The sublime simplicity of the supple necks and luxuriant feathers of this group of cranes is complemented by the tangle of angular legs at ground level. A patch of water bridges the gap between the two screens, compelling unification in the mind’s eye. As the birds call to and gaze at each other in the shallow pictorial space, their body language echoes the distinctive coiled ripples inked on the azurite water. Although iconic in its own right, Kiitsu’s painting also self-consciously extends an emblem of the School of Kōrin by creatively reprising a crane painting by his master, Sakai Hōitsu (1761–1828). Hōitsu’s painting was itself a reworking of a magnificent pair of crane screens by Ogata Kōrin (1658–1716).
Pitanja i odgovori
Kako "Cranes" balansira svetlo i tamno?
Za delo „Cranes”, Suzuki Kiitsu zabeležena je osvetljenost od bright, uz luminancu od Gentle Luminance.
Da li su boje dela "Cranes" jake ili nežne?
„Cranes”, Suzuki Kiitsu prikazuje Vivid intenzitet boja.
Gde mogu pronaći statistiku o delu „Cranes”, Suzuki Kiitsu?
Statistika za „Cranes”, Suzuki Kiitsu nalazi se na stranici Statistika ovog umetničkog dela: mesečni broj poseta delu, posete radovima umetnika, kao i pregled nedavnih posetilaca prema zemljama i jezicima.
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