Konstverket som visas på denna sida skyddas av upphovsrättslagen, vilket innebär att vi inte lagligt kan skapa eller sälja en identisk reproduktion. Detta skydd upprätthålls genom internationella avtal såsom den Bernkonventionen och genom nationella lagar, inklusive de som fastställs av Amerikansk upphovsrättslag – Titel 17. Alla rättigheter förbehållna. Återgivning av konstverk är förbjuden utan skriftligt tillstånd från WahooArt.
Som ett respektfullt och lagligt alternativ erbjuder vi skräddarsydda, handmålade konstverk inspirerade av originalet. Våra skickliga och professionella konstnärer studerar noggrant originalets stil, stämning och konstnärliga essens för att skapa ett nytt, unikt verk som väcker samma känsla – samtidigt som det förblir en originell skapelse i egen rätt.
Denna metod följer fullt ut upphovsrättsliga regler eftersom den inte innebär kopiering eller duplicering av det skyddade konstverket. Istället är det en kreativ nytolkning – en ny målning som är influerad av originalet men inte identisk med det.
Handmålad olja på duk i din valda storlek och ram, tillverkad efter beställning av våra konstnärer. ( Byt till tryckta exemplar
Byt till digital bildförsäljning)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Ange den bredd och höjd du behöver för att passa din ram eller din vägg. Eftersom detta är handmålat kan konstnären vid en annan form måla lite mer runt bilden eller beskära den något – du väljer själv. Vi skickar en digital mockup för godkännande innan målningen påbörjas. Bilden som visas på denna sida representerar inte det slutgiltiga resultatet — det är endast mockuppen som visar det.
Leverans över hela världen () på 3–4 veckor istället för standard 5 veckor. (23 oktober). Inga kompromisser med kvaliteten.
Hazy moon
Reproduktionsstorlek
Born in the historic city of Nanjing, China, in 1958, Dayou Lu has emerged as a profound voice within the realm of Chinese New Ink Art. His artistic journey began amidst the transformative decades of modern China, a period that deeply informed his perspective on the intersection of cultural heritage and contemporary expression. With a dedication to mastering the ancient, meditative techniques of ink painting that has spanned over fifty years, Lu has cultivated a prolific body of work that serves as a bridge between tradition and modernity. His compositions are celebrated for their breathtaking double-colored water-ink mastery, capturing the ephemeral essence of nature with a clarity that feels both timeless and immediate.
The foundation of Lu’s technical brilliance was laid through rigorous academic training at the prestigious Central Academy of Painting in Beijing. It was within these hallowed halls that he honed his skills in traditional Chinese painting styles, developing a deep-seated appreciation for meticulous observation and the profound weight of symbolism. This formative period instilled in him an understanding of how a single brushstroke can convey complex emotional landscapes. His education at the Suzhou Fine Arts School and the Central Academy of Fine Arts provided him with the structural discipline required to later innovate upon the very traditions he studied so intently.
What truly distinguishes Dayou Lu in the contemporary art world is his signature approach to the medium, specifically his mastery of double-color water-ink paintings. In this technique, Lu achieves a remarkable feat of alchemy by blending the deep, soulful shadows of traditional black ink with vibrant, luminous watercolor pigments. This method allows him to achieve an extraordinary tonal depth and luminosity that preserves the raw integrity of the ink while introducing a modern, atmospheric brilliance. Through this delicate balance, he is able to enhance the mood and narrative of his scenes, creating works that seem to breathe with light.
His artistic philosophy is deeply rooted in the pursuit of a simple, natural, and elegant style. While his work is grounded in the reality of the subjects he depicts, it is never merely a literal representation. Instead, Lu seeks to capture the aura and poetic mood of his subjects, utilizing sketching as a source of vitality to ensure that every creature and petal is imbued with the rhythm of life. His paintings are not just images; they are environments designed to offer the viewer a sense of freshness, liveliness, and spiritual respite.
The recurring themes in Lu’s oeuvre reflect a profound connection to the heritage of Chinese landscape painting and the core tenets of Taoist philosophy. He frequently returns to the imagery of lotus ponds, a subject that allows him to explore the interplay of light, water, and flora. In his hands, the lotus becomes more than a botanical specimen; it is a symbol of purity and resilience. Alongside these scenes, he often incorporates birds, branches, and the delicate presence of dew, each element serving as a metaphor for harmony and the cyclical rhythms of existence.
This thematic focus creates a sense of "environment" within his work—a space where the viewer can find peace amidst the chaos of the modern world. By focusing on the subtle beauty of the natural world, Lu invites a meditative state, encouraging an appreciation for the interconnectedness of all living things. His ability to translate these philosophical concepts into visual splendor has earned him significant recognition both in China and internationally.
Dayou Lu’s contributions to the art world extend far beyond his technical prowess; he is a vital participant in the preservation and evolution of Chinese ink painting as a living, breathing art form. His professional accolades are numerous and reflect his high standing within the global artistic community:
Throughout his career, Lu has held hundreds of solo and group exhibitions worldwide, demonstrating a tireless commitment to sharing the beauty of Chinese New Ink Art with a global audience. From his influential roles in various painting institutes in Jiangsu and Nanjing to his status as a visiting professor, Dayou Lu continues to inspire new generations of artists to look toward tradition as a source of infinite innovation.
1958 - , China