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Forese da Rabatta e Giotto

Carlo Levi (1902-1975) was an Italian painter & writer known for his Neorealist depictions of Southern Italy's poverty and social issues, notably in 'Christ Stopped at Eboli'. Explore his art & legacy on WahooArt.

Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.

Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.

Giclee štampa / Umetnički otisak

Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Kupite ručno oslikano delo Pređi na digitalnu sliku)

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Ukupna cena

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Forese da Rabatta e Giotto

Giclee štampa / Umetnički otisak

Dimenzije reprodukcije

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Ukupna cena

дин 7228

They are the protagonists of the novella 5, giornata VI (

Pitanja i odgovori

Da li je "Forese da Rabatta e Giotto" ostalo u domovini svog umetnika?

Da – umetničko delo se čuva u matičnoj zemlji umetnika. Carlo Levi je rođen/a u Italy, dok se originalno delo "Forese da Rabatta e Giotto" čuva u muzeju u Italy.

Koliko je godina imao/la Carlo Levi kada je stvorio/la "Forese da Rabatta e Giotto"?

Kada je delo "Forese da Rabatta e Giotto" nastalo 1967. godine, Carlo Levi – rođen/a 1902. godine – imao/la je 65 godina.

Kakva su prava na reprodukciju dela "Forese da Rabatta e Giotto" u muzeju Boccaccio's House Palazzo Pretorio e Casa Boccaccio?

Originalno delo "Forese da Rabatta e Giotto" čuva se u muzeju Boccaccio's House Palazzo Pretorio e Casa Boccaccio, a rad je i dalje je zaštićeno autorskim pravima.


Biografija umetnika

Carlo Levi: A Painter's Witness to Resilience and Revolution

Carlo Levi (1902–1975) stands as a singular figure in Italian art history—a painter, writer, activist, and doctor whose oeuvre transcends mere aesthetic beauty to embody the very spirit of his tumultuous era. Born in Turin, Italy, Levi’s life was defined by an extraordinary intellectual curiosity and a profound empathy for the marginalized communities of Southern Italy. His artistic output reflects a multifaceted perspective, characterized by a distinctive Neorealist style that captured both the stark, often harrowing realities of poverty and the enduring, unyielding strength of the human spirit. To look upon his work is to witness a man who did not merely observe history but felt its weight through the lens of both a physician and an artist.

From Medical Precision to Artistic Expression

Levi’s formative years were steeped in the traditions of literature and philosophy, influences that would forever permeate his creative endeavors. While he pursued medical studies at Turin University, graduating in 1924, he simultaneously nurtured a burgeoning artistic inclination that refused to be sidelined by his scientific training. This dual identity—the healer and the creator—would later define his unique approach to subject matter. His debut exhibition at the XIV Venice Biennale in 1938 signaled the emergence of a talent destined to captivate audiences with its uncompromising honesty and evocative imagery. Beyond traditional landscapes, Levi’s early explorations ventured into abstraction and themes of solitude and displacement, preoccupations that would eventually find their most profound expression in his autobiographical masterpiece, Cristo si è fermato a Eboli.

The Influence of the Avant-Garde and Parisian Exile

The evolution of Levi's visual vocabulary was significantly shaped by his encounters with the pulse of European modernism. During his time in Paris, interactions with prominent figures such as Sergei Prokofiev and Igor Stravinsky fostered an interest in experimentation that challenged conventional artistic boundaries. The surrealist aesthetic—with its fascination for dreamlike imagery and the exploration of the subconscious—left a discernible imprint on his work. This influence is particularly evident in pieces like Arcadia, where he balances soft, organic shapes with a structured, almost architectural sense of form. Influenced by the geometric precision of artists like Felice Casorati, Levi mastered a style that utilized pure volumes and rhythmic presence to create scenes of profound stillness and classical harmony, often imbuing his subjects with a sculptural, tactile quality.

A Legacy of Social Witness and Neorealism

Perhaps the most significant chapter of Levi's life was his period of political exile in Lucania, Italy. Arrested due to his political activism, he found himself immersed in the impoverished landscapes of the Italian south, an experience that transformed his art into a powerful tool for social commentary. His writing and painting became inseparable from his mission to illuminate the "Problem of the South." Through his Neorealist lens, he documented the daily hardships of the peasantry with a lucid, non-ideological sympathy that propelled national discourse following World War II. His legacy is not merely found in the beauty of his canvases but in his role as a chronicler of human resilience, ensuring that the voices of the forgotten were heard through the enduring power of art.
Carlo Levi

Carlo Levi

1902 - 1975 , Italy

Osnovne informacije

  • Full Name: Carlo Levi
  • Nationality: Italian
  • Date Of Birth: 1902
  • Date Of Death: 1975
  • Place Of Birth: Turin, Italy
  • Notable Artworks:
    • The Watch
    • Words Are Stones
    • Christ Stopped at Eboli
  • Artistic Movement Or Style: Neorealism
  • Artists Who Influenced This Artist:
    • Sergei Prokofiev
    • Igor Stravinsky
  • Artists Or Movements Influenced By This Artist: ['Italian Literature']