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Hygenic Exhibition

Explore the art of Konstanty Kietlicz-Rayski (1890-1945), a Polish painter & graphic artist known for striking posters like 'Hygenic Exhibition.' Discover his blend of modern & traditional styles on WahooArt!

Giclée tisk / Umetniški tisk

Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. ( Naročite ročno slikano reprodukcijo Preklop na digitalno sliko)

Standardna velikost
po meri
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Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.

širina
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Svoje dimenzije lahko vnesete sami, da bodo ustrezne za določen okvir ali prostor. Če izbrana velikost ne bo skladna z razmerji izvirne slike, bomo umetniško delo orezali ali podaljšali s pomočjo ogledalnega odraza ali barvno polnega roba. Pred začetkom proizvodnje vam bomo poslali digitalni predogled za potrditev.
Upoštevajte, da predogled na zaslonu ne prikazuje dejanskega orezovanja ali podaljševanja. Le digitalni predogled bo natančno prikazal končno kompozicijo.
Čeprav so na voljo prilagojene velikosti, priporočamo izbiro dimenzije s predhodno določenega seznama, da ohranite prvotna razmerja.

Globalna dostava () v 2 tednih namesto standardnih 4/5 tednov. (26 september)

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Skupna cena

$ 68

reproduction

Hygenic Exhibition

Giclée tisk / Umetniški tisk

Velikost reprodukcije

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Skupna cena

$ 68

Konstanty Kietlicz-Rayski (1868–1924), a painter, illustrator, publicist, anthropologist, theatre critic and actor. Studied in the School of Fine Arts in Cracow and afterwards took lessons with a prominent painter, Wojciech Gerson (1831–1901), in Warsaw. Spiritus movens of artistic and cultural life of Lublin and Szczawnica. Author of a series of paintings called Teka sztuki podhalańskiej, documenting the traditional art of Podhale (the Polish highlands) and Szczawnica, as well as progenitor of the idea of founding the Pieniny Mountains Museum [Muzeum Pienińskie] and a school for folk crafts. The poster announces the Hygienic Exhibition organised in Lublin in 1908 by a Lublin subsidiary of the Warsaw Hygienic Society [Polish: Warszawskie Towarzystwo Higieniczne], that was supposed to raise awareness on hygiene and health among the general public. Different items were showcased at the exhibition: models and statistical tables, hospital equipment, medical tools, household appliances, educational publications on hygiene. Also, various health resorts and spas of Zakopane, Niemirów, Ciechocinek, Nałęczów, Druskienniki, as well as doctors and pharmacists, advertised their services during the exhibition.The poster layout is based on the representation of a woman feeding a snake. It is Hygeia, Greek goddess of health and personification of hygiene. Depicted in a whole-body posture, dressed in a chiton, with a helmet on her head decorated with the emblem of the city of Lublin and with a shield at her thigh with a deer alluding to the emblem of the Lublin governorate. The snake-feeding scene is taking place with the Lublin castle in the background and on its walls. In the central part of the composition, a text field was placed with the information about the exhibition in Polish and Russian. The artist applied an unified typeface.

Biografija umetnika

Konstanty Kietlicz-Rayski: A Polish Master of Poster and Painterly Vision

Born in Warsaw in 1890, Konstanty Kietlicz-Rayski emerged as a pivotal figure in early 20th-century Polish art, primarily recognized for his striking posters and evocative paintings. His career, tragically cut short by the tumultuous years of World War II, reflects both the artistic ferment of the era and the profound challenges faced by Polish artists under occupation. Kietlicz-Rayski’s work is a compelling blend of traditional techniques with a burgeoning modern sensibility, deeply rooted in his Polish heritage yet open to international influences.

Kietlicz-Rayski's artistic journey began within a family steeped in creative tradition. Encouraged from a young age, he initially honed his skills at the Warsaw Academy of Fine Arts, later expanding his horizons with studies at the prestigious Académie Julian in Paris – an experience that undoubtedly exposed him to the vibrant currents of French art and design. This dual education proved crucial, providing him with a solid foundation in classical techniques while simultaneously introducing him to innovative approaches to composition and color.

The Rise of a Poster Artist

Kietlicz-Rayski’s fame rests largely on his posters, particularly the iconic ‘Hygenic Exhibition’ poster. These weren't merely advertisements; they were meticulously crafted visual narratives designed to inform and engage the public. His posters demonstrate an exceptional ability to distill complex information into arresting images, utilizing bold typography, dynamic layouts, and a carefully considered color palette. The 'Hygenic Exhibition' poster exemplifies this perfectly – a vibrant testament to his skill in communicating ideas through visual means.

He was a member of the Society of Polish Artists ‘Rytm’ and the Association of Polish Artists ‘Kapist,’ organizations that fostered artistic exchange and provided platforms for exhibiting his work. His participation in the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925 marked a significant milestone, showcasing his talent to an international audience and solidifying his position within the broader European art scene. His designs were characterized by a sophisticated understanding of graphic principles, blending elements of Art Deco with a distinctly Polish aesthetic.

A Painter’s Palette: Exploring Themes of Landscape and Tradition

Beyond posters, Kietlicz-Rayski was a skilled painter, whose works often explored themes of landscape and the rural life of Poland. His paintings frequently depict scenes from the Kielce region, capturing its rolling hills, dense forests, and traditional villages with a romantic sensibility. These landscapes are not simply representations; they’re imbued with a sense of nostalgia and an appreciation for the enduring beauty of the Polish countryside.

His artistic style was influenced by several key movements. He drew inspiration from the Munich School, particularly its emphasis on atmospheric perspective and dramatic lighting, as well as the Nabis movement's interest in symbolism and color theory. However, Kietlicz-Rayski skillfully integrated these influences into a distinctly personal vision, creating works that are both informed by tradition and open to new possibilities.

Legacy and Collections

Konstanty Kietlicz-Rayski’s legacy endures through his enduring posters and captivating paintings. His work is held in prestigious collections, including the Museum Narodowe w Warszawie (National Museum in Warsaw) and the Muzeum Kolekcji im. Jana Paw-a II (Museum of Collections Im. Jana Paw-a II), ensuring that his artistic contributions are accessible to generations of art enthusiasts. His graphic art, particularly his lithographs, demonstrates a mastery of various artistic techniques.

Furthermore, his work is featured on platforms like WahooArt.com, providing a valuable resource for exploring the breadth and depth of his artistic style. Kietlicz-Rayski’s life and career serve as a poignant reminder of the challenges faced by Polish artists during a period of immense upheaval, yet also as a testament to their enduring creativity and contribution to the rich tapestry of Polish art history.

konstanty kietlicz-rayski

konstanty kietlicz-rayski

1890 - 1945 , Poland

Ključne informacije

  • Artistic Movement Or Style: Posters, Graphic Art
  • Artists Or Movements Influenced By This Artist:
    • Rytm Society
    • Kapist Association
  • Artists Who Influenced This Artist: ['Académie Julian']
  • Date Of Birth: 1890
  • Date Of Death: 1945
  • Full Name: Konstanty Kietlicz-Rayski
  • Nationality: Polish
  • Notable Artworks: ['Hygenic Exhibition poster']
  • Place Of Birth: Warsaw, Poland