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Monnow Mill

  • Rozmery60.0 x 90.0 cm

Donald Henry Floyd (1892-1965) was a British painter celebrated for his evocative landscapes of South East Wales, particularly the Wye Valley. Known for capturing scenes in all weather conditions, his work includes depictions of rural life and travel

Ručne maľovaná olejová reprodukcia

Ručne maľovaný olej na plátne vo vašej zvolenej veľkosti a v ráme, vyrobený na mieru našimi umelcami. ( Prepnúť na tlač Prepnúť na digitálnu verziu obrazu)

Štandardné rozmery
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Vyberte si z našich preddefinovaných rozmerov, ktoré zodpovedajú pôvodným pomeroḿ diela.

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Môžete zadať vlastné rozmery tak, aby sa hodili do konkrétneho rámu alebo priestoru. Ak sa váš zvolený rozmer nezhoduje s pôvodnými proporciami obrazu, dielo buď orezáme, alebo ho doplníme ručne maľovanými prvkami. Pred začiatkom výroby vám zašleme digitálny náhľad na schválenie.
Upozorňujeme, že ukážka na obrazovke neodráža skutočné orezanie ani doplnenie. Skutočnú finálnu kompozíciu zobrazuje iba digitálny náhľad.
Hoci sú k dispozícii vlastné rozmery, odporúčame vybrať rozmer z preddefinovaného zoznamu, aby sme zachovali pôvodné proporcie.

Príklady možných zmien: nahradiť tvár fotografiou zákazníka; pridať domáce zviera (napr. nahradiť mačku psom); vložiť skryté posolstvo do pozadia; zmeniť krajinu alebo prvky pozadia.
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Celková cena

$ 272

reproduction

Monnow Mill

Spôsob reprodukcie

Veľkosť reprodukcie

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Celková cena

$ 272


Biografia umelca

Emerson Lewis: A Visionary of the Unreal

Born in Hutchinson, Kansas, on February 28, 1892, Emerson Lewis’s life was one defined by a profound and largely solitary artistic journey. From his early years marked by a childhood shaped by the death of his mother and subsequent placement in an asylum, he developed a unique perspective—one that would profoundly influence his distinctive style and subject matter. Lewis's formative years were spent studying art under his father, Edward Henry Lewis, a respected artist known as Edel, initially honing skills in stained-glass work before transitioning to painting. This early exposure to diverse artistic mediums laid the groundwork for his later explorations of printmaking and illustration.

Lewis’s formal training included studies at Northwestern University in Evanston, Illinois, followed by a brief stint at the University of California, Berkeley. However, it was his time in Boston, working as an instructor for Alexander Robinson, and then teaching at the Art Institute of Chicago that truly shaped his artistic trajectory. These experiences exposed him to the vibrant currents of early 20th-century American art, including the burgeoning Modernist movement and the influence of artists like George Bellows and Andrew Dasburg. This period also saw him grapple with the challenges of a rapidly changing world, reflected in his evolving artistic style.

The Emergence of a Distinctive Style

A pivotal moment in Lewis’s career arrived in 1924 when he relocated to Southern California, a move that dramatically altered the course of his work. It was here, amidst the burgeoning art scene of Los Angeles and San Francisco, that he began to develop the ethereal, dreamlike imagery that would become his hallmark. His paintings transitioned from representational forms to explorations of the subconscious—a realm populated by enigmatic figures, often women with hauntingly beautiful expressions, set within landscapes imbued with a sense of mystery and melancholy. This shift was not merely stylistic; it represented a deep dive into personal symbolism and emotional resonance.

Lewis’s artistic development during this period was significantly influenced by the “Woodstock” group of artists, a collective known for its emphasis on craftsmanship and a rejection of commercialism. He also drew inspiration from European art movements, particularly the Symbolist painters who explored themes of spirituality and the unseen world. His work began to resonate with the broader artistic trends of the time—the rise of Surrealism and the increasing interest in psychological exploration within art.

The "Munch Affair" and Early Recognition

Lewis’s early career was marked by a series of significant events, including his inclusion in the 1922 Pennsylvania Academy of Fine Arts exhibition, where he received a purchase prize—a testament to the recognition of his talent. He also participated in exhibitions such as those organized by the San Francisco Art Association and the California Printmakers’ Society, gaining exposure within the regional art community. However, it was the “Munch Affair” of 1927 that brought him considerable notoriety. Invited to stage a one-man exhibition at Goupil & Cie gallery in London, his paintings sparked controversy due to their evocative and unsettling imagery. The exhibition was abruptly shut down after just one week, highlighting the challenges faced by artists pushing boundaries with unconventional subject matter.

Despite this setback, Lewis continued to exhibit and refine his artistic vision. He received a Guggenheim Fellowship in 1927, providing him with invaluable time and resources for travel and study in Europe. This period of international exposure further broadened his artistic horizons and informed his evolving style. His work began to attract the attention of prominent collectors and museums, solidifying his place within the American art landscape.

Later Years and Legacy

Following World War II, Lewis settled in Santa Ana, California, where he continued to paint until shortly before his death in 1959. His later works retained the characteristic dreamlike quality of his earlier paintings, reflecting a lifetime spent exploring the depths of human emotion and the mysteries of the subconscious. Lewis’s art remains remarkably consistent throughout his career—a testament to his unwavering dedication to his artistic vision.

Today, Emerson Lewis is recognized as one of the most original and enigmatic figures in American art. His paintings are prized for their evocative imagery, psychological depth, and technical mastery. His work continues to resonate with viewers who appreciate the power of art to transport us beyond the realm of the ordinary—to the realms of the unreal.

donald henry floyd

donald henry floyd

1892 - 1965

Rýchle fakty

  • Artistic Movement Or Style: Battle painter
  • Artists Or Movements Influenced By This Artist: ['Russian art']
  • Artists Who Influenced This Artist: ['NS Samokisz']
  • Date Of Birth: 1892
  • Date Of Death: 1983
  • Full Name: Athanasei Iwanowitsch Scheloumoff
  • Nationality: Russian
  • Notable Artworks: ['Various battle scenes']
  • Place Of Birth: Kamieniec Podolski, Ukraine