Ključne informacije

The Works of L. Pazzi

The artistic record of L. Pazzi includes a variety of subjects spanning several centuries. Among the documented works are religious and mythological themes, such as the 1581 painting Venus and Cupid, which is held in the Dulwich Picture Gallery, London. Other notable pieces from the late sixteenth and early seventeenth centuries include the 1590 Crucifixion of Saint Andrew and Moses Strikes Water from the Rock, the latter of which is part of the Bavarian State Painting Collections, Munich. The collection also features The Rest on the Flight into Egypt from 1600, located in the Scottish National Gallery, Edinburgh, and the 1614 work Christ crucified.

In addition to these earlier works, the catalog includes a later piece titled William Evans, Tonyrefail, dated 1868, which is held by the National Library of Wales, Aberystwyth. The known works of this painter are distributed across several prominent institutions:

Vprašanja in odgovori

Ali lahko obiščem virtualni muzej del L. Pazzi?

Možnost virtualnega obiska: stran 3D galerija umetnosti umetnika L. Pazzi predstavlja njegova dela v trodimenzionalni galeriji.

Kje lahko najdem dela umetnika L. Pazzi razvrščena po umetniškem slogu?

Stran Vsi umetnostni slogi prikazuje dela umetnika L. Pazzi razvrščena po umetniškem slogu.

Ali lahko raziskujem dela umetnika L. Pazzi po tematikah?

Stran Atlas motivov prikazuje dela umetnika L. Pazzi razvrščena po temah.

Ali lahko dela umetnika L. Pazzi brskam po vzdušju?

Delo umetnika L. Pazzi si lahko ogledate po razpoloženju na njegovi strani Soba razpoloženj, kjer so umetniška dela razvrščena glede na njihovo vzdušje.

Preiztočite svoj pogled

Pri vsakem vprašanju je na voljo le eden pravilen odgovor.

Vprašanje 1:
In which year was the work 'Venus and Cupid' created?
Vprašanje 2:
Which collection holds the painting 'The Rest on the Flight into Egypt'?
Vprašanje 3:
Which of these works is dated 1590?
Vprašanje 4:
Where is the painting 'William Evans, Tonyrefail' located?
Vprašanje 5:
What is the occupation of L. Pazzi?