Sharaku: Cele 100 cele mai faimoase picturi

Kabuki Actor Ōtani Oniji III as Yakko Edobei (1794) este cea mai celebră pictură a lui Sharaku, păstrată la Metropolitan Museum of Art în New York. Bandō Hikosaburō III as Kudōzaemon Suketsune (1795) și Iwai Hanshirō IV as O-Han of the Shinanoya (1795) sunt următoarele două opere pe care lumea le cunoaște cel mai bine. Dintr-un total de 147 opere ale lui Sharaku din catalogul nostru, iată cele 100 cele mai căutate de colecționari și vizitatori de muzee, incluzând anul, muzeul și povestea fiecăreia.

Clasate în funcție de scorul nostru de popularitate, care combină numărul de căutări, vizite și comenzi pentru fiecare operă. Actualizat Octombrie 2026. Fiecare capodoperă de pe această pagină poate fi comandată ca o reproducere pictată manual în ulei, de calitate muzeală, sau ca o printare de artă fină, la dimensiunea aleasă de dumneavoastră.

Portretul lui Sharaku
Sharaku
Mișcare
Ukiyo-e
Lucrări din catalogul nostru
147
Cele mai celebre
Kabuki Actor Ōtani Oniji III as Yakko Edobei (1794)
Cele mai multe lucrări la
Metropolitan Museum of Art

Top 10: cele mai cunoscute picturi ale lui Sharaku

Kabuki Actor Ōtani Oniji III as Yakko Edobei (1794) de Sharaku
1

Kabuki Actor Ōtani Oniji III as Yakko Edobei

1794 · Woodblock Print · Metropolitan Museum of Art, New York

In the fleeting moments of the Edo period, few artists captured the raw, unbridled energy of human emotion as piercingly as Tōshūsai Sharaku. His masterpiece, Kabuki Actor Ōtani Oniji III as Yakko Edobei, serves as a breathtaking window into the heart of Kabuki theater, frozen in time since 1794. This woodblock print does not merely depict a performer; it captures a psychological crescendo. The actor, portrayed with startling realism, is…

Bandō Hikosaburō III as Kudōzaemon Suketsune (1795) de Sharaku
2

Bandō Hikosaburō III as Kudōzaemon Suketsune

1795 · Woodblock Print

In the fleeting, vibrant world of the Edo period, few images capture the raw, theatrical intensity of the stage quite like Tōshūsai Sharaku’s 1795 masterpiece, Bandō Hikosaburō III as Kudōzaemon Suketsune. This monochrome woodblock print is not merely a portrait; it is a psychological study of a moment frozen in time. The subject, the celebrated Kabuki actor Bandō Hikosaburō III, is captured mid-performance, embodying the formidable character of Kudōzaemon Suketsune.…

Iwai Hanshirō IV as O-Han of the Shinanoya (1795) de Sharaku
3

Iwai Hanshirō IV as O-Han of the Shinanoya

1795 · Woodblock Print

In the fleeting, vibrant world of Edo-period Japan, few artists captured the raw, theatrical essence of human emotion as piercingly as Tōshūsai Sharaku. His masterpiece, Iwai Hanshirō IV as O-Hano of the Shinanoya, serves as a breathtaking window into the Kabuki stage of 1795. This woodblock print does not merely depict an actor in costume; it captures a moment of profound character study. The subject, portrayed with a striking three-quarter…

Nakajima Wadaemon I as Tanbaya Hachiemon (1794) de Sharaku
4

Nakajima Wadaemon I as Tanbaya Hachiemon

1794 · Woodblock Print

In the fleeting moments of the Edo period, few artists captured the raw, unvarnished essence of human emotion as strikingly as Tōshūsai Sharaku. His masterpiece, Nakajima Wadaemon I as Tanbaya Hachiemon, serves as a profound window into the theatrical soul of 1794 Japan. This woodblock print does not merely depict an actor; it captures a psychological state. The subject, portrayed with Sharaku’s signature intensity, sits in a moment of palpable…

Iwai Hanshirō IV as Kōtō no Naishi (1795) de Sharaku
5

Iwai Hanshirō IV as Kōtō no Naishi

1795 · Woodblock Print

In the fleeting history of Japanese ukiyo-e, few names command as much intrigue and reverence as Tōshūsai Sharaku. His brief, explosive appearance on the art scene—lasting a mere ten months between 1794 and 1795—left behind a legacy that continues to haunt and fascinate the modern collector. This particular masterpiece, Iwai Hanshirō IV as Kōtō no Naishi, serves as a profound testament to Sharaku’s unparalleled ability to capture the raw, psychological…

