Slika koja je proslavila Лоренцо Лото je Portrait of a Gentleman in his Study (detail) (1530); nalazi se u muzeju Gallerie dell'Accademia di Venezia, Venecija. Christ Taking Leave of his Mother (1521) i Allegory of Virtue and Vice (detail) (1505) slede nakon njih u srcima kolekcionara i posetilaca muzeja. Od 361 dela umetnika Лоренцо Лото u našem katalogu, ovih 100 su najcenjenija, a svako je predstavljeno sa datumom nastanka, muzejom i onim što ga izdvaja.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
To stand before this depiction of a gentleman in his study is to step across the threshold into a world steeped in contemplation and cultivated refinement. The air seems thick with the scent of aged paper, polished wood, and perhaps the faint, sweet echo of music from the nearby violin. This portrait does more than merely record a likeness; it captures an entire state of being—the quiet authority vested in…
Lorenzo Lotto's “Christ Taking Leave of His Mother,” painted in 1521, isn’t merely a depiction of a poignant farewell; it’s a profound meditation on faith, familial love, and the impending sorrow that shadows Christ’s journey to Jerusalem. This masterpiece, now residing within the Gemäldegalerie in Berlin, offers a rare glimpse into the heart of Venetian Renaissance spirituality—a world where earthly beauty intertwined seamlessly with divine symbolism.
Lorenzo Lotto's “Allegory of Virtue and Vice,” a remarkably preserved panel painting from 1505, isn’t merely a depiction of figures; it’s a meticulously crafted stage for an eternal struggle. Holding court within a dramatic, almost theatrical space—a strip of land receding into a turbulent sea beneath a brooding sky—Lotto presents a scene both profoundly unsettling and deeply resonant with human experience. The painting immediately commands attention not through overt grandeur,…
Lorenzo Lotto's "Allegory of Virtue and Vice," painted in 1505, is not merely a decorative panel; it’s a profound meditation on human choice, morality, and the eternal struggle between good and evil. Created during a pivotal moment in his career – a period marked by both artistic experimentation and a growing independence from Venetian conventions – this work reveals Lotto's unique vision and his masterful ability to imbue a complex…
Lorenzo Lotto's “The Woman Taken in Adultery,” painted around 1527-29, is not merely a depiction of a biblical transgression; it’s a profound meditation on sin, judgment, and the complexities of human morality. Housed within the hallowed halls of the Louvre Museum in Paris, this oil painting transcends its subject matter to become a powerful exploration of virtue and vice, rendered with Lotto's signature blend of High Renaissance grace and nascent…
A man emerges from a heavy, ink-black shadow. He is Mastro Battista di Rocca Contrada, a man defined by the tool he holds. His hands grip a wooden crossbow, the grain of the timber rendered with a tactile, weathered precision. He does not look away. His gaze is a direct line, steady and heavy with a quiet, internal tension. The light catches the ridge of his nose and the coarse…
A single knife is embedded in the shoulder of the man, a sharp intrusion against the pale skin. He sits in a heavy, dark habit, the coarse fabric absorbing the light. His gaze is fixed, heavy with a quiet suffering that feels more like a settled fact than a sudden pain. The background is a void of deep browns and blacks, pushing his figure forward into the viewer's space. He…
The focus rests upon the soft curve of a mother’s silhouette and the weight of a child held in her arms. In this detail, the Virgin Mary and the Christ Child occupy the center of a sacred geometry. Their presence is framed by the delicate presence of angels, one hovering near the crown of Mary's head, while others occupy the space to the right. Behind them, the landscape rises in…
Lorenzo Lotto's St. Sebastian, painted in 1531, is not merely a depiction of a biblical martyr; it’s a profound meditation on suffering, faith, and the human condition rendered with an arresting intensity rarely seen in Renaissance art. This oil-on-canvas work, currently residing within the Staatliche Museen in Berlin, transcends simple religious iconography to become a deeply emotive portrait of vulnerability and resilience. Lotto, a master of his craft known for…
The air in the Recanati town square feels heavy with the weight of spoken words. Sunlight washes over the brick buildings, casting soft shadows that give volume to the crowd gathered below. At the center of this communal moment, St. Dominic occupies an elevated wooden pulpit, his figure commanding the attention of the assembly. He is a pillar of spiritual energy, delivering a sermon that seems to ripple through the…
Step closer to observe the sitter, a young man captured in a moment of profound stillness. He sits slightly off-center, his gaze directed toward the left of the…
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The Virgin Mary sits at the center of a quiet, dark space. She leans toward the Christ child with a heavy, maternal grace. Around them, three angels drift…
