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ML, sitting

A poignant portrait of a woman concealing her face in blue and white tones by Neue Wilde master Siegfried Anzinger captures profound existential emotion, inviting you to explore this evocative contemporary masterpiece.

Siegfried Anzinger (b. 1953) is a leading Austrian 'Neue Wilde' painter known for expressive, colorful works exploring existential themes like love, pain & sexuality. Exhibited internationally, documenta 7 & Venice Biennale.

Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.

Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.

Giclee štampa / Umetnički otisak

Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Naručite ručno oslikano reprodukciju Pređi na prodaju digitalnih slika)

Corner sample of the P118B picture frame: kaljeni polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: kaljeni polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: kaljeni polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: kaljeni polistiren, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: kaljeni polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: kaljeni polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: kaljeni polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: kaljeni polistiren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
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Standardne dimenzije
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Možete uneti sopstvene dimenzije kako biste umetničko delo prilagodili specifičnom okviru ili prostoru. Ako odabrani format ne odgovara proporcijama originalne slike, mi ćemo ili iscrtati deo dela ili proširiti sliku pomoću ogledane ivice ili jednobojnog popunjavanja. Digitalni prikaz će vam biti poslat na odobrenje pre početka proizvodnje.
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Iako su prilagođene dimenzije dostupne, preporučujemo da odaberete dimenziju sa unapred definisane liste kako biste očuvali originalne proporcije.

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Ukupna cena

дин 6907

ML, sitting

Giclee štampa / Umetnički otisak

Veličina reprodukcije

-

Ukupna cena

дин 6907

Brzi pregled

  • Dimensions: 188 x 227 cm
  • Year: 1993
  • Movement: Neue Wilde
  • Notable elements or techniques: Vibrant color, layered complexity

An Intimate Encounter with Solitude

In the evocative masterpiece ML, sitting, created in 1993, the viewer is invited into a profound moment of quiet introspection. The painting presents a portrait of a woman seated upon a chair, her form partially obscured by her own hands as they cover her face. This gesture, central to the composition, immediately establishes a sense of mystery and vulnerability. Clad in a serene blue shirt and a simple skirt, the subject rests against white cushions that offer a stark, clean contrast to the deeper tones of the piece. The background, rendered in lush, verdant greens, does more than merely provide depth; it creates an atmospheric cocoon that isolates the figure, drawing the eye inward toward her silent, internal struggle or perhaps her peaceful retreat from the world.

The work serves as a poignant window into the psyche, where the physical act of hiding one's face becomes a powerful symbol of the universal human experience. It speaks to those moments of grief, shame, or even deep meditation where the external world must be shut out to process the internal landscape. For the collector or interior designer, this piece offers a sophisticated emotional anchor, providing a focal point that encourages contemplation and stillness within a living space.

The Expressive Legacy of the Neue Wilde

To understand the technical brilliance and emotional weight of ML, sitting, one must look to the artistic lineage of its creator, Siegfried Anzinger. As a pivotal figure in the Neue Wilde movement, Anzinger brought a raw, uninhibited energy to the canvas, challenging the sterile academicism of his era with vibrant color and existential urgency. This painting, though possessing a certain stillness, carries the DNA of that movement through its intense engagement with color and form.

Anzinger’s technique is characterized by an almost obsessive layering of emotion and pigment. In this work, the interplay between the cool blues of the subject's attire and the deep, enveloping greens of the background demonstrates a masterful command over color temperature to evoke mood. The brushwork, while contributing to a cohesive scene, retains a palpable sense of life, ensuring that the painting feels less like a static image and more like a captured breath. It is this tension between the stillness of the subject and the vibrant energy of the execution that makes Anzinger’s work so enduringly captivating for modern audiences.

A Timeless Addition to the Curated Home

For those seeking to infuse their interiors with art that possesses both intellectual depth and aesthetic grace, ML, sitting stands as an exemplary choice. The large-scale presence of the work—measuring an impressive 188 x 227 cm—allows it to command a room, acting as a window into a different emotional dimension. Its palette of blues, whites, and greens is versatile enough to complement contemporary minimalist decors or more traditional, classic settings, providing a sophisticated touch of Austrian expressionism.

Owning a high-quality reproduction of such a significant work allows for the appreciation of Anzinger's complex textures and profound themes. It is an investment in atmosphere, bringing into a home a piece that does not merely decorate a wall but narrates a story of human resilience, privacy, and the beautiful complexity of the soul. Whether placed in a quiet study or a grand salon, this painting promises to spark conversation and provide a lasting source of visual and emotional inspiration.

Pitanja i odgovori

Koji su dominantni koloriti u delu „ML, sitting”, Siegfried Anzinger?

ML, sitting”, Siegfried Anzinger koristi Neutrals paletu, pri čemu je Putty (#d6dbd6) dominantna boja.

Koja veličina reprodukcije se preporučuje za „ML, sitting”, Siegfried Anzinger?

Preporučena veličina štampe za „ML, sitting”, Siegfried Anzinger je Large.

Na koji način se tehnika i stil spajaju u delu "ML, sitting"?

ML, sitting”, Siegfried Anzinger spaja tehniku Painting sa stilom Neue Wilde. Tehnika i pravac opisuju način izrade i stil dela.

Koja veličina štampe za "ML, sitting" bi najbolje odgovarala mojoj prostoriji?

