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Self Portrait 1

The painting depicts a solitary man seated on a bench, his head bowed, with a cigarette dangling from his lips—a poignant portrayal of introspection and melancholy rendered in stark black and white.

Бејкон је користио узнемирајући реализам у делу Три студије за фигуре на дну крсташа. Откријте његове снажне слике већ сада.

Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.

Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.

Giclee štampa / Umetnički otisak

Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Kupite ručno oslikano delo Pređi na digitalnu sliku)

Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118H дин10
Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118W дин10
Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z дин10
Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508JH дин12
Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508YH дин12
Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805H дин10
Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805Z дин10
Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919BZ дин10
Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919G дин10
Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919XJ дин10
Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P959ZH дин10
Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218JH дин8
Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ дин10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G дин10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316PJ дин8
Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y дин10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ дин8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
W4111J дин10
Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH дин15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G дин12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
W849H дин8
Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
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Ukupna cena

дин 7241

Self Portrait 1

Giclee štampa / Umetnički otisak

Dimenzije reprodukcije

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Ukupna cena

дин 7241

Osnovne informacije

  • Movement: Expressionism
  • Notable elements or techniques: Distorted figure; grotesque imagery
  • Influences: Surrealism
  • Location: Tate Modern, London
  • Dimensions: 73 x 58 cm
  • Artist: Francis Bacon

Kviz o umetnosti

Svako pitanje ima samo jedan tačan odgovor.

Pitanje 1:
What is the predominant artistic style of Francis Bacon's "Self Portrait 1"?
Pitanje 2:
The image depicts a man seated on a bench with his head down. What is the most notable element conveyed by this posture?
Pitanje 3:
What material was primarily used in Bacon's "Self Portrait 1"?
Pitanje 4:
Francis Bacon’s artistic approach differed from many of his contemporaries. How did he primarily develop his style?
Pitanje 5:
Considering the historical context of post-war Britain, what broader themes might Bacon’s “Self Portrait 1” explore?

A Portrait of Existential Angst: Exploring Francis Bacon’s “Study After Velázquez”

Francis Bacon’s “Study After Velázquez,” completed in 1953, stands as one of the most unsettling and psychologically astute paintings of its era. It's not merely a depiction of a figure; it’s an excavation into the depths of human consciousness—a visceral confrontation with fear, vulnerability, and the inescapable awareness of mortality.

The painting draws heavily from Diego Velázquez’s “Las Meninas,” arguably one of the greatest portraits in Western art history. Bacon doesn't attempt to recreate Velázquez’s masterpiece faithfully; instead, he fragments it, distorting and fracturing the image into a series of grotesque, overlapping forms. This deliberate departure from realism is central to Bacon’s artistic vision—he sought not to represent what he saw but to express what he felt.

  • Style: Bacon's style is characterized by its brutal honesty and uncompromising exploration of psychological torment. He eschewed traditional techniques, favoring a method he termed “intuitive painting,” where he allowed subconscious impulses to guide his brushstrokes.
  • Technique: Bacon employed a distinctive layering technique—applying paint in multiple thin glazes over a textured surface created with collage materials like gauze and burlap. This process produced a disconcerting sense of depth and movement, mirroring the turbulent inner life he sought to portray.

Historically, “Study After Velázquez” emerged during the bleak aftermath of World War II—a period marked by disillusionment and anxiety about the future. Bacon’s preoccupation with themes of death and decay reflects the pervasive anxieties of his time, mirroring the existential concerns articulated by philosophers like Sartre and Camus.

Symbolism: The figure in “Study After Velázquez” is deliberately ambiguous—its face obscured, its body contorted into grotesque poses. This anonymity serves as a conduit for universal human experience—representing not an individual but rather the collective struggle against fear and despair. The fragmented composition symbolizes the disintegration of identity and the breakdown of rational thought.

Emotional Impact: Viewing “Study After Velázquez” is undeniably disturbing—it confronts the viewer with uncomfortable truths about the human condition. Yet, it’s precisely this unsettling quality that elevates the painting to its enduring significance. Bacon compels us to confront our own mortality and to grapple with the darker aspects of our psyche—leaving an indelible mark on anyone who dares to contemplate its profound emotional resonance.

The Collage Technique: A Gateway to Inner Turmoil

Bacon’s innovative use of collage – incorporating materials like gauze, burlap, and even fragments of newspaper – wasn't simply a stylistic choice; it was an integral component of his artistic process. These textured surfaces served as a springboard for expressive brushstrokes, amplifying the painting’s unsettling atmosphere.

  • Material Exploration: Bacon meticulously experimented with various collage materials, seeking to capture the tactile qualities of decay and disintegration—mirroring the psychological fragmentation he aimed to convey.
  • Surface Texture: The resulting surface texture – reminiscent of weathered skin or crumbling stone – created a palpable sense of unease and disorientation. It actively resisted conventional notions of beauty, prioritizing emotional impact over visual harmony.
  • Influences Beyond Velázquez

    While “Study After Velázquez” undeniably serves as the foundational image for Bacon’s work, his artistic sensibilities extended far beyond the confines of Baroque painting. He drew inspiration from Surrealist artists like Salvador Dalí and René Magritte—embracing dreamlike imagery and challenging viewers' perceptions of reality.

  • Surrealist Echoes: The unsettling juxtaposition of forms and perspectives found in “Study After Velázquez” anticipates the Surrealists’ fascination with irrationality and subconscious desire.
  • Psychological Depth: Bacon’s exploration of psychological complexity—similar to that pursued by Freud—reflects a broader intellectual engagement with psychoanalytic theory.
  • A Legacy of Discomforting Beauty

    "Study After Velázquez" remains a cornerstone of modern art, continuing to provoke debate and inspire awe. Its enduring power lies in its ability to capture the essence of human vulnerability—forcing us to confront our fears and anxieties without offering easy answers or comforting illusions.

    Pitanja i odgovori

    Da li je „Self Portrait 1”, autor Френсис Бејкон portret, pejzaž ili kvadratna kompozicija?

    Format dela "Self Portrait 1" je Portrait, što vam može biti od pomoći prilikom planiranja prostora u kojem ćete postaviti reprodukciju.

    Kako se opisuje paleta dela „Self Portrait 1”, autor Френсис Бејкон?

    Paleta dela „Self Portrait 1”, autor Френсис Бејкон opisana je kao Monochrome, što predstavlja sažet prikaz boja ovog umetničkog dela.

    Mogu li da vidim rendgenski prikaz dela „Self Portrait 1”, autor Френсис Бејкон?

    X-Ray prikaz dela „Self Portrait 1”, autor Френсис Бејкон možete videti na stranici Rentgensko posmatranje: to je interaktivno istraživanje slike kroz jedanaest optičkih slojeva.


    Istražite umetnička dela organizovana prema temama, stilovima i karakteristikama.