Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.
Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. (
Kupite ručno oslikano delo Pređi na digitalnu sliku)
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Unesite željenu širinu i visinu kako bi se štampa uklopila u vaš ram ili zid. Štampu je moguće samo iseći, ali nikada povećati iznad dimenzija originalne slike, stoga format sa drugačijim proporcijama uzrokuje gubitak dela slike. Pre početka štampe, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni isrez — to pokazuje samo digitalni prikaz.
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Born in Berlin, Germany, Ernst Wilhelm Nay was the second of six children. After completing his education at the provincial school Pforta in Thuringia, he began a bookshop apprenticeship in Berlin before turning toward painting. His talent was recognized by Karl Hofer at the College of Fine Arts in Berlin, who provided him with a scholarship and inclusion in his painting class. During his studies, he met his future wife, Helene Kirchner, who worked there as a model.
His early artistic output included autodidactically painted landscapes and portraits. During a stay in Rome, he produced surrealist-abstract images, including small-format still lifes featuring shells or worms. His work during the 1930s included the "beach pictures" from Bornholm and the "fisherman's drawings," which utilized pen and ink to translate the activity of fishermen and the movement of boats into free line art.
Nay's career was marked by several distinct phases of development. Following his time in France during the war, he created the "Hekatebilder" and later the "Fugal pictures." In Cologne, he developed the "Scheibenbildern," where the circular form of the disc became a dominant motif. This period was characterized by his publication of the manifesto "From the Gestalt value of color."
His later work included several notable series:
Nay died in Cologne, leaving behind a body of work that transitioned from figurative landscapes to complex, non-objective compositions.
1902 - 1968 , Germany
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Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm
