Pregledaj u prostoru AR pregled Kupite ručno oslikano delo Pređi na digitalnu sliku Pošalji
Detalji o delu Vodič Dodaj u omiljene Preuzmi Slični predmeti Rendgenski snimak Automatska prezentacija Q&A Statistika

Passion Flower

Experience Gene Davis's 'Passion Flower': A vibrant explosion of color and rhythm! This iconic Color Field painting showcases bold vertical stripes, capturing energy & abstraction with a mesmerizing visual impact.

Džin Devis (1920-1985) bio je ključni američki predstavnik Color Field pokreta poznat po živopisnim vertikalnim trakama. Kao centralna figura Vašington škole boja, njegova dela istražuju boju, ritam i apstrakciju. Otkrijte njegovo nasleđe!

Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.

Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.

Giclee štampa / Umetnički otisak

Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Kupite ručno oslikano delo Pređi na digitalnu sliku)

Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118B дин10
Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118H дин10
Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118W дин10
Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z дин10
Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508JH дин12
Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508YH дин12
Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805H дин10
Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805Z дин10
Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919BZ дин10
Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919G дин10
Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919XJ дин10
Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P959ZH дин10
Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
P968JZ дин12
Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
W106C дин8
Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218G дин10
Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218JH дин8
Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218Y дин10
Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ дин10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G дин10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316PJ дин8
Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y дин10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ дин8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
W4111J дин10
Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500HY дин15
Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH дин15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G дин12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
W849H дин8
Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
W940BG дин15
Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
W953PJ дин8

Standardne dimenzije
po meri
CM
INCH

Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.

širina
visina

Unesite željenu širinu i visinu kako bi se štampa uklopila u vaš ram ili zid. Štampu je moguće samo iseći, ali nikada povećati iznad dimenzija originalne slike, stoga format sa drugačijim proporcijama uzrokuje gubitak dela slike. Pre početka štampe, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni isrez — to pokazuje samo digitalni prikaz.

Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (28 октобар)

Besplatna ekspresna dostava širom sveta
Visokokvalitetno laneno platno
Potpuno osiguranje transporta
Garancija povraćaja carine i uvoznih dažbina
Garancija vernosti boja
Politika povraćaja u roku od 100 dana (samo u slučaju nedostataka)
Garancija povrata 100% novca
Popust na više proizvoda

Ukupna cena

дин 7044

Passion Flower

Giclee štampa / Umetnički otisak

Dimenzije reprodukcije

-

Ukupna cena

дин 7044

Osnovne informacije

  • Year: 1968
  • Movement: Color Field
  • Subject or theme: Abstract
  • Influences:
    • Klee
    • Bonnard
  • Artistic style: Abstract Expressionism

Kviz o umetnosti

Svako pitanje ima samo jedan tačan odgovor.

Pitanje 1:
What is the primary style of Gene Davis’s ‘Passion Flower’?
Pitanje 2:
The artwork primarily consists of:
Pitanje 3:
In what year was Gene Davis’s ‘Passion Flower’ created?
Pitanje 4:
Which of the following best describes the overall mood evoked by the vibrant colors in ‘Passion Flower’?
Pitanje 5:
What medium is most likely used in the creation of ‘Passion Flower’?

Gene Davis’s “Passion Flower”: A Vertical Symphony of Color

Gene Davis's "Passion Flower," painted in 1968, isn’t merely a depiction of a flower; it’s an immersive experience—a vibrant plunge into the heart of Color Field painting and the Washington Color School. This work, housed within the esteemed San Francisco Museum of Modern Art (SFMOMA), stands as a testament to Davis's pioneering approach to abstraction, utilizing color not to represent form but to evoke feeling and rhythm. The piece immediately commands attention with its bold, vertical stripes—a seemingly simple arrangement that belies a complex interplay of visual elements and a profound exploration of the chromatic spectrum.

Davis’s genius lies in his meticulous control of color and line. Each stripe is an individual entity, a solid block of hue ranging from fiery oranges and passionate reds to cool blues and serene pinks. These colors aren't blended or mixed; they exist as distinct, unyielding planes, creating a dynamic visual texture that shifts with the viewer’s perspective. The consistent width of each line adds to this sense of order and rhythm, while subtle variations in saturation and intensity prevent the composition from feeling static. It’s akin to a carefully orchestrated musical score—a series of deliberate color notes building towards an emotional crescendo.