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The air within the sacred space feels heavy with a quiet, divine presence as the eye meets the Angel Pietà. This piece, a crowning element of the larger…
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The gaze of the subject in Portrait of a Man meets the viewer from a moment frozen in 1525. This work, created by the Venetian artist Lorenzo Lotto,…
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The Recanati Polyptych: Pietà is a breathtaking oil painting created by the renowned Italian artist Lorenzo Lotto in 1508. This stunning artwork is part of the collection at…
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Lorenzo Lotto’s Emblematic Portrait: A Meditation on Virtue and Remembrance Lorenzo Lotto’s *Portrait of a Woman Inspired by Lucretia*, completed around 1533, stands as a testament to the…
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This oil-on-panel painting, executed in 1508, forms the upper right wing of the Recanati Polyptych. The composition features two figures, Saint Catherine of Siena and Saint Sigismund, positioned…
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In this oil on canvas painting from 1547, a man identified as Fra Gregorio Belo of Vicenza occupies the central foreground. He is depicted with a full, textured…
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The composition centers on a small, winged figure holding a lamb. This infant angel, characterized by a soft, rounded facial structure, gazes toward the viewer with a slight…
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The portrait presents a bearded man positioned slightly off-center against a dark, near-black background. This deep, monochromatic space creates a sense of isolation around the subject. Directional light…
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In a space defined by deep, undifferentiated shadows, a man and a child emerge from the darkness. The light, streaming from the upper left, catches the steady gaze…
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Lorenzo Lotto's 1527 “Portrait of Andrea Odoni” isn’t merely a depiction of a wealthy merchant; it’s a meticulously crafted tableau vivant, a window into the mindset of a…
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The oil on canvas work titled Holy Family with Saints Anne and Joachim was executed by the artist Lorenzo Lotto. This religious art piece dates to 1535. The…
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Lorenzo Lotto executed Portrait of a Young Man with Black Cap and Red Garment (Count Valsassina) around 1505. The work represents a significant example of the artist's early…
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This formal and dignified monochrome portrait features a gentleman positioned centrally in a three-quarter length composition against a dark, indistinct background. The subject is depicted with a poised…
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The male portrait is a work by the Italian Renaissance painter, draughtsman, and illustrator Lorenzo Lotto. Created in 1505, this oil on panel painting captures a single male…
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A close-up depiction of a man’s face and upper torso dominates the frame, rendered in oil on canvas. The composition is centered, focusing the viewer's attention on the…
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The oil on panel work titled Ecce Homo was executed by the Venetian artist Lorenzo Lotto. Measuring 48.3 by 39.4 cm, the painting presents a vertical composition focused…
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This two-panel polyptych, executed in 1531, presents two distinct religious figures within arched, gilded rectangular frames. On the left panel, Saint Sebastian is depicted as a youthful man…
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The portrait presents a young man in a medium close-up, positioned slightly off-center. He faces toward the viewer's right, though his gaze is directed back toward the observer.…
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This Renaissance-era portrait painting, dating to 1529, depicts a man identified as a musician. The composition is centered on the figure, who is positioned slightly off-center and faces…
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The portrait titled young man in his study by Lorenzo Lotto captures a single male figure. This work, dated 1528, presents the subject in a formal portraiture format.…
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The fresco fragment breathes with the restless energy of a sixteenth-century town. High above the earthly commotion, three monks reside within oval frames, their faces etched with a…
Lorenzo Lotto’s 1534 painting, “Madonna and Child with St. Jerome, St. Joseph, and St. Anne,” isn't merely a devotional image; it’s a carefully constructed tableau of familial piety…
