Umetniška dela, prikazana na tej strani, so zaščitena z avtorskimi pravicami, kar pomeni, da po zakonu ne moremo ustvarjati ali prodajati identičnih reprodukcij. Ta zaščita se izvaja v skladu z mednarodnimi sporazumi, kot so Bernska konvencija in po nacionalnih zakonih, vključno s tistimi, ki jih določa Zakon o avtorskih pravicah ZDA – naslov 17.
Ta način v celoti upošteva zakonodajo o avtorskih pravicah, saj ne vključuje kopiranja ali podvajanja zaščitena umetniškega dela. Namesto tega gre za kreativno preinterpretacijo – novo sliko, ki je navdihnjen rezultat originala, vendar ni z njim identična.
Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. ( Naročite ročno slikano reprodukcijo
Preklop na digitalno sliko)
Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.
Svoje dimenzije lahko vnesete sami, da bodo ustrezne za določen okvir ali prostor. Če izbrana velikost ne bo skladna z razmerji izvirne slike, bomo umetniško delo orezali ali podaljšali s pomočjo ogledalnega odraza ali barvno polnega roba. Pred začetkom proizvodnje vam bomo poslali digitalni predogled za potrditev.
Upoštevajte, da predogled na zaslonu ne prikazuje dejanskega orezovanja ali podaljševanja. Le digitalni predogled bo natančno prikazal končno kompozicijo.
Čeprav so na voljo prilagojene velikosti, priporočamo izbiro dimenzije s predhodno določenega seznama, da ohranite prvotna razmerja.
Globalna dostava () v 2 tednih namesto standardnih 4/5 tednov. (9 oktober)
Mask
Velikost reprodukcije
In the quiet intimacy of Mask, we encounter a profound dialogue between form and raw material. Created in 1985, this evocative sculpture serves as a hauntingly beautiful testament to the late-career explorations of the master Korean-French artist, Yi Eungro. While much of his legacy is anchored in the fluid grace of ink wash landscapes and the delicate precision of traditional Korean motifs, this piece reveals a more visceral, tactile dimension of his creative spirit. The work presents a face carved with an almost primal intensity, where the grain of the wood meets the deliberate, distorted contours of a human expression. It is a piece that does not merely sit in a space; it commands it, inviting the viewer to peer into the very essence of identity and the masks we wear in the theater of existence.
The technique employed here speaks to a mastery of texture and volume. The artist has manipulated the medium to create a striking interplay of light and shadow, particularly within the hollowed recesses of the eyes and the jagged, rhythmic placement of the teeth. There is a deliberate roughness to the surface that honors the organic nature of the wood, yet the anatomical distortions suggest a sophisticated understanding of movement and emotion. This sculptural approach allows the piece to transcend the two-dimensional plane, offering a physical presence that feels both ancient and strikingly modern. For the discerning collector or interior designer, such a work offers a centerpiece of immense character, providing a grounding, earthy element that pairs exquisitely with contemporary minimalist settings or more traditional, curated galleries.
Beyond its physical attributes, Mask carries a heavy symbolic weight. The concept of the mask is universal—a symbol of protection, deception, and the multifaceted nature of the human psyche. By rendering this face with such raw, unpolished features, Yi Eungro strips away the veneer of social artifice to reveal something more fundamental and perhaps more unsettling. The visible teeth and the asymmetrical gaze evoke a sense of primal vulnerability, reminding us of the wilder, untamed aspects of our shared humanity. It is an artwork that resonates on an emotional level, stirring feelings of curiosity, introspection, and even a touch of melancholy.
Integrating a high-quality reproduction of this masterpiece into a collection allows for the preservation of this profound emotional experience within a domestic or professional environment. Whether placed under soft gallery lighting to highlight its carved depths or positioned as a focal point in a study, Mask serves as a constant source of inspiration. It is more than a mere object; it is a window into the historical intersection of Korean tradition and French modernism, captured through the hands of an artist who spent his life bridging two worlds to find a singular, universal truth.
"Mask" je povezano z Mysterious občutkom. Čustveni ton opisuje vtis, ki ga delo pusti.
Avtor dela "Mask" je Yi Eungro. Del je katalogiran pod imenom Yi Eungro.
V celotnem delu umetnika Yi Eungro se delo "Mask" prikloni slogu Contemporary Art, ki vključuje tematiko korean-french abstract art, modernized ink painting style, sculptural exploration, late career experimentation.
"Mask" avtorja Yi Eungro datira v 1985 in pripada obdobju Contemporary Art.
Splošni vzdug umetninine "Mask" avtorja Yi Eungro je Mystical. Ta vzdug opisuje splošno atmosfero dela.
"Mask" avtorja Yi Eungro je nastalo leta 1985.
Ko je bilo delo "Mask" ustvarjeno leta 1985, je bil Yi Eungro – rojen leta 1904 – star 81 let.
1904 - 1989 , Južna Koreja