The third world pushing its way to the regulars' table (1981) je najpoznatije delo umetnika Werner Büttner, koje se nalazi u muzeju Städel Museum u gradu Frankfurt. Od 2 dela umetnika Werner Büttner u našem katalogu, izdvajamo ovih 1 koja kolekcionari i posetioci muzeja najčešće posmatraju, uz navođenje godine, muzeja i priče o svakom od njih.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Werner Büttner | Slike iz ovog spiska |
|---|---|---|---|
 Städel Museum |
Frankfurt | 1 | The third world pushing its way to the regulars' table |
1981 je godina svakog datiranog remek-dela umetnika Werner Büttner na ovoj stranici: evo ih, poređanih prema popularnosti.
The third world pushing its way to the regulars' table (1981)
27 godina: The third world pushing its way to the regulars' table datira iz 1981, a Werner Büttner je rođen/a 1954.
Naš katalog sadrži 2 dela umetnika Werner Büttner.
Većina njih se nalazi u Städel Museum (Frankfurt). U tabeli iznad su muzeji navedeni jedan po jedan.
Born in Jena, Germany, Werner Büttner moved to Munich with his parents in 1961 before relocating to Berlin in 1968. After studying law at the Freie Universität Berlin from 1973 to 1977, he worked as a social assistant in the Tegel correctional facility. His early career was marked by the founding of various organizations, such as the Dum-Dum-Liga-Journal and the Liga zur Bekämpfung des widersprüchlichen Verhaltens, the latter established with Albert Oehlen. During the 1980s, Büttner was associated with the Neuen or Jungen Wilden movement, a group of painters who advocated for a Rückkehr der Malerei, or a return to painting, moving away from conceptual art. His work during this period was characterized as neo-expressionist and neo-dadaist, often utilizing humorous and sarcastic references to everyday life within his titles and subjects.
Büttner’s influence extended into academia, where he served as a lecturer and later as a professor at the Hochschule für Bildende Künste in Hamburg from 1989 to 2021. During his tenure, he taught painting and was involved in university politics, mentoring students such as Daniel Richter and Matvey Slavin. In addition to his teaching, he co-founded the Meter-Verlag with Albert Oehlen. His later artistic focus has shifted toward neo-dadaist collages, which have been exhibited at venues like the Deichtorhallen in Hamburg. His work is held in several collections, including: