200.0 x 100.0 cm
Centre of Contemporary Art Znaki CzasuHandmålad olja på duk i din valda storlek och ram, tillverkad efter beställning av våra konstnärer. (
Byt till tryckta exemplar Byt till digital bildförsäljning)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Du kan ange egna mått för att passa en specifik ram eller yta. Om den valda storleken inte matchar originalbildens proportioner kommer vi antingen att beskära konstverket eller utöka målningen med ytterligare handmålade element. En digital skiss skickas till dig för godkännande innan produktionen påbörjas.
Observera att förhandsvisningen på skärmen inte återspeglar den faktiska beskärningen eller utökningen. Endast skissen visar den slutgiltiga kompositionen korrekt.
Även om anpassade storlekar är möjliga, rekommenderar vi att du väljer en dimension från den fördefinierade listan för att bevara originalproportionerna.
Leverans över hela världen () på 3–4 veckor istället för standard 5 veckor. (25 september). Inga kompromisser med kvaliteten.
obraz - 09
Reproduktionsstorlek
Heinz Cibulka, born in Vienna, Austria, in 1943, occupies a singular and haunting position within the landscape of contemporary Austrian photography and assemblage art. His work does not merely observe the world; it wrestles with its most profound shadows, exploring themes of despair and the pervasive disillusionment that characterizes much of the human experience. To encounter a Cibulka composition is to enter a space where the boundaries between reality and memory blur, leaving the viewer to navigate a landscape of existential anxiety and emotional weight.
Cibulka’s artistic identity was forged in the turbulent and radical milieu of Viennese Actionism. During the late 1960s and early 1970s, this movement sought to shatter established artistic conventions through spontaneous performance and confrontational gestures. Moving alongside luminaries such as Günter Brus, Otto Mühl, Hermann Nitsch, and Rudolf Schwarzkogler, Cibulka absorbed the conviction that art must serve as a vehicle for confronting uncomfortable truths. This legacy of provocation remains the heartbeat of his practice, driving him to use visual language not for mere depiction, but as a tool for deep, often unsettling, contemplation.
Unlike the traditional photographer who seeks to capture a singular, perfect moment in time, Cibulka’s method is one of meticulous construction and fragmentation. He operates as an architect of imagery, painstakingly assembling disparate photographic fragments—often salvaged from archival materials—into complex, layered compositions. These are not simple collages; they are deliberate interventions designed to disrupt narrative linearity and force a confrontation with the image.
His technique relies heavily on the power of juxtaposition. By layering textures, light, and historical remnants, he creates what can only be described as visual poems. In works such as his digital photo collage obraz – 09, he utilizes elements like a sunlit curtain within a triptych structure to create a sense of layered reality. This approach allows him to bypass the superficial beauty of a subject to reach its visceral core, capturing the impact of hardship and loss through the very way images are broken and rebuilt.
The historical significance of Cibulka’s work lies in his ability to translate the radical energy of Actionism into a more contemplative, photographic medium. While the performance art of his contemporaries was often fleeting and explosive, Cibulka’s assemblages offer a permanent, haunting record of psychological states. His oeuvre serves as a profound meditation on the darker facets of existence, refusing to provide the comfort of serenity or easy resolution.
Ultimately, the enduring power of Heinz Cibulka's art is found in its emotional resonance. Through his unique photographic cycles, he invites the viewer into a shared experience of sorrow and reflection. His work stands as a testament to the idea that art can find profound meaning not just in the celebration of life, but in the courageous exploration of its most difficult and disillusioned moments.
1943 - , Austria
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Glasalternativet är endast tillgängligt i storlekar under 110 cm.
