2013
24.0 x 32.0 cm
Contemporary Art PlatformGiclée štampa ili print na platnu muzejskog kvaliteta uz brzu proizvodnju i fleksibilne opcije završne obrade. ( Kupi ručno naslikanu sliku
Switch to Digital Image)
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Možete uneti sopstvene dimenzije kako biste umetničko delo prilagodili specifičnom okviru ili prostoru. Ako odabrani format ne odgovara proporcijama originalne slike, mi ćemo ili iscrtati deo dela ili proširiti sliku pomoću ogledane ivice ili jednobojnog popunjavanja. Digitalni prikaz će vam biti poslat na odobrenje pre početka proizvodnje.
Imajte na umu da pregled na ekranu ne odražava stvarno iscrtavanje ili proširivanje. Samo će prikaz (mockup) precizno pokazati finalnu kompoziciju.
Iako su prilagođene dimenzije dostupne, preporučujemo da odaberete dimenziju sa unapred definisane liste kako biste očuvali originalne proporcije.
Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (8 септембар)
Schizophrenia 9
Dimenzije reprodukcije
In the delicate intersection where memory meets shadow, the work of Halim Al-Karim resides. Born in 1963 in the historic city of Najaf, Iraq, Al-Karim’s artistic journey is not merely a progression of technique, but a profound navigation through the landscapes of trauma, survival, and spiritual awakening. His early years, spent moving between the cultural richness of Beirut and the ancient echoes of Baghdad, provided a foundation steeped in history and myth. The influence of his father, an amateur photographer who experimented with intentional blur, planted the seeds for Al-Karim’s later obsession with the indistinct and the obscured. This fascination with what lies beneath the surface would eventually become the heartbeat of his practice.
The trajectory of Al-Karim’s life was irrevocably altered by the turbulence of the Persian Gulf War. Forced to flee military service under Saddam Hussein’s regime, he endured a harrowing three-year period of seclusion, hiding within a rock-covered hole in the southern Iraqi desert. It was during this time of profound isolation that his survival was secured by the kindness of an elderly Bedouin woman, who provided sustenance and introduced him to the mysteries of Sufi mysticism and gypsy customs. This experience of being hidden—both physically and psychologically—became the cornerstone of his creative identity. The concept of al-batin, the Sufi term for the hidden or inner truth, permeates his work, transforming the act of photography from a documentary tool into a spiritual pursuit of the unseen.
Al-Karim’s aesthetic is a masterful rejection of clarity. He does not seek to capture the world as it appears to the eye, but rather as it is felt in the soul. His process involves a sophisticated layering of media, where he merges stills from cinema, historical artifacts, and classical paintings with his own photographic captures. By utilizing both antiquated darkroom techniques and modern digital manipulation, he creates images that feel like fragments of a dream or echoes of a lost era. He often employs a deliberate blur, enlarging negatives to create an uncertainty of context, time, and place, forcing the viewer to confront the fragility of their own perception.
Perhaps his most iconic signature is the application of silk fabric over his prints. By stretching thin layers of white or black silk across the surface, Al-Karim creates a physical and metaphorical veil. This barrier serves several profound purposes:
The significance of Halim Al-Karim’s work extends far beyond the borders of the Middle East. His ability to translate personal displacement into a universal language of human resilience has earned him a place in the most prestigious art institutions worldwide. From his participation in the historic Iraqi Pavilion at the 54th Venice Biennale to his inclusion in the permanent collections of the Victoria and Albert Museum in London and the Mori Art Museum in Tokyo, his voice resonates with a global audience. His work speaks to anyone who has experienced the loss of home, the weight of history, or the search for identity amidst chaos.
Through his series such as Hidden War and Hidden Victims, Al-Karim continues to explore the duality of the human condition—the tension between the visible reality of conflict and the invisible strength of the spirit. He remains a vital figure in contemporary art, reminding us that even when the world is blurred by pain or obscured by shadows, there is a profound, luminous truth waiting to be discovered beneath the veil.
1956 - , Iraq