Still Life (1667) avtorja Lambert van Haven, ročno slikano oljno platno v reprodukciji mojstra
Predogled v realnem okolju Predogled v AR Preklop na tiskanine Preklop na digitalno sliko Pošlji
Podrobnosti o delu Priročnik Dodaj v priljubljene Prenesi sliko Podobni izdelki Rentgenski posnetek Predvajaj diaporama Vprašanja in odgovori Prenosna prezentacija Statistika

Still Life Ročno slikano reprodukcijo oljne barve

Dimenzije
41.0 x 32.0cm

A Baroque architect known for the Church of Our Saviour. Discover his grand architectural legacy today.

Ročno izdelana oljna reprodukcija

Ročno slikano olje na platnu v vaši izbiri velikosti in okvirja, izdelano po naročilu naših umetnikov. ( Preklop na tiskanine Preklop na digitalno sliko)

Standardna velikost
po meri
CM
INCH

Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.

širina
višina

Vnesite širino in višino, ki jih potrebujete, da se slika prilega vašemu okviru ali steni. Ker je delo ročno slikano, lahko umetnik pri različnih oblikih slik pri robovih doda malo več barve ali pa jih malo odreže — izberite sami. Pred začetkom slikanja vam pošljemo digitalni predogled za potrditev. Slika, prikazana na tej strani, ni končni rezultat — le predogled prikazuje dejansko podobo.

Primeri možnih sprememb: Zamenjava obraza s fotografijo stranke; Dodajanje hišnega ljubljenčka (npr. zamenjava mačke s psom); Vključitev skritega sporočila v ozadje; Sprememba pokrajine ali elementov v ozadju.
Po oddaji naročila bo ekipa WahooArt.com stranki po e-pošti poslala navodila in predogled digitalnega predogleda.

Mednarodna dostava () v 3/4 tednih namesto običajnih 5 tednov. (20 november). Brez kompromisov pri kakovosti.

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Skupna cena

€ 243

Still Life

Tehnik reprodukcije

Velikost reprodukcije

-

Skupna cena

€ 243


Biografija umetnika

The Architect of the Danish Baroque

Bergen, 1630. The son of Solomon van Haven enters a world where art and monarchy are already deeply intertwined. While his father secures the favor of the Danish-Norwegian crown, the young Lambert begins a trajectory that will reshape the physical landscape of Copenhagen. He is a man of many disciplines—an architect, a master builder, and a painter—but it is the structural permanence of stone and mortar that defines his legacy. By 1653, the quietude of his youth ends as he departs for a sixteen-year odyssey across Italy, France, and the Netherlands. This is not a mere tour; it is a deep immersion into the mechanics of the Baroque style, absorbing the heavy geometry of the Dutch and the theatricality of the Italian masters.

The transition from student to state authority arrives with sudden weight. In 1671, King Christian V grants him the title of Denmark-Norway's first official General Building Master. The responsibility is absolute. He is no longer just a practitioner; he is the executor of the king's architectural will, tasked with translating royal ambition into granite and sandstone.

Structural Ambition and Royal Command

His work manifests in the very bones of the city. The skyline of Copenhagen bears the imprint of his vision, particularly through projects that define the intersection of defense and decoration. His contributions include:

  • The Church of Our Saviour, a Dutch Baroque structure built in the form of a Greek cross, featuring Tuscan pilasters that climb the facade.
  • The Nørreport city gate, a massive sandstone construction commissioned in 1671 to replace a decaying predecessor.
  • The interior redesign of Frederiksborg Palace, specifically the Audience Chamber, which draws heavily from the influence of Bernini.

The Nørreport gate remains a significant point of reference in urban history. Until its dismantling in 1857, it held the distinction of being the tallest and finest of Copenhagen's gates. It was a heavy, ornamental presence that guarded the city's edge. Meanwhile, his work at Frederiksborg Palace demonstrates a shift toward the French and Italian styles, using interior space to glorify the monarch through precise, dramatic design.

The Final Blueprint

The later years of his life see him moving through the halls of power, not just as a builder, but as an inspector of all art collections belonging to King Christian V. His influence extends to the very layout of the capital, with his hand likely present in the design of Charlottenborg Palace and Niels Juel's Mansion on Kongens Nytorv. He moves between the practicalities of construction and the high aesthetics of the court, a dual existence that defines the professional life of a Baroque master builder.

He dies in Copenhagen in 1695. He leaves behind a city that has been physically reordered by his hand, a landscape where the Dutch Baroque and the grandiosity of the Danish monarchy are etched into the stone of the Church of Our Saviour and the gates of the city.

Lambert van Haven

Lambert van Haven

1630 - 1695 , Norway

Hitri podatki

  • Artistic Movement Or Style: Baroque
  • Artists Who Influenced This Artist: ['Bernini']
  • Full Name: Lambert van Haven
  • Nationality: Danish-Norwegian
  • Notable Artworks:
    • Church of Our Saviour
    • Nørreport
    • Frederiksborg interiors
  • Place Of Birth: Bergen, Norway
  • Date Of Birth: 1630
  • Date Of Death: 1695