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LE DEJEUNER DE HARENG

Discover 'Le Déjeuner de Hareng' by Gabriel Metsu, a captivating 17th-century Dutch still life painting. Explore its rich details and historical significance. Acquire a piece of art history.

Otkrijte Gabriela Metsua (1629-1667), holandskog majstora Zlatnog doba poznatog po žanrovskim scenama, portretima i enterijerima. Pod uticajem Rembrandta i Vermera, Metsu je vešto prikazivao svakodnevni život sa izuzetnim detaljima i simbolizmom.

Giclee štampa / Umetnički otisak

Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Kupite ručno oslikano delo Pređi na digitalnu sliku)

Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
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Ukupna cena

дин 7040

LE DEJEUNER DE HARENG

Giclee štampa / Umetnički otisak

Dimenzije reprodukcije

-

Ukupna cena

дин 7040

Osnovne informacije

  • Artist: Gabriel Metsu
  • Year: c. 1660
  • Location: Louvre, Paris
  • Movement: Dutch Golden Age
  • Medium: Oil on canvas

Kviz o umetnosti

Svako pitanje ima samo jedan tačan odgovor.

Pitanje 1:
What is the primary subject matter depicted in ‘Le Déjeuner de Hareng’?
Pitanje 2:
The muted color palette in ‘Le Déjeuner de Hareng’ is most characteristic of which artistic movement?
Pitanje 3:
Which element contributes most to the sense of depth in ‘Le Déjeuner de Hareng’?
Pitanje 4:
Gabriel Metsu's work is often described as ‘eclectic.’ What does this term primarily refer to?
Pitanje 5:
The lighting in ‘Le Déjeuner de Hareng’ appears to be coming from which direction?

A Quiet Moment: Gabriel Metsu’s *Le Déjeuner de Hareng*

Gabriel Metsu's 1660s painting, *Le Déjeuner de Hareng*, isn’t a grand historical scene or a dramatic portrait; instead, it offers a remarkably intimate glimpse into the domestic life of the Dutch Golden Age. This still life, now meticulously reproduced on canvas and metal, captures a simple breakfast tableau—a pitcher, bread, herring, cutlery, and a draped cloth – arranged with an almost unsettling stillness. It’s a scene brimming with quiet observation, inviting viewers to contemplate not just the objects themselves, but also the subtle narratives they suggest about abundance, transience, and the rhythms of daily existence.

Metsu, often described as an “eclectic artist,” defied easy categorization within the artistic circles of his time. Unlike many of his contemporaries who specialized in a particular genre, Metsu’s oeuvre spanned history paintings, portraits, and, crucially for this work, still lifes. This versatility is evident here; he masterfully blends realism with a delicate sense of theatricality, creating an image that feels both utterly familiar and subtly enigmatic. The painting's power lies not in dramatic action but in the careful arrangement of elements, each contributing to a larger, unspoken story.

The Language of Texture and Light

Metsu’s technical skill is immediately apparent in his rendering of texture. He doesn’t simply depict objects; he conveys their materiality with astonishing precision. The rough, crusty surface of the bread contrasts sharply with the smooth, glazed ceramic of the pitcher. The scales of the herring shimmer under an unseen light source, while the folds of the cloth appear soft and inviting. This meticulous attention to detail is further enhanced by his masterful use of light – diffused and subtle, it casts delicate shadows that define form and volume, creating a sense of depth and realism rarely achieved in still life painting.

The muted color palette—earthy browns, creams, and the silvery sheen of the cutlery—contributes to the painting’s somber yet contemplative mood. The limited range of colors focuses attention on the textures and forms, reinforcing the sense that we are witnessing a moment frozen in time. It's a deliberate choice that evokes the feeling of a memory, or perhaps even a fleeting dream.

Symbolism and the Dutch Golden Age

*Le Déjeuner de Hareng* is more than just a depiction of breakfast; it’s imbued with symbolic meaning rooted in the cultural context of the Dutch Golden Age. The inclusion of herring, a staple food of the region, speaks to the prosperity and abundance enjoyed by many during this period. However, the painting also subtly acknowledges the transience of life – the perishable nature of food—a common theme explored in still lifes of the era. The arrangement itself, with its triangular composition and deliberate placement of objects, creates a sense of balance and order, reflecting the values of Dutch society at the time.

Furthermore, the painting’s quiet intimacy suggests a focus on domesticity—a celebration of everyday life within the home. It's a scene that invites viewers to pause, reflect, and consider the simple pleasures of sustenance and companionship. The subtle details – the way the light catches the edge of the pitcher, the slight curve of the bread – invite repeated viewing, revealing new layers of meaning with each observation.

A Timeless Masterpiece: Reproduction Options

WahooArt is proud to offer high-quality reproductions of Gabriel Metsu’s *Le Déjeuner de Hareng*, capturing the essence of this remarkable painting. Whether you choose a traditional canvas print or a sleek metal print, our meticulous reproduction ensures that you experience the artistry and detail of Metsu's original work in stunning clarity. This captivating still life is not just a beautiful addition to your home; it’s a window into the rich cultural heritage of the Dutch Golden Age.

