. He also played a crucial role in developing the corporate image for several prominent banks and organizations – Deutsche Bank, Deutsche Bundesbahn, Enel, Poste Italiane, Telecom Italia, Hera, and Intesa Sanpaolo – introducing both technical and aesthetic innovation into workplace environments.
De Lucchi’s involvement extends to the cultural sphere. He has contributed to building plans for significant museums including the Triennale di Milano, Palazzo delle Esposizioni in Rome, Neues Museum in Berlin, Fondazione Cini in Venice, and Gallerie d’Italia. His work consistently demonstrates a commitment to creating spaces that are both functional and inspiring.
De Lucchi's artistic development reflects a continuous exploration of form, material, and function. He transitioned from the radical experimentation of his early years to a more refined and sophisticated approach while retaining a commitment to innovation. His work is significant for its contribution to Postmodern design, challenging the dominance of Modernism and paving the way for a more diverse and expressive aesthetic landscape. He remains an active figure in contemporary design, continuing to push boundaries and inspire new generations of architects and designers.
1951 - , Italy
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Glasalternativet är endast tillgängligt i storlekar under 110 cm.
