Umetniška dela, prikazana na tej strani, so zaščitena z avtorskimi pravicami, kar pomeni, da po zakonu ne moremo ustvarjati ali prodajati identičnih reprodukcij. Ta zaščita se izvaja v skladu z mednarodnimi sporazumi, kot so Bernska konvencija in po nacionalnih zakonih, vključno s tistimi, ki jih določa Zakon o avtorskih pravicah ZDA – naslov 17.
Ta način v celoti upošteva zakonodajo o avtorskih pravicah, saj ne vključuje kopiranja ali podvajanja zaščitenga umetniškega dela. Namesto tega gre za kreativno preinterpretacijo – novo sliko, ki je navdihnjen rezultat originala, vendar ni z njim identična.
Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. (
Kupite ročno slikano delo Preklop na digitalno sliko)
Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.
Vnesite širino in višino, ki jih potrebujete za svoj okvir ali steno. Tiskanje se lahko le odreže, vendar ga ni mogoče narediti večjega od slike, zato format z drugačno obliko pomeni izgubo dela slike. Pred tiskanjem vam pošljemo digitalni predogled za potrditev. Slika, prikazana na tej strani, ne prikazuje dejanskega izrezka — le predogled to omogoča.
Globalna dostava () v 2 tednih namesto standardnih 4/5 tednov. (8 november)
Memory N. 1
Velikost reprodukcije
In this 1958 composition, we encounter a visual language that leans heavily into the geometric abstraction defining much of the mid-century period. The canvas is dominated by a large red circle, its surface punctuated by white dots that create a rhythmic, almost celestial texture. This central figure acts as a gravitational anchor for the surrounding elements. Scattered throughout the space are smaller circles, some in deep blue, which drift around the primary red form. These shapes do not merely sit upon the surface; they interact, creating a sense of movement within a structured, mathematical order. Amidst this arrangement of spheres, two human figures emerge—one in the upper left and another toward the right. Their presence introduces a subtle tension, grounding the abstract geometry in a sense of lived experience or perhaps a fragmented recollection.
The technique suggests a deliberate, controlled application of pigment. There is a clarity to the shapes that speaks to a disciplined approach to the medium. By balancing the weight of the large red orb against the lighter, scattered blue and white elements, the artist achieves a specific equilibrium. It is a work that asks for a quiet, sustained gaze to fully grasp the relationship between the organic presence of the figures and the rigid precision of the circles.
The title, Memory N. 1, invites us to consider the painting not as a literal landscape, but as a mental architecture. The abstraction functions as a way to organize thought and sensation. The red circle, with its internal white points, feels like a focal point of consciousness, while the blue spheres act as drifting thoughts or peripheral sensations. The inclusion of the two figures suggests that memory is never purely abstract; it is always inhabited by the human element, even when that presence is reduced to a silhouette or a simplified form. This interplay between the mathematical and the personal is what gives the work its specific gravity.
Created during a period of significant movement in Latin American art, this piece reflects an engagement with modernist principles. The work avoids the chaos of pure expressionism, opting instead for a structured, geometric clarity. It is a quiet exploration of how we perceive space and identity through the lens of simplified, essential shapes. The interaction of the primary colors and the scattered dots creates a visual rhythm that feels both intentional and spontaneous, capturing a moment of mental clarity within a vast, colored void.
Priporočena velikost tiska za "Memory N. 1" avtorja Jorge Piqueras je Large.
Prevladujoča barva dela "Memory N. 1" avtorja Jorge Piqueras je Walnut (#734a18).
Paleta Dark v delu "Memory N. 1" avtorja Jorge Piqueras se dopolnjuje z njegovim Energetic čustvenim tonom. Barva je eden od načinov, s katerimi umetniško delo izraža čustva.
1925 - 2020 , Peru
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Možnost stekla je na voljo le za velikosti pod 110 cm
