NáhľadNáhľad AR náhľadAR náhľad Prepnúť na tlač Prepnúť na tlačKúpiť ručne maľovaný obraz Kúpiť ručne maľovaný obraz OdoslaťOdoslať
Podrobnosti o dieloPodrobnosti o dielo Pridať do obľúbených Pridať do obľúbených StiahnuťStiahnuť Podobné dielaPodobné diela RTG skúškaRTG skúška PrezentáciaPrezentácia ŠtatistikyŠtatistiky

Narcissus

Chao Meng-chien’s 'Narcissus' (1201) is a serene Song Dynasty ink wash painting of daffodils. Explore this exquisite monochrome artwork, symbolizing hope & renewal.

Explore the works of chao meng-chien (zhao mengjian), a renowned Song dynasty painter known for ink wash depictions of daffodils, plum blossoms, orchids & bamboo.

Kúpte si digitálnu snímku vo vysokom rozlíšení s vylepšenými detailmi, ktorá je oveľa kvalitnejšia než online náhľad.

Každý súbor starostlivo pripravujú naši interní špecialisti pomocou pokročilých nástrojov a odborného manuálneho retušovania. Zabezpečujeme, aby každý obrázok disponoval výnimočnou čistotou, presnou farebnou vernosťou a jemnými detailmi.

Konečný súbor vám bude doručený e-mailom do 72 hodín, optimalizovaný pre okamžité použitie v profesionálnom, redakčnom aj tlačovom prostredí. Ide o rovnakú kvalitu, ktorej dôverajú špičkové dizajnérske štúdiá, vydavateľstvá a galérie.

Digitálny obraz

Stiahnite si vysokorozlíšený súbor na osobné zobrazovanie, tlačenie a kreatívne projekty. (Prepnúť na tlač Prepnúť na tlačKúpiť ručne maľovaný obraz Kúpiť ručne maľovaný obraz)

Celková cena

$ 24,90

Súčasťou každej objednávky digitálneho obrazu

Expetórne digitálne doručenie, garantované

Keď si vyberiete WahooArt.com, nedostávate len obrázok – získate profesionálne upravené digitálne umenie, vytvorené s precíznosťou a so zárukou vašej maximálnej spokojnosti. Tu je všetko, čo je súčasťou vašej objednávky automaticky:

shipping_icon
Rýchle doručenie e-mailom

Vaša vysokorozlíšená digitálna súprava obrázkov vám bude zaslaná e-mailom do 72 hodín od objednávky – pripravená na okamžité použitie.

canvas_icon
Digitálny súbor s vylepšením AI

Vaše dielo je profesionálne optimalizované pomocou pokročilých nástrojov umelej inteligencie a manuálnej editácie, čo zaručuje maximálnu úroveň detailov, čistotu a presnosť farieb.

insurance_icon
Bezplatné celoživotné opätovné doručenie

Náhodou ste zmazali alebo ste stratili svoj súbor? Nebavžte sa – pošleme vám ho kedykoľvek znova, úplne bez poplatkov.

tax_icon
Bez poplatkov za dovoz – navždy

Užite si svoje umelodelo okamžite bez colných poplatkov, daní alebo nákladov na dopravu – digitálne stiahnutia sú vždy oslobodené od dane.

color_icon
Garantovaná presnosť farieb

Pomocou profesionálnych nástrojov a farebného manažmentu zabezpečujeme, aby vaša digitálna fotografia čo najpresnejšie odrážala pôvodné farby.

return_icon
Záruka spokojnosti 100 dní

Ak nebudete spokojní so svojím digitálnym obrázkom, upravíme ho alebo vám v priebehu 100 dní vrátime 100% – bez zbytočných otázok.

guarantee_icon
100% Záruka vrátenia peňazí

Nie ste spokojní? Získajte plnú náhradu platby do 100 dní od prijatia digitálneho súboru – bez zbytočných otázok.

discount_icon
Zľavy pri veľkom odbere

Kúpte si 3 obrazy, ušetrite 10% - Kúpte si 5, ušetrite 15% - Kúpte si 10+, ušetrite 20%. Ideálne pre kreatívne projekty, galérie a agentúry.

Zhao Mengjian, a member of the Song imperial family and an accomplished scholar and calligrapher, specialized in painting narcissi and raised the flower to the level of the orchid in the esteem of scholars. Offering the promise of spring, the narcissus is known in Chinese as the "water goddess" (shuixian) or the "goddess who stands above the waves" (lingbo xianzi). The fragrant blossoms are associated with the two goddesses of the Xiang River and, by extension, with Qu Yuan (343–277 b.c.), author of Li Sao (On Encountering Sorrow). Qu Yuan, a loyal minister of the state of Chu, drowned himself in a tributary of the Xiang River after failing to alert his prince of the imminent danger threatening the state.In a poem appended to the scroll after the Mongol conquest, the Song loyalist Qiu Yuan (1247–after 1327) describes Zhao"s narcissi as the only vision of life in an otherwise devastated land:The shiny bronze dish is upset, and the immortals" dew spilled;The bright jade cup is smashed, like broken coral.I pity the narcissus for not being the orchid.Which at least had known the sober minister from Chu.

