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Installation Model for McNamara's Band

John Chamberlain (1927-2011) transformed scrap car parts into vibrant abstract sculptures, redefining assemblage & bridging painting with three dimensions. A Neo-Dada icon!

Giclée tisk / Umetniški tisk

Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. ( Naročite ročno slikano reprodukcijo Preklop na digitalno sliko)

Standardna velikost
po meri
CM
INCH

Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.

širina
višina

Svoje dimenzije lahko vnesete sami, da bodo ustrezne za določen okvir ali prostor. Če izbrana velikost ne bo skladna z razmerji izvirne slike, bomo umetniško delo orezali ali podaljšali s pomočjo ogledalnega odraza ali barvno polnega roba. Pred začetkom proizvodnje vam bomo poslali digitalni predogled za potrditev.
Upoštevajte, da predogled na zaslonu ne prikazuje dejanskega orezovanja ali podaljševanja. Le digitalni predogled bo natančno prikazal končno kompozicijo.
Čeprav so na voljo prilagojene velikosti, priporočamo izbiro dimenzije s predhodno določenega seznama, da ohranite prvotna razmerja.

Globalna dostava () v 2 tednih namesto standardnih 4/5 tednov. (23 september)

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Skupna cena

$ 68

reproduction

Installation Model for McNamara's Band

Giclée tisk / Umetniški tisk

Velikost reprodukcije

-

Skupna cena

$ 68


Biografija umetnika

Early Life and Influences

  • Born: Rochester, Indiana (1927)
  • Died: 2011 on Shelter Island, New York
  • Raised primarily by his grandmother after his parents' divorce; spent much of his youth in Chicago.
  • Served in the U.S. Navy from 1943 to 1946.
  • Studied at the Art Institute of Chicago (1951–52) and Black Mountain College (1955–56).
  • At Black Mountain, he was influenced by poets Charles Olson, Robert Creeley, and Robert Duncan, fostering an appreciation for language in his art.
  • Moved to New York in 1957, beginning to incorporate scrap-metal auto parts into his sculptures.

Artistic Development and Signature Style

  • Initially worked with carving and modeling before transitioning to metal sculpture (1952) and welding (1953).
  • Began incorporating scrap metal from cars in 1957, notably in the work "Shortstop."
  • From 1959 onward, concentrated on sculptures entirely constructed from crushed automobile parts welded together.
  • His method reinvented modeling, casting, and volume alteration, influencing Marcel Duchamp's concept of the readymade.
  • Experimented with various materials throughout his career: galvanized steel, mineral-coated Plexiglas, aluminum foil, and urethane foam.
  • Limited himself to specific automobile parts (fenders, bumpers, chassis) after returning to metal as a primary material in the mid-1970s.

Major Themes and Techniques

  • Abstraction: Chamberlain's sculptures are characterized by their abstract forms, bringing Abstract Expressionism into three dimensions.
  • Assemblage: He pioneered a unique form of assemblage art using discarded automobile parts.
  • Material Transformation: His work explores the transformation of industrial materials (scrap metal) into vibrant and dynamic artworks.
  • Color and Surface: Chamberlain utilized color, texture, and surface treatments (sandblasting, paint removal) to create visually compelling sculptures.
  • Scale and Form: He worked on a range of scales, from smaller pieces to monumental installations like "American Tableau."

Recognition and Legacy

  • First major solo show at the Martha Jackson Gallery, New York (1960).
  • Included in “The Art of Assemblage” exhibition at the Museum of Modern Art (1961).
  • Represented the United States at the Venice Biennale (1964).
  • Retrospective exhibitions at the Solomon R. Guggenheim Museum (1971) and the Museum of Contemporary Art, Los Angeles (1986).
  • "John Chamberlain: Choices" exhibition at the Solomon R. Guggenheim Museum (2012), examining his sixty-year career.
  • His work is held in major museum collections worldwide, including the Tate Modern, London; the Moderna Museet, Stockholm; and the Hirshhorn Museum and Sculpture Garden, Washington D.C.

Beyond Sculpture: Film and Photography

  • Experimented with filmmaking from 1967, creating films like "Wide Point" (1968) and "The Secret Life of Hernando Cortez."
  • Expanded his work to include large-format photographs in the last decade of his life.
  • These photographs often incorporated digital effects and collage techniques.
John Chamberlain

John Chamberlain

1927 - 2011 , United States of America

Ključne informacije

  • Artistic Movement Or Style: Abstract Expressionism, Neo-Dada
  • Artists Who Influenced This Artist:
    • David Smith
    • Marcel Duchamp
  • Date Of Birth: April 16, 1927
  • Date Of Death: December 21, 2011
  • Full Name: John Angus Chamberlain
  • Nationality: American
  • Notable Artworks:
    • Shortstop
    • FROSTYDICKFANTASY
    • PINEAPPLESURPRISE
  • Place Of Birth: Rochester, United States