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Antoninianus is a work by Roman Opałka. The subject is an ancient Roman silver coin, specifically an Antoninianus. The piece features a portrait of an emperor, likely Antoninus Pius, captured in a photographic study.
This work is situated within the artist's conceptual art practice. It engages with the visual language of numismatic study and the representation of imperial power. The object functions as a meditation on time and the physical properties of metal.
The composition is centered on the circular form of the silver coin, which dominates the frame against a stark black background. The subject is presented at a slight angle, allowing for a simultaneous view of the face and the surrounding inscription. This positioning creates a sense of three-dimensional presence despite the relatively flat perspective of the photographic study.
Directional lighting is focused on the object, coming from above and slightly to the right. This lighting strategy accentuates the physical condition of the metal, highlighting a surface that appears worn and slightly pitted. The high contrast between the metallic sheen and the dark void of the background emphasizes the texture of the aged silver.
This work is a photographic representation of a silver coin. Rather than a painting, the image utilizes close-up photography to capture the physical properties of the metal. The medium focuses on the specific material qualities of the Antoninianus, emphasizing its silver composition and the wear acquired through age.
The execution relies on directional, focused lighting to define the object's three-dimensional form. This lighting strategy creates high-contrast highlights and deep shadows across the surface, accentuating the pitted texture and the engraved lines of the facial features and hair. Such precision in lighting reveals the intricate details of the inscription and the subtle variations in the silver tones against a stark black background.
The work engages with the intersection of numismatic study and contemporary conceptualism. By focusing on the Antoninianus, the subject matter addresses imperial power and iconography, utilizing the coin as a vessel for historical authority. The presence of the portraiture within the silver medium links the object to the specificities of Roman imperial identity and the representation of the individual through state-sanctioned imagery.
The physical condition of the silver—pitted and worn—functions as a visual marker for the passage of time. This decay connects the object to the broader themes of mortality and the inexorable march of existence. Through this lens, the coin becomes a meditation on the concept of time, where the material degradation of the metal mirrors the ephemeral nature of the power it once signified. The work aligns with the artist's lifelong preoccupation with counting and the pursuit of infinity, using the finite, historical object to contemplate the boundless.
The artist's exploration of numismatic subjects is reflected in other pieces held at The Walsh Gallery at Seton Hall University, such as Silver Coin. This thematic focus on historical currency and the physical properties of metal is further seen in the work titled Coin, Quadrans. These compositions engage with the visual language of ancient coinage and the concept of seriality.
A central component of his oeuvre is the monumental project OPALKA 1965/1 – ∞. This series consists of canvases sequentially numbered from one onwards, a process that spanned decades. Each individual canvas within this sequence is referred to as a "Detail."
The work is held at The Walsh Gallery at Seton Hall University, located in South Orange, New Jersey. This institution, situated in the United States of America, is also known as The Walsh Gallery and Walsh Gallery at Seton Hall University. The gallery functions as a repository for various movements, including Modern Art and European Art.
The piece remains part of the permanent institutional holdings in South Orange. It is situated within an academic environment that maintains a diverse collection of artistic traditions and historical periods. The museum's holdings include works from the Contemporary and Modern eras.
U delu „Antoninianus”, autor Roman Opalka, umetnički pravac Conceptual Art susreće eru Modernizam.
Luminansa zabeležena za „Antoninianus”, autor Roman Opalka iznosi Dark.
Zabeležene vrednosti za „Antoninianus”, autor Roman Opalka su: osvetljenost deep_shadow, luminansa Dark.
1931 - 2011 , Француска
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