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In the quiet, luminous depths of Lorenzo Lotto’s Madonna with St. Jerome and St. Anthony of Padua, we find ourselves transported to the heart of the Italian Renaissance,…
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In the quiet, profound depths of Lorenzo Lotto’s 1508 masterpiece, Madonna with a Bishop and St. Onuphrius, viewers are invited into a sacred space where the earthly and…
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In the quiet, dappled light of an outdoor sanctuary, Lorenzo Lotto presents a vision of the sacra conversazione that transcends the rigid boundaries of traditional religious portraiture. This…
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The painting presents four men arranged within a structured space, each dressed in heavy black robes. On the far left, a man holds a book in his hands,…
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The painting, executed in oil on panel in 1505, presents a landscape divided by a central tree. This botanical element acts as a vertical axis, separating two distinct…
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In the profound stillness of an ecclesiastical sanctuary, Lorenzo Lotto captures a moment of transcendent gravity in his 1556 masterpiece, The Presentation of Christ in the Temple. This…
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Lorenzo Lotto’s “Portrait of a Married Couple,” completed in 1523, stands as a testament to the High Renaissance’s preoccupation with humanist ideals – specifically, capturing not merely physical…
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To stand before this self-portrait by Lorenzo Lotto is to encounter not merely a likeness, but a profound meditation on the act of being seen. Painted in 1540,…
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Lorenzo Lotto's "St Catherine of Alexandria," painted in 1522, is more than just a depiction of a revered saint; it’s a masterful synthesis of Renaissance ideals, imbued with…
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The Portrait of a Man with a Felt Hat is a captivating oil painting created by the renowned Italian artist Lorenzo Lotto in 1541. This stunning piece of…
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In the quiet, luminous depths of Lorenzo Lotto’s Mystic Marriage of St Catherine (detail), one encounters far more than a mere religious tableau; it is a profound meditation…
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To look upon this detail is to enter a space of profound silence, a moment suspended between earthly struggle and spiritual revelation. Painted around 1509, this oil on…
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Subject and Composition The portrait presents a dignified gentleman in the quiet intimacy of an oil on panel. He wears a black hat trimmed with gold, a crisp…
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This painting is a reproduction of the Altar polyptych of San Bartolomeo, Bergamo, foot plate: Martyrdom of St. Stephen. Created by the Venetian artist Lorenzo Lotto, the work…
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Before you stands a moment suspended in time, a scene of profound sorrow and ultimate reverence: the Deposition. Lorenzo Lotto captures not merely an event, but the very…
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In this large-scale composition from 1542, a central male figure dressed in a white robe holds an infant. This man, identified as St Antoninus, is positioned at the…
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The Assumption of the Virgin by Lorenzo Lotto emerged from the artist's brush around 1549. This large altarpiece was conceived for a specific sacred space: the church of…
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In the quietude of a rugged landscape, Lorenzo Lotto’s St Jerome in the Wilderness invites the viewer into a profound moment of spiritual introspection. Painted around 1509, this…
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In the quiet intimacy of Lorenzo Lotto’s Portrait of a Young Man, created in 1505, we are invited into a profound psychological encounter that transcends the boundaries of…
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The gaze of the saint meets the viewer in St. Catherine of Alexandria, a work painted by Lorenzo Lotto in 1522. This religious figure emerges from the shadows,…
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To gaze upon this depiction of the Annunciation is to step directly into the hushed reverence of a Renaissance study, imbued with the unique, wandering spirit of Lorenzo…
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In the delicate, luminous strokes of Lorenzo Lotto’s Allegory of Chastity, we encounter a moment suspended in time, where the earthly and the divine converge in a breathtaking…
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To stand before a work by Lorenzo Lotto is to encounter a master of nuanced human emotion, a painter whose itinerant spirit infused his canvases with an unparalleled…