Životopis umelca

Zhao Mengjian: A Master of the Ming Dynasty

Born in Haiyan around 1199 and passing away in 1295, Zhao Mengjian, known by the art name Yizhai (彝齋居士), stands as a pivotal figure in the history of Chinese painting. He was more than simply a painter; he was a scholar-official, a calligrapher, and a dedicated advocate for the restoration of traditional literati painting styles during the late Yuan and early Ming dynasties. His life coincided with a period of immense political upheaval – the collapse of the Mongol Yuan dynasty and the subsequent rise of the Hongwu Emperor Zhu Yuanzhang, who ushered in the Ming era. Zhao Mengjian’s work reflects this turbulent time, embodying both a deep respect for established artistic traditions and a desire to refine and elevate them.

Zhao's early life was marked by scholarly pursuits. He received a comprehensive education, mastering not only painting techniques but also calligraphy, poetry, and the Confucian classics. He served in various administrative roles under the Yuan dynasty, gaining valuable experience in governance and diplomacy. However, his true passion lay within the realm of art. Unlike many officials who favored elaborate court styles, Zhao championed the understated elegance and intellectual depth of literati painting – a style characterized by its emphasis on brushwork, ink tones, and evocative landscapes that conveyed personal reflections and philosophical ideas. This preference for literati painting set him apart and ultimately shaped his legacy.

The Restoration Movement & Artistic Style

Following the establishment of the Ming dynasty, Zhao Mengjian was appointed as a court painter in 1348 by Emperor Zhu Yuanzhang. This appointment presented a significant challenge: the imperial court had become dominated by lavish, decorative styles that were far removed from the refined aesthetics of literati painting. Recognizing this imbalance, Zhao embarked on a mission to restore traditional artistic values and principles. He meticulously studied the works of past masters, particularly those of the Song dynasty, and sought to emulate their techniques and spirit.

Zhao’s style is immediately recognizable by its meticulous brushwork, subtle ink tones, and serene landscapes. He favored depicting mountains, rivers, and trees – often in solitary settings – conveying a sense of quiet contemplation and harmony with nature. Unlike the vibrant colors frequently employed in court painting, Zhao primarily utilized monochrome inks, allowing him to focus on capturing texture, light, and atmosphere. His compositions are typically asymmetrical and balanced, reflecting a deep understanding of spatial relationships and visual dynamics. He was particularly adept at portraying the subtle nuances of weather conditions – mist, rain, and snow – adding layers of depth and emotion to his paintings.

  • Key Characteristics: Monochromatic ink wash painting, meticulous brushwork, emphasis on texture and atmosphere, asymmetrical compositions, depictions of solitary landscapes.
  • Influences: Song Dynasty masters (particularly Mi Fu and Fan Kuan), traditional literati painting principles.

Major Works & Legacy

Zhao Mengjian produced a vast body of work throughout his career, encompassing landscape paintings, bird-and-flower studies, portraits, and calligraphy. Some of his most celebrated works include Mountain Stream (山溪), Pine Trees on Mount Tiantai (天台松), and various depictions of birds and flowers. These pieces demonstrate his mastery of technique and his ability to infuse his paintings with profound philosophical meaning.

Beyond his artistic achievements, Zhao Mengjian played a crucial role in preserving and promoting traditional Chinese painting during a period of significant change. He authored the *Zhengbian Tu Shiqing* (著備圖什清), a comprehensive treatise on painting materials and techniques – a seminal work that remains an invaluable resource for artists to this day. His efforts helped to establish literati painting as the dominant style within the Ming court, influencing generations of subsequent painters.

Historical Significance & Lasting Impact

Zhao Mengjian’s legacy extends far beyond his individual artistic accomplishments. He is revered as a champion of traditional Chinese art and a symbol of intellectual integrity. His commitment to preserving and refining established artistic values during a time of political upheaval underscores the importance of cultural heritage and the role of artists in shaping society. His work continues to inspire artists today, demonstrating that true beauty lies not in ostentation or extravagance but in simplicity, restraint, and profound contemplation.

Zhao Mengjian’s paintings are held in numerous museums worldwide, including the Palace Museum in Beijing, providing a lasting testament to his artistic genius and enduring influence on Chinese art history. His life and work serve as a reminder of the power of art to transcend time and connect us with the wisdom and beauty of the past.

chao meng-chien

chao meng-chien

1199 - 1295 , China

Základné informácie

  • Artistic Movement Or Style: Painter
  • Artists Or Movements Influenced By This Artist: ['']
  • Artists Who Influenced This Artist: ['Master of Pedret']
  • Date Of Birth: 1199
  • Date Of Death: 1295
  • Full Name: Zhao Mengjian
  • Nationality: Chinese
  • Notable Artworks: ['']
  • Place Of Birth: Haiyan, China