Morita Kan'ya VIII as Genkaibō Ajari (1794) de Sharaku
8

Morita Kan'ya VIII as Genkaibō Ajari

1794 · Woodblock Print

In the fleeting moments of the Edo period, few artists captured the raw, electric energy of the Kabuki stage as profoundly as Tōshūsai Sharaku. His masterpiece, Morita Kan'ya VIII as Genkaibō Ajari, serves as a breathtaking window into a vanished era of Japanese theatrical splendor. This woodblock print is not merely a portrait; it is a captured heartbeat, a frozen instant of high drama where the boundary between performer and…

Matsumoto Koshiro IV as the Fish Peddler Gorobei de Sharaku
9

Matsumoto Koshiro IV as the Fish Peddler Gorobei

Woodblock Print · Metropolitan Museum of Art, New York

To stand before a portrait in the style of Tōshūsai Sharaku is to confront not merely an image, but a moment suspended between life and memory. This depiction of Matsumoto Koshiro IV as the fish peddler Gorobei captures the very essence of the Edo period's vibrant, yet often melancholic, undercurrents. The print possesses an almost startling immediacy; it feels less like an artistic rendering and more like a captured breath…

Nakamura Nakazō II, also called Sakaiya Shūkaku (1794) de Sharaku
10

Nakamura Nakazō II, also called Sakaiya Shūkaku

1794 · Woodblock Print

This woodblock print presents a portrait of Nakamura Nakazō II, also called Sakaiya Shūkaku. The subject was a prominent Japanese kabuki actor, captured during a period of significant theatrical activity in Edo. The work is attributed to the artist Toshusai Sharaku, a figure whose brief and intense presence in the ukiyo-e genre remains a subject of much interest. This specific piece dates to 1794.

Restul clasamentului pentru Sharaku, de la 11 la 100

The Actor Sawamura Sojuro III (1795) de Sharaku
#16

The Actor Sawamura Sojuro III

1795 · Metropolitan Museum of Art

In the fleeting history of Japanese Ukiyo-e, few names evoke as much mystery and intense fascination as Tōshūsai Sharaku. His brief, explosive appearance on the art scene—lasting a…

Adu-l acasă →
Ebisu (1795) de Sharaku
#21

Ebisu

1795

In the fleeting, brilliant ten-month career of Tōshūsai Sharaku, few works capture the vibrant pulse of Japanese folklore as effectively as his 1795 masterpiece, Ebisu. This woodblock print…

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Picturile lui Sharaku pe perioade

Subiectele pe care Sharaku le-a pictat cel mai des

Cele patru teme care se regăsesc cel mai des printre aceste capodopere, cu cel mai fin exemplu pentru fiecare.

Unde puteți vedea picturile lui Sharaku

Cele 5 muzee care dețin cele mai multe dintre picturile de pe această pagină.

Muzeu Oraș Lucrări lui Sharaku Picturi din această listă
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 36 Kabuki Actor Ōtani Oniji III as Yakko Edobei, Matsumoto Koshiro IV as the Fish Peddler Gorobei, Bandō Mitsugorō II as Ishii Genzō in the Play "Hana Ayame Bunroku Soga"
Brooklyn Museum, BrooklynBrooklyn Museum Brooklyn 3 Segawa Kikujuro Iii as Oshizu, Wife of Tanabe Bunzo, Kubuki Actor Ichikawa Ebizō as Takemura Sadanoshin, Daizo the Substitute
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Otafuku Throwing Black Beans to Chase Away the Demons on New Year's Eve
Tokyo National Museum, TokyoTokyo National Museum Tokyo 1 Kabuki Actor Ōtani Tokuji as Monogusa Tarō
Toledo Museum of Art, ToledoToledo Museum of Art Toledo 1 Onoe Matsusuke as Ashikaga TukaujiPublished by Tsutaya Juzaburo

Sharaku de-a lungul anilor: capodoperele fiecărui an

Între 1794 și 1795, în total 2 ani, Sharaku a pictat fiecare lucrare datată de pe această pagină: iată-le, an de an.

  1. 1794
    Kabuki Actor Ōtani Oniji III as Yakko Edobei (1794) de Sharaku
    Locul 1 din 100

    Kabuki Actor Ōtani Oniji III as Yakko Edobei

    Metropolitan Museum of Art

    In the fleeting moments of the Edo period, few artists captured the raw, unbridled energy of human emotion as piercingly as Tōshūsai Sharaku. His masterpiece, Kabuki Actor Ōtani…

  2. 1794
    Nakajima Wadaemon I as Tanbaya Hachiemon (1794) de Sharaku
    Nr. 4 din 100

    Nakajima Wadaemon I as Tanbaya Hachiemon

    In the fleeting moments of the Edo period, few artists captured the raw, unvarnished essence of human emotion as strikingly as Tōshūsai Sharaku. His masterpiece, Nakajima Wadaemon I…

  3. 1794
  4. 1794
    Morita Kan'ya VIII as Genkaibō Ajari (1794) de Sharaku
    Locul 8 din 100

    Morita Kan'ya VIII as Genkaibō Ajari

    In the fleeting moments of the Edo period, few artists captured the raw, electric energy of the Kabuki stage as profoundly as Tōshūsai Sharaku. His masterpiece, Morita Kan'ya…

  5. 1794
    Nakamura Nakazō II, also called Sakaiya Shūkaku (1794) de Sharaku
    Nr. 10 din 100

    Nakamura Nakazō II, also called Sakaiya Shūkaku

    This woodblock print presents a portrait of Nakamura Nakazō II, also called Sakaiya Shūkaku. The subject was a prominent Japanese kabuki actor, captured during a period of significant…

  6. 1794
  7. 1794
  8. 1794
    Nakajima Wadaemon I as Migawari no Jizō (1794) de Sharaku
    Nr. 20 din 100

    Nakajima Wadaemon I as Migawari no Jizō

    This striking woodblock print, created by the enigmatic artist Tōshūsai Sharaku in 1794, offers a captivating portrait of Nakajima Wadaemon I embodying the role of Migawari no Jizō.…

  9. 1794
  10. 1794
  11. 1794
  12. 1794
  13. 1795
    Bandō Hikosaburō III as Kudōzaemon Suketsune (1795) de Sharaku
    Locul 2 din 100

    Bandō Hikosaburō III as Kudōzaemon Suketsune

    In the fleeting, vibrant world of the Edo period, few images capture the raw, theatrical intensity of the stage quite like Tōshūsai Sharaku’s 1795 masterpiece, Bandō Hikosaburō III…

  14. 1795
    Iwai Hanshirō IV as O-Han of the Shinanoya (1795) de Sharaku
    Nr. 3 din 100

    Iwai Hanshirō IV as O-Han of the Shinanoya

    In the fleeting, vibrant world of Edo-period Japan, few artists captured the raw, theatrical essence of human emotion as piercingly as Tōshūsai Sharaku. His masterpiece, Iwai Hanshirō IV…

  15. 1795
    Iwai Hanshirō IV as Kōtō no Naishi (1795) de Sharaku
    Locul 5 din 100

    Iwai Hanshirō IV as Kōtō no Naishi

    In the fleeting history of Japanese ukiyo-e, few names command as much intrigue and reverence as Tōshūsai Sharaku. His brief, explosive appearance on the art scene—lasting a mere…

  16. 1795
  17. 1795
  18. 1795
    Morita Kanya VIII as Kawachi Kanja, Disguised as Genkaibo (1795) de Sharaku
    Nr. 14 din 100

    Morita Kanya VIII as Kawachi Kanja, Disguised as Genkaibo

    Metropolitan Museum of Art

    In the fleeting, shadowy world of the Edo period, few artists captured the raw, psychological intensity of the stage as masterfully as Tōshūsai Sharaku. His 1795 woodblock print,…

  19. 1795
    The Actor Sawamura Sojuro III (1795) de Sharaku
    Locul 16 din 100

    The Actor Sawamura Sojuro III

    Metropolitan Museum of Art

    In the fleeting history of Japanese Ukiyo-e, few names evoke as much mystery and intense fascination as Tōshūsai Sharaku. His brief, explosive appearance on the art scene—lasting a…

  20. 1795
  21. 1795
    Segawa Kikunojo III in an Unidentified Role (1795) de Sharaku
    Nr. 18 din 100

    Segawa Kikunojo III in an Unidentified Role

    Metropolitan Museum of Art

    In the fleeting moments of the Edo period, few names ignite as much curiosity as Tōshūsai Sharaku. His brief, explosive career—lasting a mere ten months between 1794 and…

  22. 1795
    Ebisu (1795) de Sharaku
    Locul 21 din 100

    Ebisu

    In the fleeting, brilliant ten-month career of Tōshūsai Sharaku, few works capture the vibrant pulse of Japanese folklore as effectively as his 1795 masterpiece, Ebisu. This woodblock print…

  23. 1795
  24. 1795
  25. 1795

Picturile lui Sharaku: întrebări frecvente

Care este cea mai celebră pictură a lui Sharaku?Afișează răspunsul

Kabuki Actor Ōtani Oniji III as Yakko Edobei (1794), Metropolitan Museum of Art, New York. Urmează Bandō Hikosaburō III as Kudōzaemon Suketsune (1795) și Iwai Hanshirō IV as O-Han of the Shinanoya (1795).