Za Living Room, preporučena veličina štampe dela „ML, sitting”, Siegfried Anzinger je Large.

Kakvu bi atmosferu reprodukcija dela „ML, sitting”, Siegfried Anzinger unela u prostoriju?

Sa svojim Dramatic raspoloženjem, delo "ML, sitting" je predloženo za Living Room.

Koju fazu razvoja umetnika Siegfried Anzinger predstavlja delo "ML, sitting"?

ML, sitting“ pripada Mature Period u karijeri umetnika Siegfried Anzinger. Ova klasifikacija povezuje delo sa razvojem samog umetnika.

Da li se „ML, sitting”, Siegfried Anzinger čuva u matičnoj zemlji umetnika?

Da - umetničko delo se čuva u matičnoj zemlji umetnika. Umetnik je rođen u Austria, dok se originalno delo nalazi u Austria.

Da li je dostupno preuzimanje za "ML, sitting"?

ML, sitting”, Siegfried Anzinger možete preuzeti na stranici za Preuzimanje ovog dela, kao preuzimanje digitalne slike visoke rezolucije.


Biografija umetnika

Siegfried Anzinger: A Chronicle of Intense Color and Existential Exploration

Siegfried Anzinger, born in Weyer, Austria, on February 25, 1953, is a pivotal figure within the “Neue Wilde” movement – a group that challenged established artistic norms with its raw emotion, vibrant color palettes, and often unsettling subject matter. His work, deeply rooted in Austrian identity yet resonating globally, explores fundamental human experiences: love, pain, sexuality, loneliness, and ultimately, mortality. Anzinger’s career is characterized by an almost obsessive engagement with his chosen medium, a relentless cycle of creation and re-creation that results in paintings layered with complexity and imbued with a palpable sense of urgency.

Early Years and Artistic Formation

Anzinger's artistic journey began at the Academy of Fine Arts in Vienna (1971-1977), where he studied under Professor Maximilian Melcher. This formative period laid the groundwork for his distinctive style, though it was a conscious departure from traditional academic training. He sought to dismantle conventional approaches and forge his own path, driven by a desire to push the boundaries of painting itself. Following his time in Vienna, Anzinger relocated to Cologne in 1981, immersing himself within the burgeoning avant-garde scene of West Germany. This move proved crucial, exposing him to new influences and solidifying his position within the “Neue Wilde” collective – a group that prioritized direct emotional expression over meticulous representation.

The "Neue Wilde" Aesthetic: Color, Texture, and Raw Emotion

Central to Anzinger’s artistic identity is his association with the “Neue Wilde.” This movement, emerging in the late 1970s and early 1980s, rejected the polished surfaces and intellectualism of previous generations. Instead, it embraced a visceral approach, utilizing bold colors, broad brushstrokes, and often fragmented compositions to convey intense emotional states. Anzinger’s paintings are immediately recognizable for their saturated hues – fiery reds, deep blues, and acidic yellows – applied with a frenetic energy that suggests both urgency and exhaustion. His technique is characterized by a layering process; he repeatedly adds and subtracts paint, building up complex textures and creating an illusion of constant evolution within each work. This “non-finito” quality—a deliberate avoidance of completion—is not simply a stylistic choice but reflects the artist’s engagement with the inherent instability of human experience.

Key Exhibitions and Recognition

Anzinger's work has been consistently recognized through numerous solo and group exhibitions both nationally and internationally. A significant milestone occurred in 1988 when he participated in the Austrian Pavilion at the Venice Biennale, a testament to his growing recognition within the art world. His inclusion in documenta 7 (1982) further cemented his position as a leading contemporary artist. Throughout his career, Anzinger has exhibited at prestigious galleries and museums worldwide, including the Gemeentemuseum Den Haag and the Max Weber Gallery. In 2003, he received the Austrian State Prize for Fine Arts, acknowledging his enduring contribution to Austrian art.

Themes of Existentialism and Personal Reflection

Beneath the vibrant surface of Anzinger’s paintings lies a profound exploration of existential themes. He frequently tackles subjects such as love, pain, sexuality, loneliness, fear, and death – fundamental aspects of the human condition that he approaches with unflinching honesty. His work is not didactic; it doesn't offer easy answers or resolutions. Instead, it presents these complex emotions in a raw and immediate manner, inviting viewers to confront their own experiences of vulnerability and uncertainty. As one source notes, his paintings “deal with basic existential problems such as love, sexuality, pain, loneliness, fear and death.” His oeuvre is a testament to the enduring power of art to grapple with the most challenging aspects of our shared human experience.
  • Notable Works: Untitled (1997) – A layered oil painting exploring atmospheric hues and subtle figures.
  • Influences: John van ‘t Slot, Bacon
  • Current Status: Still actively creating and exhibiting.

For further information, please refer to the resources listed below:

Siegfried Anzinger

Siegfried Anzinger

1953 - , Austria

Brzi pregled

  • Full Name: Siegfried Anzinger
  • Nationality: Austrian
  • Date Of Birth: 1953
  • Place Of Birth: Weiz, Austria
  • Notable Artworks:
    • Untitled (1997)
    • Various paintings
  • Artistic Movement Or Style: Neue Wilde
  • Artists Who Influenced This Artist: ['Maximilian Melcher']
  • Artists Or Movements Influenced By This Artist:
    • Franz Kaiser
    • John van ‘t Slot”