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Entablature

Roy Lichtenstein’s bold ‘Entablature,’ a masterful reimagining of classical architecture through Ben-Day dots and geometric abstraction, captures the essence of Pop Art's rebellious spirit. Explore this iconic 1976 masterpiece and bring Lichtenstein’s innovative vision home.

Pionir pop arta Рој Лихтенштајн poznat je po Ben-De tačkicama i delu Whaam!. Otkrijte njegova čuvena remek-dela već danas.

Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.

Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.

Giclee štampa / Umetnički otisak

Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Kupite ručno oslikano delo Pređi na digitalnu sliku)

Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
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Ukupna cena

дин 7238

Entablature

Giclee štampa / Umetnički otisak

Dimenzije reprodukcije

-

Ukupna cena

дин 7238

Osnovne informacije

  • Artistic style: Abstract Expressionism
  • Influences:
    • Comic strips
    • Jasper Johns
  • Medium: Oil and magna on canvas
  • Year: 1976
  • Location: MoMA

Entablature: A Bold Statement of Geometric Form

Roy Lichtenstein’s “Entablature,” completed in 1976, stands as a cornerstone of Pop Art—a movement that irrevocably challenged the conventions of fine art and embraced imagery derived from popular culture. More than just aesthetically striking, this canvas embodies Lichtenstein's meticulous exploration of architectural principles combined with his signature technique of Ben-Day dots, resulting in an artwork brimming with intellectual depth.

  • Subject Matter: The painting depicts a simplified representation of a classical entablature—the horizontal structural element of buildings—stripped down to its essential geometric forms. Lichtenstein eschewed narrative storytelling, opting instead for abstraction that prioritizes visual impact and formal considerations.
  • Style & Technique: Lichtenstein’s method was revolutionary. He meticulously recreated comic strip printing techniques onto canvas, employing halftone dots – tiny colored circles – to simulate the shading achieved through screen printing. This process created a textured surface reminiscent of newspaper print, instantly associating the artwork with familiar visual language.
  • Color Palette: Dominated by a muted yellow hue, “Entablature” utilizes black stripes strategically positioned across the canvas to delineate shapes and add textural contrast. The simplicity of the color scheme underscores Lichtenstein’s focus on pure form and avoids distracting embellishments.

Historical Context & Pop Art's Rebellion

Created during the mid-1970s, “Entablature” emerged from a broader artistic landscape grappling with anxieties surrounding consumerism and mass media. The Pop Art movement arose in response to Abstract Expressionism’s emotional intensity, rejecting subjective experience for objective representation. Artists like Lichtenstein deliberately appropriated imagery from advertising, comics, and everyday life—sources previously deemed unsuitable for serious art—to critique societal values and provoke contemplation.

As highlighted by the MoMA database (MoMA), Lichtenstein’s intention wasn't merely to reproduce visual stimuli but to transform them into artworks that interrogated their underlying assumptions. The reference to Sergei Chepik and social realism at Roy Miles Gallery (Roy Miles Gallery) underscores the movement’s broader ambition—to engage with pressing social issues through innovative artistic strategies.

Symbolism & Emotional Resonance

Despite its apparent simplicity, “Entablature” carries significant symbolic weight. The entablature itself represents stability and permanence – concepts deliberately contrasted with the fleeting nature of modern life. Lichtenstein’s use of Ben-Day dots isn't merely a stylistic choice; it symbolizes the fragmentation and artificiality inherent in mass media culture.

Furthermore, exploring “Beyond the Ben-Day Dots” (Beyond the Ben-Day Dots) reveals Lichtenstein’s profound engagement with artistic heritage and his desire to elevate commonplace imagery into powerful statements. The meticulous reproduction available at WahooArt (Entablature) allows viewers to experience the artwork's brilliance firsthand.

  • Emotional Impact: “Entablature” evokes a sense of calm contemplation despite its bold geometric forms. The repetition and precision of the Ben-Day dots create an almost hypnotic effect, inviting viewers to consider the relationship between form and content—a central preoccupation of Lichtenstein’s oeuvre.

Pitanja i odgovori

U kojoj je tehnici izvedeno delo „Entablature”, autor Рој Ликтенстајн?

Tehnika dela „Entablature”, autor Рој Ликтенстајн je Acrylic. Reprodukcije imaju za cilj da dočaraju izgled ove tehnike.

Da li su boje dela "Entablature" intenzivne ili nežne?

Boje u delu „Entablature”, autor Рој Ликтенстајн imaju Monochromatic intenzitet.

O kojoj vrsti umetničkog dela je reč kod „Entablature”, autor Рој Ликтенстајн?

„Entablature”, autor Рој Ликтенстајн je klasifikovan/a kao WallArt. Ova kategorija opisuje vrstu umetničkog dela kojoj original pripada.


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