1869
76.0 x 64.0 cmGiclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. (
Köp handmålat konstverk Byt till digital bildförsäljning)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Du kan ange egna mått för att passa en specifik ram eller yta. Om det valda måttet inte överensstämmer med originalbildens proportioner kommer vi antingen att beskära konstverket eller utöka bilden med en speglad eller enfärgad kant. En digital mockup skickas för ditt godkännande innan produktionen påbörjas.
Vänligen notera att förhandsvisningen på skärmen inte återspeglar den faktiska beskärningen eller utökningen. Endast mockuppen visar den slutgiltiga kompositionen korrekt.
Även om anpassade storlekar är möjliga, rekommenderar vi att du väljer ett mått från den fördefinierade listan för att bevara de ursprungliga proportionerna.
Leverans över hela världen () på 2 veckor istället för standard 4/5 veckor. (22 september)
James Topham Brady
Reproduktionsstorlek
Joseph Alexander Ames (1816–1872) was an American artist primarily celebrated for his skill in portrait and genre painting. Born originally as Joseph Emes, he left a lasting mark on the 19th-century American art scene.
Ames was born in Roxbury, New Hampshire, and demonstrated artistic talent from a very young age. His abilities were recognized early; at just twelve years old, Henry Theodore Tuckerman wrote about one of his paintings, signaling the promise of a burgeoning career. After achieving moderate success locally in Saugus, Massachusetts, Ames moved to Boston in 1841 to further develop his artistic skills.
During his time in Boston, Ames actively sought to refine his style, initially drawing inspiration from the work of Washington Allston. He aimed to replicate Allston’s romantic and dramatic approach to painting. This period was crucial in shaping his artistic foundation. In 1848, Ames embarked on a transformative journey to Rome, where he painted a portrait of Pope Pius IX. This work gained significant recognition when it was exhibited at the National Academy of Design in 1850.
Upon his return from Italy, Ames’s reputation grew rapidly, leading to prestigious commissions from prominent figures such as Rufus Choate, Daniel Webster, and Abraham Lincoln. He established studios in Boston, first in Amory Hall (circa 1849), then on Tremont Street (circa 1856), and later on Summer Street. Ames actively exhibited his work at esteemed institutions including the Boston Athenæum, the National Academy of Design, and the Pennsylvania Academy.
Eventually, Ames relocated to Baltimore and then New York City, where he tragically died of a “brain fever” on October 30, 1872. His contributions to American art were recognized during his lifetime through his membership in key artistic organizations.
Ames came from a family with diverse talents. His brother, Nathan Ames, was a poet and patent solicitor who invented numerous machines, including the escalator. His wife, Sarah Fisher Ames, was also an accomplished artist – a sculptor.
1816 - 1872 , United States of America
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Glasalternativet är endast tillgängligt i storlekar under 110 cm.
