Umelecké dielo zobrazené na tejto stránke je chránené autorským zákonom, čo znamená, že nemôžeme legálne vytvárať ani predávať jeho identickú reprodukciu. Táto ochrana je vymáhaná na základe medzinárodných dohôd, ako napríklad Bernská konvencia a národnými zákonmi, vrátane tých, ktoré sú stanovené v Autorské právo USA – Title 17. Všetky práva vyhradené.
Táto metóda plne dodržiava autorské práva, pretože nezahŕňa kopírovanie ani duplikovanie chráneného diela. Ide skôr o kreatívnu reinterpretáciu – nový obraz, ktorý je ovplybnený originálom, no nie je s ním identický.
Giclée tlač alebo plátno múzeálnej kvality s rýchlou výrobou a rôznymi možnosťami povrchovej úpravy. ( Objednať ručne maľovanú reprodukciu
Prepnúť na digitálnu verziu obrazu)
Vyberte si z našich preddefinovaných rozmerov, ktoré zodpovedajú pôvodným pomeroḿ diela.
Zadajte šírku a výšku, ktoré potrebujete, aby sa reprodukcia hodila k vášmu rámu alebo stene. Print možno len orezávať, nikdy však nemennú veľkosť zvětšiť oproti pôvodnému obrázku, preto pri inom formáte stráca časť obrazu. Pred samotným vytlačiacím procesom vám pošleme digitálny náhľad na schválenie. Obrázok zobrazený na tejto stránke nezobrazuje reálny rez — len digitálny náhľad ukazuje presný výsledok.
Celosvetová doprava () do 2 týždňov namiesto štandardných 4 až 5 týždňov. (21 október)
No. 14
Veľkosť reprodukcie
Mark Rothko, a name synonymous with profound color fields, didn't emerge fully formed from the canvas. His artistic journey began in Daugavpils, Latvia—a city steeped in history and cultural crossroads—in 1903. Born Marcus Yakovlevich Rothkowitz to a Jewish family deeply rooted in intellectual pursuits, his early life was profoundly shaped by his father’s Marxist leanings and the vibrant, often turbulent, atmosphere of pre-war Europe. This formative period instilled within him a sensitivity to social and political currents, an element that would subtly permeate his later work. The family's emigration to Portland, Oregon, in 1913 marked a significant shift, introducing Rothko to a new landscape and a burgeoning American identity. His childhood was characterized by rigorous education—he mastered Lithuanian Yiddish, Hebrew, and Russian—and a passionate engagement with social justice issues, mirroring his father’s commitment to revolutionary ideals. This complex blend of heritage, intellectual stimulation, and early exposure to societal challenges laid the groundwork for the emotionally resonant art he would eventually create.
Rothko's artistic trajectory underwent a dramatic transformation during the 1940s. Initially exploring figurative painting—depicting urban scenes and portraits—he began to experiment with mythological themes and Surrealism, a response to the anxieties and uncertainties of World War II. However, it was in this decade that he embarked on a radical shift towards abstraction, driven by a desire to express fundamental human emotions rather than represent external reality. This pivotal period witnessed the birth of what would become known as Color Field painting—a movement characterized by vast expanses of luminous color applied in broad, unmodulated washes. Rothko’s focus moved away from recognizable forms and narratives, concentrating instead on the evocative power of pure color itself. He sought to create paintings that could induce a meditative state in the viewer, allowing them to experience emotions directly through the interplay of hue and tone.
'No. 14' exemplifies Rothko’s mastery of this technique. The painting immediately commands attention with its bold juxtaposition of purple on the left side and orange on the right. These aren’t merely colors; they are imbued with a palpable sense of depth, luminosity, and emotional weight. The application of oil paint is remarkably subtle—layers build upon layers to create an almost velvety texture, while variations in tone suggest both distance and intimacy. The rectangular forms, devoid of sharp edges or defined boundaries, seem to dissolve into the surrounding color fields, drawing the viewer inward. It’s a deliberate strategy designed to bypass rational thought and tap directly into the viewer's emotional core. Rothko himself described his intention as “to express basic human emotions: tragedy, ecstasy, doom, and so on.” ‘No. 14’ powerfully embodies this ambition, inviting contemplation of these profound states.
Mark Rothko's influence extends far beyond his own lifetime. He is considered a pivotal figure in the development of Abstract Expressionism, alongside artists like Wassily Kandinsky and Arthur Dove. His work has been exhibited at prestigious institutions worldwide, including the Tate Gallery and the National Gallery of Australia, and its resale value continues to rise significantly. The iconic ‘No. 6 (Violet, Green and Red)’ sold for an astounding $186 million in 2014, a testament to the enduring power and appeal of his art. Rothko’s legacy lies not only in his individual paintings but also in his pioneering approach to color and form—a radical departure from traditional representation that continues to inspire artists and captivate audiences today. For those seeking a deeper understanding of this extraordinary artist and his work, we encourage you to explore the WahooArt website for further information and high-quality reproductions.
„No. 14“ od Mark Rothko vyvoláva Tajomný pocit v rámci celkového Dramatické nálady.
Čo sa týka autorských práv, „No. 14“ je v stále chránené autorským právom.
Stránka RTG skenovanie diela „No. 14“ od Mark Rothko slúži ako interaktívny prehliadač, ktorý vám umožňuje prechádzať jedenásť optických vrstiev obrazu diela, vrátane pohľadu v štýle RTG snímky.
1903 - 1970 , Lotyšsko