The Washington Color School and the Rise of Field Painting

To fully appreciate “Passion Flower,” it's crucial to understand its context within the broader art movement of the mid-20th century. Davis was a key figure in the Washington Color School, a group of painters based in Washington D.C. who pushed the boundaries of abstract expressionism by focusing almost exclusively on color and its effects. This movement emerged as a reaction against the gestural brushstrokes and figurative elements prevalent in earlier forms of abstraction. Instead, artists like Davis sought to create paintings that were purely about color—to explore its emotional power and visual resonance without relying on representational imagery.

The Washington Color School’s approach was heavily influenced by the work of Mark Rothko, whose large-scale color field paintings had a profound impact on the group. However, Davis developed his own distinctive style, characterized by his use of vertical stripes and his meticulous attention to detail. His work can be seen as a bridge between Rothko's meditative color explorations and the more dynamic compositions of Morris Louis and Kenneth Noland, both contemporaries within the Color Field movement.

Decoding the Symbolism: Beyond the Floral Subject

While “Passion Flower” ostensibly depicts a flower—a symbol of love, sacrifice, and rebirth—Davis deliberately stripped away any representational elements. The absence of recognizable forms allows the viewer to project their own emotions and associations onto the painting. The vibrant colors themselves carry symbolic weight: red evokes passion and energy, blue suggests tranquility and introspection, while pink hints at tenderness and vulnerability.

Interestingly, the title itself—"Passion Flower"—references the flower's association with the crucifixion of Christ. This religious symbolism adds another layer of meaning to the work, suggesting a connection between earthly beauty and spiritual transcendence. However, Davis’s focus on pure color suggests that he wasn’t interested in literal representation but rather in capturing the *feeling* of passion—its intensity, its complexity, and its transformative power.

A Legacy of Color: Reproduction and Interior Design

Today, “Passion Flower” remains a seminal work of American abstract art. Its bold colors and dynamic composition continue to captivate viewers and inspire artists. High-quality reproductions offer an accessible way to experience the painting’s emotional impact, making it a valuable addition to any collection or interior space. The vertical stripes create a strong visual anchor, adding a touch of sophistication and energy to any room. Consider pairing this artwork with complementary colors—such as earthy greens or warm neutrals—to enhance its vibrancy and create a harmonious aesthetic.

Gene Davis’s “Passion Flower” is more than just a painting; it's an invitation to lose yourself in the world of color, to explore the depths of emotion, and to appreciate the power of abstraction. It stands as a testament to his innovative approach and enduring legacy within the art world.

Pitanja i odgovori

Gde se "Passion Flower" nalazi među uobičajenim motivima umetnika Džin Devis?

Učestale teme umetnika Džin Devis obuhvataju color field, abstract expressionism, washington color school influence, geometric rhythm, visual harmony, mid-century american abstraction, davis’s stripe series exploration; delo "Passion Flower" fokusira se na stripes, color, rhythm, abstraction, vertical, pattern, energy.

Ko je autor dela "Passion Flower"?

Delo "Passion Flower" je kreirao/la Džin Devis. Informacije na ovoj stranici opisuju originalno delo umetnika Džin Devis.

Kada je nastalo delo „Passion Flower”, autor Džin Devis i kojem stilu pripada?

„Passion Flower”, autor Džin Devis je datirano 1968. godine i pripada pravcu Color Field Painting.


Biografija umetnika

Arhitekta boja: Život i nasleđe Džina Devisa

U živopisnom tapiseriji američke apstrakcije sredine veka, malo je niti koje blistaju tako jarko ili ritmično kao one koje je utkao Džin Devis. Kao pionir Color Field pokreta, Devis je posedovao jedinstven dar da platno pretvori u ritmično iskustvo svetlosti i pokreta. Rođen u Vašingtonu 1920. godine, njegov put ka postajanju centralne figure Vašingtonske škole boja nije bio odjednom apstraktan, već predstavljao postepenu evoluciju oblikovanu oštrim oko za posmatranje. Pre nego što je četkicom počeo da stvara svoje kultne pruge, Devis je radio kao sportski novinar – profesija koja je zahtevala oštar fokus na pokret, energiju i dramu događaja koji se dešavaju uživo, što su elementi koji će kasnije pronaći svoj put u pulsirajuću vertikalnost njegovih slika.

