Untitled je dielo od Thomas Phillips (1770–1845). Nachádza sa v National Portrait Gallery v Londýn, United Kingdom.
Londýn, United Kingdom
Origins and History of the National Portrait Gallery The National Portrait Gallery was established in 1856, conceived as a grand statement of national pride. It holds the distinction of being arguably the first national public gallery in the world dedicated specifically to portraits. While the institution was founded in the mid-19th century, the official opening of the museum took place on January 15, 1859.
Thomas Phillips, Untitled, National Portrait Gallery. Verejné vlastníctvo
Digitálny expert kontroluje farby v porovnaní s originálom a retušuje súbor tak, aby verne odovzdal ťah pędzľa umelca.
Získať obraz vo vysokom rozlíšeníOriginál diela „Untitled“ od Thomas Phillips sa nachádza v múzeu National Portrait Gallery, Londýn, United Kingdom. Reprodukcia vám umožňuje toto dielo vystaviť priamo vo vašom domove.
Stav autorských práv pre „Untitled“ od Thomas Phillips: dielo je v stave v slobodnom prostredí – autorské práva vypršali. To určuje, či je možné voľne vytvárať reprodukcie tohto obrazu.
Autorom diela „Untitled“ je Thomas Phillips. Prácu nájdete v katalógu pod menom Thomas Phillips.
Dielo „Untitled“ od umelca Thomas Phillips patrí do v slobodnom prostredí – autorské práva vypršali. Autorské práva sa vypočítavajú od roku úmrtia umelca, pričom Thomas Phillips zomrel v roku 1845.
Nie – dielo sa nachádza v zahraničí. Dielo „Untitled“ sa nachádza v krajine United Kingdom, zatiaľ čo Thomas Phillips sa narodil/a v krajine Spojené kráľovstvo.
1770–1845, Spojené kráľovstvo
Thomas Phillips: A Master of Light and Character in 19th-Century British Portraiture Thomas Phillips, born in Dudley, Worcestershire, in 1770, represents a fascinating confluence of artistic disciplines – initially trained as a glass painter, he ultimately ascended to become one of the most celebrated portraitists of his era. His journey from the meticulous craft of decorative glass to the grand halls of London’s Royal Academy is a testament to his innate talent and unwavering dedication. Phillips's work isn’t merely about capturing likeness; it’s an exploration of character, imbued with a remarkable sensitivity to light, color, and the subtle nuances of human expression. His early years were shaped by his apprenticeship under Francis Eginton in Birmingham, where he honed his skills in glass-painting.
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