Umetniška dela, prikazana na tej strani, so zaščitena z avtorskimi pravicami, kar pomeni, da po zakonu ne moremo ustvarjati ali prodajati identičnih reprodukcij. Ta zaščita se izvaja v skladu z mednarodnimi sporazumi, kot so Bernska konvencija in po nacionalnih zakonih, vključno s tistimi, ki jih določa Zakon o avtorskih pravicah ZDA – naslov 17.
Kot spoštljiva in zakonita alternativa ponujamo prilagojena, ročno slikana umetniška dela, navzornena na original. Naši sposobni in profesionalni umetniki skrbno preučijo stil, vzdušje in umetniško bistvo originala, da ustvarijo novo, edinstveno delo, ki vzbudi enak občutek – pri čemer ostaja popolnoma nova, samostojna izvirna stvar.
Ta način v celoti upošteva zakonodajo o avtorskih pravicah, saj ne vključuje kopiranja ali podvajanja zaščitena umetniškega dela. Namesto tega gre za kreativno preinterpretacijo – novo sliko, ki je navdihnjen rezultat originala, vendar ni z njim identična.
Ročno slikano olje na platnu v vaši izbiri velikosti in okvirja, izdelano po naročilu naših umetnikov. ( Preklop na tiskanine
Preklop na digitalno sliko)
Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.
Vnesite širino in višino, ki jih potrebujete, da se slika prilega vašemu okviru ali steni. Ker je delo ročno slikano, lahko umetnik pri različnih oblikih slik pri robovih doda malo več barve ali pa jih malo odreže — izberite sami. Pred začetkom slikanja vam pošljemo digitalni predogled za potrditev. Slika, prikazana na tej strani, ni končni rezultat — le predogled prikazuje dejansko podobo.
Mednarodna dostava () v 3/4 tednih namesto običajnih 5 tednov. (26 oktober). Brez kompromisov pri kakovosti.
Turquoise
Velikost reprodukcije
Born in İzmir, Turkey, in 1987, Lara Ögel’s artistic journey is a compelling exploration of the commonplace, imbued with layers of mythology, memory, and personal reflection. Her work transcends simple documentation; instead, she crafts immersive site-specific installations that invite viewers to contemplate the temporal, the vernacular, and the often-overlooked narratives woven into daily life. Ögel’s practice is characterized by a deliberate blending of media – video, collage, pattern, objects, and drawing – creating works that resonate with both immediate sensory experience and profound conceptual depth.
Early influences on Ögel's work are diverse. Her background in Screen Studies from Clark University provided a foundational understanding of visual storytelling and the power of moving images. This academic grounding is complemented by her attendance at the Intensive Summer Foundation at Slade School of Fine Art in London, an experience that honed her observational skills and introduced her to a rich tradition of artistic experimentation. Crucially, her time spent participating in artist residencies – at PRAKSIS in Oslo, Beirut Art Residency, and Cité Internationale des Arts in Paris – fostered a global perspective and exposed her to varied cultural contexts, enriching the thematic scope of her work.
At the heart of Ögel’s practice lies a fascination with site-specificity. Rather than creating works destined for a gallery wall, she meticulously designs installations tailored to the unique characteristics of each location. This approach isn't merely about aesthetic adaptation; it’s a deliberate attempt to engage with the history, atmosphere, and social fabric of the space itself. Her installations often incorporate found objects and images, transforming them into potent symbols that evoke forgotten memories or suggest hidden narratives. The use of pattern – frequently intricate and layered – serves as a recurring motif, representing both the order and chaos inherent in human experience.
Ögel’s work frequently draws upon mythological archetypes and dream imagery, creating a sense of disorientation and intrigue. She isn't simply depicting reality; she’s constructing alternate realities—labyrinthine spaces where familiar elements are subtly distorted, prompting viewers to question their perceptions and consider the underlying structures that shape our understanding of the world. The recurring theme of “echo” – as explored in her exhibition at Bilsart – speaks to the reverberations of past events and the ways in which they continue to influence the present.
Lara Ögel’s work has garnered significant recognition within both Turkey and internationally. Her exhibitions have spanned a diverse range of venues, including Galerist in Istanbul, Ariel in Paris, Protocinema in London, OMM in Eskişehir, Somerset House in London, and numerous galleries across the United States and Europe. Key solo shows include “Starry Heavens Above Me and Within Me” (2023), “Verses on Water” (2019), “Public Intimacy” (2019), “Imtidâd” (2018), “Come Back! All is Forgiven” (2016), and “The Happy Average” (2014). She has also participated in group exhibitions such as ‘Rounded by Sleep’ (2022), ‘The Promise of Grass’ (2022), ‘This Place’ (2021), ‘At the End of the Day’ (2020), ‘Mushrooms’ (2020), and ‘I remember’ (2019). These exhibitions demonstrate a consistent commitment to exploring complex themes through innovative and engaging installations.
Lara Ögel's work stands as a significant contribution to contemporary Turkish art. Her ability to seamlessly blend personal narrative with broader cultural concerns, coupled with her masterful use of installation techniques, positions her as a compelling voice in the international art scene. She doesn’t offer easy answers or simplistic interpretations; instead, she invites viewers into a dialogue—a conversation about memory, identity, and the enduring power of the everyday. Her ongoing exploration of themes like time, place, and the human condition ensures that her work will continue to resonate with audiences for years to come.
1987 - , Turkey