Handmålad olja på duk i din valda storlek och ram, tillverkad efter beställning av våra konstnärer. (
Byt till tryckta exemplar Byt till digital bildförsäljning)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Du kan ange egna mått för att passa en specifik ram eller yta. Om den valda storleken inte matchar originalbildens proportioner kommer vi antingen att beskära konstverket eller utöka målningen med ytterligare handmålade element. En digital skiss skickas till dig för godkännande innan produktionen påbörjas.
Observera att förhandsvisningen på skärmen inte återspeglar den faktiska beskärningen eller utökningen. Endast skissen visar den slutgiltiga kompositionen korrekt.
Även om anpassade storlekar är möjliga, rekommenderar vi att du väljer en dimension från den fördefinierade listan för att bevara originalproportionerna.
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Hubert Schmalix - I’m having a Bad Time
Reproduktionsstorlek
Hubert Schmalix emerged as a pivotal figure in the landscape of Austrian art, serving as one of the most influential voices during the electric era of the junge wilde movement. Born in Graz on December 17, 1952, his artistic journey was forged amidst the burgeoning countercultural fervor of the late 1970s. This period was defined by a spirited reaction against the prevailing intellectual detachment of minimalist and conceptual art, seeking instead to reclaim the raw power of the brushstroke. Schmalix’s formative years were deeply rooted in the traditions of Austrian Expressionism, drawing profound inspiration from masters such as Ernst Fuchs and Viktor Mischiek. These early influences instilled in him a lifelong conviction that painting should serve as a visceral instrument for conveying human emotion and lived experience.
The trajectory of Schmalalix’s career was marked by a relentless pursuit of color and gesture. In 1978, he became a central participant in the junge wilde collective, standing alongside contemporaries like Siegfried Anzinger and Herbert Brandl. This movement sought to revitalize the medium through bold, rapid brushwork and a renewed focus on the immediacy of perception. His stylistic development was further refined by his studies at the Academy of Fine Arts Vienna under Maximilian Melcher, and later shaped by the academic rigor of Karl Horst Hödicke. Schmalix’s unique ability to fuse realism with impressionistic techniques allowed him to capture the essence of his subjects—whether they were the luminous, sweeping vistas of the Austrian Alps or intimate figurative studies exploring the complexities of psychological introspection.
While his roots remained firmly planted in the European tradition, Schmalix’s artistic horizons expanded far beyond the borders of Austria. His travels to Australia and the Philippines in the early 1980s brought new perspectives to his work, enriching his palette and thematic depth. A significant turning point occurred in 1987 when he relocated to Los Angeles, a move that would redefine his professional life and introduce his expressive style to a much broader, international audience. This transition from the historic art centers of Europe to the sprawling energy of Southern California allowed his work to resonate with a new sense of light and scale.
Beyond the canvas, Schmalix left an indelible mark on the next generation of artists through his dedication to pedagogy. From 1997 to 2006, he shared his profound technical knowledge and philosophical approach to painting while teaching at both the Academy of Fine Arts Vienna and the University of California, Los Angeles (UCLA). His career was punctuated by prestigious recognitions that honored both his creative output and his contributions to the cultural fabric of his homeland, including:
As we reflect on the life of Hubert Schmalix, who passed away in Los Angeles on March 23, 2025, we see an artist who never wavered from his commitment to the palpable energy of paint. His oeuvre remains a testament to the power of color to evoke memory and emotion, ensuring his place as a cornerstone of contemporary expressionism.
1952 - , Austria
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Glasalternativet är endast tillgängligt i storlekar under 110 cm.
