Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.
Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. (
Kupite ručno oslikano delo Pređi na digitalnu sliku)
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Unesite željenu širinu i visinu kako bi se štampa uklopila u vaš ram ili zid. Štampu je moguće samo iseći, ali nikada povećati iznad dimenzija originalne slike, stoga format sa drugačijim proporcijama uzrokuje gubitak dela slike. Pre početka štampe, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni isrez — to pokazuje samo digitalni prikaz.
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Souvenir 2
Dimenzije reprodukcije
To stand before a work by Jasper Johns is to confront the familiar until it becomes utterly strange. In Souvenir 2, we are invited into an intimate still life, a carefully curated arrangement of objects that seem plucked from a sunlit kitchen counter or perhaps a forgotten drawer. The composition centers around a plate bearing the evocative inscription "Red Velvet," its red border acting as a vibrant anchor against the surrounding domestic paraphernalia. Johns masterfully employs these mundane items—the plates, the bowl nestled in the corner, the poised scissors, the resting spoon—to elevate them from mere objects into subjects worthy of profound contemplation.
Johns’ career is a fascinating bridge spanning the gap between Abstract Expressionism's raw emotionality and the cool, witty detachment of Pop Art. Souvenir 2 exemplifies this tension perfectly. He takes iconography—the plate, the word, the utensil—which are inherently mass-produced or utilitarian, and subjects them to the rigorous scrutiny usually reserved for classical portraiture or mythology. This act of recontextualization is his signature gesture; he forces us to look not just at what an object is, but what it represents. The inclusion of text alongside recognizable forms suggests a dialogue between language and image, a hallmark of mid-century American artistic inquiry.
The arrangement itself is rich with potential symbolism. Plates, often associated with sustenance and ritual, become carriers for identity, as seen with the face depicted on the central piece. The word "Red Velvet" conjures immediate sensory memories—the deep color, the luxurious texture, perhaps even a taste of indulgence. These elements suggest themes of memory, domesticity, and the constructed nature of personal narrative. Are these souvenirs of moments past? Do they represent idealized versions of life's pleasures? Johns never provides a single answer; instead, he offers a constellation of suggestive details that allow the viewer’s own accumulated memories to complete the circuit.
While the subject matter is deceptively simple, the execution speaks to technical mastery. The painting possesses a palpable sense of texture—the imagined glaze on the porcelain, the slight weight of the metal spoon. For those considering bringing this piece into a sophisticated interior space or collecting Johns' spirit, understanding its visual impact is key. A reproduction allows one to experience the graphic punch and thoughtful composition without the scale commitment of an original. The interplay between the bold red accents and the neutral tones creates immediate visual rhythm, making it a powerful focal point that speaks volumes about intellectual depth while maintaining an accessible, decorative quality.
Intenzitet boja dela "Souvenir 2" je Vivid. Intenzitet opisuje koliko boje deluju snažno.
„Souvenir 2”, autor Џаспера Џонса spaja tehniku Acrylic On Canvas sa stilom Pop Art. Tehnika i pravac opisuju način izrade i stil dela.
Zasićenost boja u delu "Souvenir 2" iznosi Clear Color Presence, dok je intenzitet Vivid.
1930 - , Сједињене Америчке Државе
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Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm
