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          Salome (1630) delo Bernardo Strozzi, ručno oslikana reprodukcija uljanog slikarstva vrhunskog umetnika
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          Bernardo Strozzi

          Salome Ručno oslikana reprodukcija uljanog slikarstva

          This dramatic Baroque oil painting by Bernardo Strozzi depicts Salome. Explore this powerful masterpiece today.
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          Otkrijte Bernarda Strozija (1581-1644), ključnog italijanskog baroknog slikara i gravira. Poznat po bogatim bojama, venecijanskom stilu i delima poput 'Vizije Svetog Dominika'. Istražite njegovo nasleđe!
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          Ručno rađena uljana reprodukcija

          Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. ( Pređi na štampu Pređi na digitalnu sliku)

          Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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          Ukupna cena

          дин 28478

          Salome

          Tehnika reprodukcije

          Dimenzije reprodukcije

          -

          Ukupna cena

          дин 28478

          Osnovne informacije

          • Year: 1630
          • Title: Salome
          • Artist: Bernardo Strozzi
          • Subject or theme: Two women with a severed head

          Kviz o umetnosti

          Svako pitanje ima samo jedan tačan odgovor.

          Pitanje 1:
          Who is the artist of the painting 'Salome'?
          Pitanje 2:
          In what year was the painting 'Salome' created?
          Pitanje 3:
          What is the medium used for this artwork?
          Pitanje 4:
          In which city was the artist Bernardo Strozzi born?
          Pitanje 5:
          What artistic style is the painting 'Salome' described as?

          Identification of the Artwork and Artist

          The oil on canvas painting titled Salome was executed by the Italian Baroque painter Bernardo Strozzi. This work dates to 1630. The composition depicts a biblical scene involving Salome and St. John.

          Bernardo Strozzi, also known as il cappuccino and il prete genovese, was a prominent figure of the Italian Baroque period. Born in 1581 in Campo Ligure, Italy, his career spanned several decades before his death in 1644. His technical development involved training in the workshops of Cesare Corte and Pietro Sorri, which contributed to the specific handling of color and brushwork seen in his later output.

          This specific piece, Salome, captures a moment from religious history. The subject matter focuses on the interaction between the figures of Salome and the severed head of St. John. The work is an example of the stylistic developments occurring in the early seventeenth century within the Italian tradition.

          Visual Composition and Subject Matter

          The composition centers on two women positioned side by side. The woman on the left wears a necklace, while the woman on the right is dressed in more elaborate attire and jewelry. Both figures direct their gaze toward a plate held by one of the women. This plate contains a severed head, which occupies a significant portion of the lower foreground. A dark cloth drapes over the area where the neck would be, obscuring specific anatomical details of the separation.

          The lighting is directed to emphasize the pallor of the severed head and the starkness of its detachment from the body. This light creates a sharp contrast against the darker elements of the scene. The arrangement of the figures and the placement of the head in the foreground establish a clear focal point within the pictorial space.

          Technique and Artistic Style

          This oil on canvas work is a product of the Baroque era, specifically aligning with the Genoese Baroque and Italian Baroque movements. The execution relies on chiaroscuro to define form and depth, utilizing strong contrasts between light and shadow. These tonal shifts emphasize the physical presence of the figures and the central object in the foreground. The application of paint involves expressive brushwork, which contributes to the textured surface of the composition.

          The color palette is characterized by intricate details and a range of colors that define the various textures of the scene. Light falls across the subjects to highlight specific details, such as the pale skin of the figures and the fabric of their garments. The use of dark backgrounds and earthy tones helps to isolate the subjects and direct attention toward the central narrative elements. The brushstrokes are broad and vigorous, a characteristic that defines the artist's approach to both religious and secular subjects during this period.

          Related Works by Bernardo Strozzi

          The artist's output includes several religious and portrait compositions. One such work is the preparatory oil bozzetto for the vault of the vision of saint dominic (paradise), which is located at the museo dell’accademia ligustica in genoa. His portrait of doge francesco erizzo is another notable piece from his career. These works demonstrate the range of his subject matter, moving from large-scale preparatory studies to formal portraiture.

          Other paintings by Strozzi include the healing of tobit, which dates from 1635-40. He also produced St. Catherine of Alexandria, dated about 1620. These pieces reflect the development of his style through different periods of his life in Genoa and Venice.

          Pitanja i odgovori

          Gde bi najbolje bilo okačiti reprodukciju dela „Salome”, autor Bernardo Strozzi?

          Format (Portrait) i preporučeni prostor (Restaurant) su dve navedene činjenice o postavljanju za „Salome”, autor Bernardo Strozzi.

          Kakav je emocionalni ton dela „Salome”, autor Bernardo Strozzi?

          „Salome”, autor Bernardo Strozzi odiše Dramatic emocijom.

          Koliko su boje dela "Salome" međusobno u harmoniji?

          Boje dela „Salome”, autor Bernardo Strozzi odražavaju Discordant Palette harmoniju. Harmonija opisuje međusobni odnos boja.

          Srodna umetnička dela

          Self Portrait, Oil On Canvas — Рембрант, Dutch Golden Age
          Рембрант Self portrait, oil on canvas (1627)
          Self Portrait, Oil On Canvas — Рембрант, Baroque
          Рембрант Self portrait, oil on canvas od Рембрант
          Nu Couche De Dos - Oil On Canvas - — Амедео Модиљани, Expressionism
          Амедео Модиљани Nu couche de dos - Oil on canvas - od Амедео Модиљани
          The Immaculate Conception (oil On Canvas) — Бартоломео Муриљо, Baroque
          Бартоломео Муриљо The Immaculate Conception (oil on canvas), Бартоломео Муриљо
          Salome Carrying The Head Of John The Baptist On A Platter — Гистав Моро, Symbolism
          Гистав Моро Salome Carrying the Head of John the Baptist on a Platter – ručno slikana uljana reprodukcija od Гистав Моро
          Neko Polukružje — Василиј Кандински, Abstract Art
          Василиј Кандински Neko Polukružje (1926)
          The Summer (ruth And Boaz), Oil On Canvas, — Никола Пусен, Baroque
          Никола Пусен The Summer (Ruth and Boaz), oil on canvas, – ručno slikana uljana reprodukcija
          Salome At The Prison — Гистав Моро, Symbolist Movement
          Гистав Моро Salome at the Prison, Гистав Моро
          Salomé — Гистав Моро, Symbolist
          Гистав Моро Salomé
          Salome — Тицијан Вечели, Baroque Renaissance Painting
          Тицијан Вечели Salome autora Тицијан Вечели, 1515

          Biografija umetnika

          Rano detinjstvo i obuka

          Bernardo Strozzi, poznat i pod imenima il cappuccino i il prete genovese, bio je istaknuti italijanski barokni slikar i gravir koji je rođen 1581. godine u Đenovi, u Italiji. Njegovo rano umetničko obrazovanje oblikovalo se u radionici Cesare Corte, manje poznatog slikara iz Đenove, pod čijim je mentorstvom Strozzi razvijao svoje veštine sve do 1596. godine. Nakon toga, pridružio se radionici Pietro Sorri, inovativnog slikara iz Sijene, koji je Strozzija usmerio ka prirodističnijem i senzualnijem stilu.

          Umetnička karijera

          Strozzijeva karijera se može podeliti na dva ključna perioda: njegove rane godine u Đenovi i kasniji rad u Veneciji. Dok je boravio u Đenovi, posvetio se raznovrsnim projektima, uključujući freske u horu crkve San Domenico, koje su naručili članovi moćne porodice Doria.

          Uticaj i nasleđe

          Strozzijeva moćna umetnost, koju odlikuju bogatstvo boja i široki, ekspresivni potezi četkicom, ostavila je dubok trag na umetnički razvoj kako Đenove, tako i Venecije. On se smatra jednim od glavnih utemeljitelja venecijanskog baroknog stila.
          • Značajni pokrovitelji:
          • Dož Francesco Erizzo
          • Katolički kardinal i patrijarh Venecije, Federico Baldissera
          • Istaknuti venecijanski umetnici, uključujući Claudio Monteverdija i Barbaru Strozzi

          Kasni život i smrt

          Strozzijeve poznije godine obeležio je njegov rad kao inženjer. Preminuo je u Veneciji 1mla 1644. godine, ostavivši za sobom neprevaziđeno nasleđe svestranog i plodnog umetnika.

          Pogledajte više dela Bernarda Strozzija na WahooArt: https://WahooArt.com/@/bernardo-strozzi

          Istražite Pinacoteku di Vicenza, Italija, koja prikazuje dela iz različitih perioda i stilova: /sr/art/show/art-d3afpd-sr/
          Bernardo Strozzi

          Bernardo Strozzi

          1581 - 1644 , Италија

          Osnovne informacije

          • Artistic Movement Or Style: Barok
          • Artists Or Movements Influenced By This Artist: ['Venecijanski barok']
          • Artists Who Influenced This Artist:
            • Cesare Corte
            • Pietro Sorri
          • Date Of Birth: 1581
          • Date Of Death: 1644
          • Full Name: Bernardo Strozzi
          • Nationality: Italijan
          • Notable Artworks:
            • Videnje Svetog Dominika
            • Portret doža Erizija
            • Sveti Lavrentije daje milostinju
          • Place Of Birth: Đenova, Italija

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