Care sunt cele mai 10 celebre picturi ale lui Sharaku?Afișează răspunsul

Kabuki Actor Ōtani Oniji III as Yakko Edobei, Bandō Hikosaburō III as Kudōzaemon Suketsune, Iwai Hanshirō IV as O-Han of the Shinanoya, Nakajima Wadaemon I as Tanbaya Hachiemon, Iwai Hanshirō IV as Kōtō no Naishi, Bandō Hikosaburō III as Godai Saburō Chikatada, Osagawa Tsuneyo II as Okinu, wife of Chōemon, Morita Kan'ya VIII as Genkaibō Ajari, Matsumoto Koshiro IV as the Fish Peddler Gorobei și Nakamura Nakazō II, also called Sakaiya Shūkaku. Clasamentul de mai sus indică anul și muzeul pentru fiecare.

Câte picturi sunt realizate de Sharaku?Afișează răspunsul

Catalogul nostru include 147 lucrări ale lui Sharaku, datate între 1794 și 1795.

Unde pot vedea cele mai faimoase picturi ale lui Sharaku?Afișează răspunsul

Majoritatea acestora se află în Metropolitan Museum of Art (New York), Brooklyn Museum (Brooklyn) și Art Institute of Chicago (Chicago). Tabelul de mai sus enumeră muzeele pe rând.

În ce perioadă a pictat Sharaku cele mai cunoscute opere?Afișează răspunsul

În 1794: 49 dintre cele 100 lucrări de pe această pagină datează de atunci, printre acestea Kabuki Actor Ōtani Oniji III as Yakko Edobei.

Care este cea mai veche și cea mai recentă pictură celebră a lui Sharaku?Afișează răspunsul

Cea mai veche lucrare de pe această pagină este din Kabuki Actor Ōtani Oniji III as Yakko Edobei (1794), iar cea mai recentă este din Bandō Hikosaburō III as Kudōzaemon Suketsune (1795).

Ce subiecte a pictat Sharaku?Afișează răspunsul

Kabuki actor (17), Woodblock print (17) și Portrait (11), printre cele 100 opere de pe această pagină.

Pe ce a pictat Sharaku și cu ce?Afișează răspunsul

Woodblock Print: 29 din cele 100 lucrări de pe această pagină.

Din ce curent artistic face parte opera lui Sharaku?Afișează răspunsul

Ukiyo-e, așa cum demonstrează picturile de pe această pagină.

Ce picturi cu Sharaku deține Metropolitan Museum of Art?Afișează răspunsul

Kabuki Actor Ōtani Oniji III as Yakko Edobei, Matsumoto Koshiro IV as the Fish Peddler Gorobei și Bandō Mitsugorō II as Ishii Genzō in the Play "Hana Ayame Bunroku Soga" sunt printre cele 19 opere de pe această pagină păstrate de Metropolitan Museum of Art, New York.

Unde pot cumpăra o reproducere Sharaku?Afișează răspunsul

Da. Orice pictură de pe această pagină poate fi comandată ca o reproducere pictată manual în ulei, de calitate muzeală, sau ca o print de artă fină, în dimensiunea aleasă de dumneavoastră, direct de pe pagina propriei picturi.

Sharaku: biografie

The Enigmatic Presence of Sharaku

Sharaku was a Japanese ukiyo-e print designer active between 1794 and 1795. His prolific output focused primarily on yakusha-e, which are portraits of kabuki actors. These works often emphasized the dynamism and energy of the subjects, frequently utilizing a realism that highlighted unflattering details such as wrinkles or large noses. His compositions often featured a focus on facial expressions, sometimes presenting a single figure or contrasting different types of faces.

The artist's career was brief, spanning approximately ten months. His work is categorized into four distinct periods:

Artistic Style and Legacy

Sharaku's technique involved the use of woodblock prints, sometimes employing extravagant methods such as the dusting of mica in the backgrounds to create a glittering effect. His portraits are noted for their ability to capture the psychology of a character through heightened theatrical gestures and expressive, almost caricature-like exaggerations.

Despite the mystery surrounding his true identity, his work has been recognized for its mastery of the medium. His reputation rests largely on his earlier prints, while his later output is often considered to have a declining artistry. His subjects included kabuki actors, sumo wrestlers, and warriors.

Toate cele 147 de lucrări ale lui Sharaku →