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To stand before Lorenzo Lotto’s Transfiguration is to step across a threshold into a moment of sublime, almost overwhelming spiritual clarity. This monumental canvas, dating from 1511, captures…
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To gaze upon this detail from Lorenzo Lotto’s St Jerome in the Wilderness is to be drawn into a profound silence, a moment suspended between earthly struggle and…
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In this detail from the fresco cycle within the Oratorio Suardi, we find ourselves witnessing a quiet yet profound miracle. The scene captures Saint Brigid in the act…
In the quiet intensity of Lorenzo Lotto’s 1527 masterpiece, Man with a Golden Paw, viewers are invited into a world where the boundaries between the physical and the…
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To gaze upon this detail from Lorenzo Lotto’s Madonna and Child with Sts Peter, Christine, Liberale, and Jerome is to step directly into the richly colored, emotionally charged…
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In the quiet corridors of art history, few portraits possess the haunting, psychological depth found in Lorenzo Lotto’s Portrait of a Woman. Painted in 1506, this masterpiece serves…
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Četiri teme koje se najčešće pojavljuju među ovim remek-delima, sa najboljim primerom za svaku od njih.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Лоренцо Лото | Slike iz ovog spiska |
|---|---|---|---|
 Pinacoteca Civica |
Recanati | 8 | Recanati Polyptych: Pietà, Annunciation, Transfiguration |
 Kunsthistorisches Museum |
Beč | 14 | Homily of St. Dominic in Recanati, Portrait of a young man in red garment, Madonna and Child with Saints Catherine and Thomas (sacra conversazione) |
 National Gallery of Art |
Washington | 8 | Allegory of Virtue and Vice (detail), Allegory of Virtue and Vice, St Catherine of Alexandria |
 Museo Nazionale di Castel Sant'Angelo |
Rim | 4 | St Jerome in the Wilderness (detail), St Jerome in the Wilderness, St Jerome in the Wilderness (detail) |
 Oratorio Suardi |
Trezzo sull'Adda | 14 | Legend of St Barbara (detail) (11), Legend of St Brigid (detail) |
 Accademia Carrara |
Bergamo | 11 | Altar polyptych of San Bartolomeo, Bergamo, foot plate: Martyrdom of St. Stephen, Deposition |
 Staatliche Museen zu Berlin |
Berlin | 6 | Christ Taking Leave of his Mother, St Sebastian |
 Ermitaž |
Sankt Peterburg | 5 | Madonna della Grazie, Portrait of a Married Couple |
Lorenzo Lotto's “Allegory of Virtue and Vice,” a remarkably preserved panel painting from 1505, isn’t merely a depiction of figures; it’s a meticulously crafted stage for an eternal…
A close-up depiction of a man’s face and upper torso dominates the frame, rendered in oil on canvas. The composition is centered, focusing the viewer's attention on the…
Lorenzo Lotto's “Christ Taking Leave of His Mother,” painted in 1521, isn’t merely a depiction of a poignant farewell; it’s a profound meditation on faith, familial love, and…
To stand before this depiction of a gentleman in his study is to step across the threshold into a world steeped in contemplation and cultivated refinement. The air…
A single knife is embedded in the shoulder of the man, a sharp intrusion against the pale skin. He sits in a heavy, dark habit, the coarse fabric…
A man emerges from a heavy, ink-black shadow. He is Mastro Battista di Rocca Contrada, a man defined by the tool he holds. His hands grip a wooden…
Portrait of a Gentleman in his Study (detail) (1530), Gallerie dell'Accademia di Venezia, Venecija. Sledeći su Christ Taking Leave of his Mother (1521) i Allegory of Virtue and Vice (detail) (1505).
50 godina: Portrait of a Gentleman in his Study (detail) datira iz 1530, a Лоренцо Лото je rođen/a 1480.
Portrait of a Gentleman in his Study (detail), Christ Taking Leave of his Mother, Allegory of Virtue and Vice (detail), Allegory of Virtue and Vice, Christ and the Woman Taken in Adultery, Portrait of a crossbowman (Mastro Battista di Rocca Contrada), Friar Angelo Ferretti as Saint Peter Martyr, Madonna and Child with Saints and an Angel (detail) -, St Sebastian i Homily of St. Dominic in Recanati. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 361 dela umetnika Лоренцо Лото, datiranih od 1500 do 1556.
Većina njih se nalazi u Pinacoteca Civica (Recanati), Kunsthistorisches Museum (Beč) i National Gallery of Art (Washington). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1500s: 37 od ukupno 100 dela na ovoj stranici datiraju iz tog vremena, od čega je Allegory of Virtue and Vice (detail).
Najstarije delo na ovoj stranici je iz Portrait of a young man in red garment (1500), a najnovije iz The Presentation of Christ in the Temple (1556).
Man (16), Saints (13) i Religious (11), od ukupno 100 dela na ovoj stranici.
Oil On Canvas: 32 od ukupno 100 dela na ovoj stranici.
High renaissance, kao što pokazuju slike na ovoj stranici.
Recanati Polyptych: Pietà, Annunciation i Transfiguration su među 5 dela na ovoj stranici koja se nalaze u Pinacoteca Civica, Recanati.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