Seme njegovog apstraktnog jezika posejano je kroz duboku posvećenost evropskom modernizmu. Tokom svojih formativnih godina, Devis je pronašao duboku inspiraciju u delima Paula Kleeja i
Aršila Gorkija, umetnika koji su pokazali kako se forma može destilovati u čistu emociju i simboličku težinu. Prepustivši se remek-delima koja se čuvaju u Phillips Collection, počeo je da razume da boja ne služi samo kao pratnja subjektu; boja je bila sam subjekt. Ovo saznanje usmerilo ga je na put dalje od tradicionalne reprezentacije ka revolucionarnom načinu posmatranja, gde su granice između oblika i nijanse počele da se rastapaju u čistu, hromatsku energiju.

Ritam pruge: Inovacija i tehnika

Godina 1958. označila je seizmičku promenu u Devisovoj karijeri i širem pravcu američke umetnosti. Upravo u tom periodu počeo je da stvara svoje slavne akrilne slike sa trakama, tehniku koja će postati njegov nepogrešivi potpis. Odbacivši teške, gestualne teksture Apstraktnog ekspresionizma, Devis je prihvatio ravne, luminisane kvalitete akrilne boje. Njegove kompozicije često su sadržale monumentalne vertikalne trake boja koje su izgledale kao da vibriraju jedna naspram druge, stvarajući osećaj optičkog pokreta koji posmatrača uvodi u hipnotičko, ritmično transno stanje.

Ova dela su bila mnogo više od jednostavnih geometrijskih vežbi; bila su istraživanja prostora i percepcije. Koristeći pristup Vašingtonske škole boja, Devis je naglasio primat boje, omogućavajući svakoj traci da komunicira sa svojom susedom kroz suptilne promene u vrednosti i zasićenju. Njegova tehnika je omogućila jedinstvenu vrstu "disanja" unutar slike, gde se oko podstiče da pleše vertikalno preko platna. Ovakvo majstorstvo ponavljanja i ritma omogućilo mu je da uhvati suštinu urbanog zrevanja i prirodne svetlosti, prevodeći haos modernog sveta u strukturiran, ali duboko fluidan, vizuelni jezik.

Trajni utisak na američku apstrakciju

Kao jedan od stubova Vašingtonske škole boja, rame uz svog savremenika Morisa Luisa i Keneta Nurtlanda, Džin Devis pomogao je u redefinisanju granica post-slikarske apstrakcije. Njegov rad stajao je kao svedočanstvo o moći suzdržanosti i beskrajnim mogućnostima koje se nalaze unutar ograničene palete. Čak i u njegovim kasnijim delima, poput upečatljivog Night Rider iz 1983. godine, može se videti njegova sposobnost da spoji jarke nijanse sa složenim slikama, dokazujući da njegovo majstorstvo u boji može nositi duboke, simboličke narative.

Istorijski značaj Džina Devisa leži u njegovoj ulozi mosta između intenzivne emocionalnosti rane apstrakcije i hladne, proračunate preciznosti kasnijeg Color Field slikarstva. Njegovo nasleđe se nalazi u svakom platnu koje daje prioritet čulnom iskustvu boje nad prikazivanjem forme. Kroz svoje ritmične pruge, ostavio je za sobom vizuelnu simfoniju koja i danas odjekuje među kolekcionarima i ljubiteljima umetnosti širom sveta, podsećajući nas da umetnost može biti istovremeno duboko jednostavna i beskrajno složena.

Džin Devis

Džin Devis

1920 - 1985 , Sjedinjene Američke Države

Osnovne informacije

  • Artistic Movement Or Style: Color Field Painting (Slika polja boja)
  • Artists Or Movements Influenced By This Artist: ['Apstraktni ekspresionizam']
  • Artists Who Influenced This Artist:
    • Paul Klee
    • Arshile Gorky
  • Date Of Birth: 22. avgust 1920.
  • Date Of Death: 6. april 1985.
  • Full Name: Gene Bernard Davis
  • Nationality: Američka
  • Notable Artworks:
    • Black Grey Beat
    • Blue Freak-Out
  • Place Of Birth: Washington, D.C.