Explore our range of sizes and framing options today, and bring this timeless masterpiece into your space.

Pitanja i odgovori

Da li je delo "LE DEJEUNER DE HARENG" autora Габријел Мецу u javnom vlasništvu i zašto?

„LE DEJEUNER DE HARENG”, autor Габријел Мецу je u u javnom vlasništvu – autorska prava su istekla. Autorska prava traju od smrti umetnika, koja se dogodila 1667.

Pod kojim drugim imenima ili pseudonimima je poznat/a Габријел Мецу?

Габријел Мецу je poznat/a i pod imenom Габриел Мецу, Gabriël Metsu, Габријел Јакобсзон Мецу.

Da li je moguće pogledati "LE DEJEUNER DE HARENG" u proširenoj stvarnosti?

„LE DEJEUNER DE HARENG“ ima pregled proširene stvarnosti: na stranici AR prikaz možete videti umetničko delo u sopstvenom prostoru pomoću kompatibilnog uređaja.


Biografija umetnika

**život posvećen umetničkom istraživanju**

Gabrijel Metsu, holandski slikar iz Nizozemske, vodio je život obeležen umetničkim istraživanjem i inovacijama. Rođen 1629. godine, Metsuovo delo je oličilo duh holandskog zlatnog doba, perioda poznatog po svom obilnom umetničkom stvaralaštvu. Ova biografija istražuje život i dela ove enigmatične ličnosti, čiji doprinos svetu umetnosti i danas fascinira posmatrače.

**rani život i uticaji**

Metsu je rođen 1629. godine kao sin Žaka Metsua, tapetera i slikara koji je prvobitno dolazio iz Hainauta. Ovakva eklektična pozadina verovatno je uticala na Gabrijelovo rano interesovanje za različite umetničke tehnike. Selidba porodice u Lejden, gde je Metsu odrastao, izložila ga je raznim kulturnim uticajima koji će oblikovati njegov talenat.

**umetnička karijera**

Metsuova karijera bila je obeležena odbijanjem prihvatanja samo jednog stila ili tehnike, zbog čega je dobio naziv „veoma eklektični umetnik“. Njegov rad je obuhvatao istorijske slike, mrtvu prirodu, portrete i žanrovske scene. Zanimljivo je da je samo 14 od njegovih 133 dela precizno datirano, što ostavlja mnogo toga neotkrivenog o njegovom kreativnom procesu.
  • Uticaj Rembranta van Rijna na Metsuovo rano delo očigledan je, naročito u njegovoj upotrebi svetlosti i boje.
  • Metsuovo preseljenje u Amsterdam 1655. godine označilo je značajnu promenu u njegovom stilu, sa većim naglaskom na unutrašnje enterijere i žanrovske prizore.
  • Njegovo povezivanje sa umetničkom zajednicom odražava se kroz rad sa umetnicima kao što su Mihil van Mušer i Jost van Hel.

**istaknuta dela i nasleđe**

Metsuove slike često su prikazivale mlade žene, trgovačke scene i starce, crpeći inspiraciju iz popularnih simbola tog vremena. Istaknut primer je Prodavnica živine, koja demonstrira njegovu veštinu korišćenja simbolizma. Ključna dela:

**muzeji i kolekcije**

Metsuova dela mogu se pronaći u različitim muzejima, uključujući Rijksmuseum u Amsterdamu. Za više informacija o njegovoj umetnosti i istraživanje drugih slikara holandskog zlatnog doba, posetite /sr/art/show/art-d3c627-sr/ za sveobuhvatan pregled. Zaključak: Život i umetnost Gabrijela Metsua svedočanstvo su inovativnog duha holandskog zlatnog doba. Njegov eklektični stil, iako ponekad enigmatičan, ostavio je neizbrisiv trag u svetu umetnosti. Dok nastavljamo da otkrivamo više o njegovom životu i delima, podsećani smo na duboki uticaj koji je imao na razvoj zapadne umetnosti.
  • Za dublje razumevanje holandskog zlatnog doba, pogledajte [https://en.wikipedia.org/wiki/dutch_golden_age_painting](https://en.wikipedia.org/wiki/dutch_golden_age_painting).
  • Istražite više Metsuovih dela i dela njegovih savremenika na [https://WahooArt.com/@/gabriel-metsu](https://WahooArt.com/@/gabriel-metsu).

**reference:**

Габријел Мецу

Габријел Мецу

1629 - 1667 , Недерланди

Osnovne informacije

  • Artistic Movement Or Style: Zlatno doba holandske umetnosti
  • Artists Or Movements Influenced By This Artist:
    • Michiel van Musscher
    • Joost van Geel
  • Artists Who Influenced This Artist:
    • Rembrandt van Rijn
    • Johannes Vermeer
  • Date Of Birth: 1629
  • Date Of Death: 1667
  • Full Name: Gabriel Metsu
  • Nationality: Holanđanin
  • Notable Artworks:
    • Bolest deteta
    • Prodavac živine
    • Portret porodice Hinlopen
  • Place Of Birth (City And Country): Leiden, Holandija
Istražite umetnička dela organizovana prema temama, stilovima i karakteristikama.