Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.
Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. (
Kupite ručno oslikano delo Pređi na digitalnu sliku)
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Unesite željenu širinu i visinu kako bi se štampa uklopila u vaš ram ili zid. Štampu je moguće samo iseći, ali nikada povećati iznad dimenzija originalne slike, stoga format sa drugačijim proporcijama uzrokuje gubitak dela slike. Pre početka štampe, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni isrez — to pokazuje samo digitalni prikaz.
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Wirbelwerk
Dimenzije reprodukcije
Ólafur Eliasson’s “Wirbelwerk,” created in 2012 for the Lenbachhaus museum in Munich, isn't merely a sculpture; it’s an orchestrated experience. This monumental installation immediately captivates with its sheer scale – spanning over eight meters in diameter and descending nearly nine meters below – yet manages to feel remarkably intimate as visitors are drawn into its swirling embrace. The work is a testament to Eliasson’s signature approach: a masterful blend of science, perception, and the evocative power of light and space. It's an invitation to reconsider our relationship with the world around us, prompting a moment of quiet contemplation amidst the bustle of a museum setting.
At its core, “Wirbelwerk” is built upon a complex system of polished metal tubes – hundreds of them – meticulously arranged in opposing spirals. These aren’t simply lines; they are conduits for light, each tube subtly tinted with color, creating an iridescent shimmer as it catches the ambient illumination. Interwoven within this metallic framework are hand-blown coloured glass triangles, strategically positioned to refract and scatter light further, adding layers of complexity and visual richness. The entire structure is bathed in a carefully calibrated internal lighting system, shifting and evolving throughout the day, mirroring the natural rhythms of sunlight and shadow.
Eliasson’s fascination with movement – particularly the dynamic forms of vortexes and spirals – is central to “Wirbelwerk.” He draws inspiration from phenomena observed in nature, such as the swirling patterns of water currents or the graceful rotation of schools of fish. The installation subtly mimics these natural movements, creating an illusion of perpetual motion that engages the viewer’s sense of spatial awareness. The geometry itself—the precise spirals and intersecting lines—references principles of Gestalt psychology, demonstrating how our brains actively interpret visual information to create a cohesive whole. It's not just about seeing; it’s about *feeling* the movement within the space.
The brilliance of “Wirbelwerk” lies in its interaction with the surrounding environment. The installation is designed to respond dynamically to changes in light, casting shifting patterns of color and shadow onto the museum’s walls and floors. This creates a constantly evolving visual landscape, transforming the space into an immersive experience. Eliasson deliberately blurs the boundaries between art and architecture, turning the entire atrium into a single, unified artwork. The work invites viewers to become active participants in this dynamic interplay of light and form, altering their perception of the room with each movement.
Beyond its technical sophistication, “Wirbelwerk” carries a subtle symbolic weight. The swirling forms evoke notions of transformation, fluidity, and interconnectedness – mirroring the cyclical nature of life itself. The installation’s scale encourages a sense of awe and wonder, prompting viewers to momentarily step outside their everyday concerns and embrace a more expansive perspective. It's a reminder of our inherent connection to the natural world, and a celebration of the beauty and complexity that surrounds us. The piece ultimately leaves one with a feeling of quiet contemplation, a lingering awareness of the intricate dance between light, space, and perception.
Sa svojim Portrait oblikom, reprodukcija dela "Wirbelwerk" idealna je za Hotel Lobby.
„Wirbelwerk”, autor Ólafur Elíasson prenosi Tranquil osećaj unutar opšte Calm atmosfere.
„Wirbelwerk“ pripada Late Period u karijeri umetnika Ólafur Elíasson. Ova klasifikacija povezuje delo sa razvojem samog umetnika.
1967 - , Denmark
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Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm
