Edward Hopper, 1882 – 1967

The 100 Most Famous Paintings by Edward Hopper

The painting that made Edward Hopper famous is Nopții, Institutul de Artă din Chicago, Chica (1942); it hangs in the Art Institute of Chicago, Chicago. Automat (small) and Casa de lângă caleua ferată (1925) follow it in the hearts of collectors and museum visitors. Of the 366 works by Edward Hopper in our catalogue, these 100 are the most admired, each presented with its date, its museum and what sets it apart.

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Portretul lui Edward Hopper
Edward Hopper · 1882 – 1967
Născut · Decedat
1882 – 1967, Upper Nyack
Mișcare
Realism contemporan
Lucrări din catalogul nostru
366
Cele mai celebre
Nopții, Institutul de Artă din Chicago, Chica (1942)
Cele mai multe lucrări la
MoMA - Museum of Modern Art

Edward Hopper: the ten masterpieces

Nopții, Institutul de Artă din Chicago, Chica (1942) de Edward Hopper
1

Nopții, Institutul de Artă din Chicago, Chica

1942 · Ulei pe pânză · Art Institute of Chicago, Chicago

O Fărâmă de Lumină în Noapte: Explorând Capodopera lui Hopper Edward Hopper, un nume sinonim cu liniștea și melancolia subtilă care au pătruns viața americană din secolul al XX-lea, nu a fost doar un pictor al scenelor; el a fost un poet al luminii și umbrei, un cronicar al izolării moderne. Creat în 1942, *Nighthawks* (Oamenii nopții) surprinde o scenă târzie, într-o cafenea deschisă non-stop, devenind una dintre cele mai…

Automat (small) de Edward Hopper
2

Automat (small)

Acrylic On Canvas · Des Moines Art Center, Des Moines

Edward Hopper’s “Automat” (small), a deceptively simple depiction of a woman seated alone at a cafe table, is a masterclass in conveying the profound sense of solitude that characterized much of 20th-century American life. Painted during a period of rapid urbanization and social change, this work resonates with a quiet melancholy that speaks to the alienation inherent in modern existence. Hopper’s ability to capture fleeting moments of human experience –…

Casa de lângă caleua ferată (1925) de Edward Hopper
3

Casa de lângă caleua ferată

1925 · Ulei pe pânză · MoMA - Museum of Modern Art, New York City

Introduction to Edward Hopper and His Work Edward Hopper, a renowned American artist, is celebrated for his captivating oil paintings that often depicted modern life in the early 20th century. One of his most notable works is "House by the Railroad," which is currently housed at the Museum of Modern Art (New York, United States). This painting, created in 1925, showcases Hopper's unique style and ability to evoke a sense…

Filmul din New York (1939) de Edward Hopper
4

Filmul din New York

1939 · Acrilic pe pânză întinsă · MoMA - Museum of Modern Art, New York City

Pictura "CITE>New York Movie" de Edward Hopper este o pictură emoționantă în ulei pe pânză, realizată în 1939. În prezent, aceasta este expusă la prestigiosul Museum of Modern Art (MoMA) din New York, Statele Unite. Acest capodopernic exemplifică abilitatea unică a lui Hopper de a surprinde esența vieții urbane, concentrându-se adesea pe temele izolării și contemplării. Compoziție și Simbolism Pictura ne prezintă o femeie stând singură în fața unui perdeau…

untitled (5560) de Edward Hopper
5

untitled (5560)

Oil On Canvas · MoMA - Museum of Modern Art, New York City

Edward Hopper's untitled (5560) is far more than a mere depiction of a roadside service station; it is a distilled essence of the American experience, a moment frozen in time that speaks volumes about human connection and the profound weight of isolation. Painted during the transformative years between 1942 and 1945, this monochrome masterpiece captures a scene familiar to the mid-century traveler—the late-night glow of artificial light illuminating a sparsely…

Early sunday morning Whitney Museum of American (1930) de Edward Hopper
6

Early sunday morning Whitney Museum of American

1930 · Oil On Canvas · Whitney Museum of American Art, New York

Early Sunday Morning: A Portrait of Quietude Edward Hopper’s “Early Sunday Morning,” painted in 1930, isn't merely a depiction of a New York City street; it’s an arresting distillation of the anxieties and aspirations inherent in the American psyche during the Depression era. Executed in oil paint on canvas, this iconic piece exemplifies Hopper’s signature style – American Scene Painting—characterized by stark realism combined with a palpable sense of solitude…

Automat (1927) de Edward Hopper
7

Automat

1927 · Ulei pe pânză

Edward Hopper’s “Automat” (1927) nu este doar o pictură; este o fereastră către o lume interioară, un moment capturat de tăcere și introspecție. Această operă emblematică a realismului american ne invită într-o cameră liniștită, luminată slab, unde o femeie singură stă la masă într-un automat – un tip de restaurant self-service popular în America de la începutul secolului XX. Nu este vorba doar despre un loc fizic, ci despre o…

Duminică (1926) de Edward Hopper
8

Duminică

1926 · Ulei pe pânză · The Phillips Collection, Washington, D.C.

Esența Solitudinii Urbane „Sunday” de Edward Hopper surprinde liniștea și introspecția unei scene urbane într-o dimineață care pare să fie de duminică. Tabloul prezintă un bărbat singuratic, așezat pe o bancă de lemn în fața unor vitrine închise, evocând acel sentiment de singurătate și contemplare specific întregii opere a lui Hopper. Această piesă reprezintă o explorare magistrală a condiției umane, situată pe fundalul Americii de la începutul secolului XX. O…

Gaz (1940) de Edward Hopper
9

Gaz

1940 · Ulei pe pânză

A Timeless Depiction of American Solitude A Timeless Depiction of American Solitude A Timeless Depiction of American Solitude A Timeless Depiction of American Solitude A Timeless Dep O reprezentare atemporală a singurătății americane „Gas” de Edward Hopper (1940) este o explorare magistrală a singurătății și a nostalgiei, surprindând o benzinărie veche, scăldată într-o lumină naturală, moale. Această pictură evocatoare îi invită pe spectatori într-un moment înghețat în timp, unde liniștea…

Chop Suey (1929) de Edward Hopper
10

Chop Suey

1929 · Ulei pe pânză

O Privire în Inima Vieței Urbane: "Chop Suey" de Edward Hopper Edward Hopper nu a fost doar un pictor; a fost un poet al luminii și umbrei, un cronist tăcut al singurătății moderne. Născut în Nyack, New York, în 1882, într-un mediu familial stabil, dar cu aspirații artistice puternice, Hopper a găsit o voce distinctivă prin intermediul picturii. Primele sale studii la Școala de Artă din New York, sub îndrumarea…

More Edward Hopper masterpieces, 11 to 100

Seară afară (1940) de Edward Hopper
#11

Seară afară

1940

O privire asupra Americii de la mijlocul secolului XX „Office at Night” (1940) de Edward Hopper este o reprezentare magistrală a unei scene de birou din mijlocul secolului…

Vara (1943) de Edward Hopper
#12

Vara

1943

În 1943, într-o perioadă marcată de schimbări sociale profunde și incertitudini de război, “Summertime” (Verile) devine o demonstrație magistrală a capacității lui Edward Hopper de a surprinde drama…

În luminile unei cafenele (1958) de Edward Hopper
#13

În luminile unei cafenele

1958 · Yale University Art Gallery

Obra lui Edward Hopper, Sunlight in a Cafeteria (1958), este o reprezentare magistrală a singurătății urbane, realizată cu precizia și profunzimea emoțională care definesc stilul său iconic. Acest…

Oameni în Soare (1960) de Edward Hopper
#14

Oameni în Soare

1960

Un moment de liniște capturat în timp „Oameni în Soare” de Edward Hopper îi invită pe spectatori într-o scenă tranquilă, unde cinci persoane se bucură de un moment…

Cape Cod Morning (1950) de Edward Hopper
#15

Cape Cod Morning

1950

O clipă de liniște reflectivă: Capodopera lui Edward Hopper Scena: O femeie în contemplare „Cape Cod Morning” de Edward Hopper surprinde un moment de o liniște profundă, dar…

Camere pentru Turisti (1945) de Edward Hopper
#16

Camere pentru Turisti

1945 · Yale University Art Gallery

Edward Hopper, un nume sinonim cu tăcerea și melancolia subtilă care au definit viața americană din secolul XX, nu a fost doar un pictor de scene; el era…

nighthawks (1942) de Edward Hopper
#17

nighthawks

1942 · Art Institute of Chicago

A Window Into Loneliness: Exploring Edward Hopper’s Nighthawks Edward Hopper's "Nighthawks," completed in 1942 during the tumultuous backdrop of World War II, transcends mere representation; it embodies a…

Compartimentul C de Edward Hopper
#18

Compartimentul C

este un exemplu esențial al fascinației lui Hopper pentru figurile solitare aflate în tranzit. Pictura înfățișează o doamnă care stă singură într-un compartiment de tren, cu fața orientată…

Doi Comedianți (1965) de Edward Hopper
#19

Doi Comedianți

1965

Pictura lui Edward Hopper din 1965, „ Doi Comici”, nu este doar o reprezentare a doi oameni pe o scenă; este o meditație atent construită asupra singurătății, a…

New York Movie, MoMA, NY (1939) de Edward Hopper
#21

New York Movie, MoMA, NY

1939

Stilul lui Hopper este înrădăcinat în realism, însă acesta transcende simpla reprezentare prin utilizarea sa expresivă a culorii și a luminii. El nu ne prezintă pur și simplu…

Summer Evening (1947) de Edward Hopper
#22

Summer Evening

1947

A Portrait of Quietude: Exploring Edward Hopper’s “Summer Evening” Edward Hopper's "Summer Evening" isn’t merely a depiction of a scene; it’s an exquisitely crafted meditation on human experience—a…

Hotel room (1931) de Edward Hopper
#23

Hotel room

1931

The Poignant Stillness of a Private Moment In Edward Hopper’s 1931 masterpiece, Hotel Room, the viewer is invited into a sanctuary of profound introspection. The scene is deceptively…

Excursion into Philosophy de Edward Hopper
#24

Excursion into Philosophy

A Quiet Drama: Unveiling Edward Hopper’s “Excursion into Philosophy” Edward Hopper's "Excursion into Philosophy" is a profoundly evocative work that encapsulates the core tenets of American Realism, offering…

The Cat Boat (1922) de Edward Hopper
#25

The Cat Boat

1922 · Smithsonian American Art Museum

Edward Hopper's “The Cat Boat,” created in 1922, stands as a quintessential emblem of American Modernism—a deceptively simple scene imbued with profound psychological depth. More than just depicting…

Rooms By The Sea (1951) de Edward Hopper
#26

Rooms By The Sea

1951

Rooms By The Sea: A Portrait of Quiet Contemplation Edward Hopper’s “Rooms by the Sea” transcends mere depiction; it's a distillation of mood, an embodiment of American Modernism’s…

Reclining Nude (1927) de Edward Hopper
#27

Reclining Nude

1927

Introduction Reclining Nude, a watercolour painting by Edward Hopper, is a quintessential example of the artist's unique style and contribution to the New Realism movement. Created in 1927,…

Rooms by the Sea (1951) de Edward Hopper
#28

Rooms by the Sea

1951

The Painting: A Representation of Serenity "CITE>Edward Hopper's 'Rooms by the Sea' (1951) is a masterpiece that embodies the essence of stillness and contemplation. The painting, available for…

House At Dusk (1935) de Edward Hopper
#29

House At Dusk

1935

The Painting: An Overview "CITE>Edward Hopper:CITE>'s House At Dusk, created in 1935, is a quintessential example of the artist's ability to capture the essence of American life through…

Farmacie (1927) de Edward Hopper
#30

Farmacie

1927 · Muzeul de Artă Plastică din Boston

Un Moment de Calmte în Oraș: Explorarea „Farmaciei” lui Edward Hopper (1927) „Farmacia,” pictată în 1927 de maestru american Edward Hopper, este o reprezentare poignantă a vieții urbane…

Sun on Prospect Street (Gloucester, Massachusetts) (1934) de Edward Hopper
#31

Sun on Prospect Street (Gloucester, Massachusetts)

1934

Edward Hopper's "Sun on Prospect Street" isn't merely a depiction of a Gloucester street scene; it’s a distilled essence of early 20th-century American experience. Painted in 1934, during…

Woman in the Sun (1961) de Edward Hopper
#32

Woman in the Sun

1961

A Moment Frozen in Light: Edward Hopper’s “Woman in the Sun” Edward Hopper's "Woman in the Sun," painted in 1961, isn’t merely a depiction of a nude figure;…

Second Story Sunlight (1960) de Edward Hopper
#33

Second Story Sunlight

1960

A Moment Suspended: Unveiling Edward Hopper’s “Second Story Sunlight” Edward Hopper's 1960 oil on canvas, *Second Story Sunlight*, is a quintessential example of American Realism at its most…

Night Windows (1928) de Edward Hopper
#34

Night Windows

1928 · MoMA - Museum of Modern Art

A Window Into Solitude: Exploring Edward Hopper’s Night Windows Edward Hopper, a name synonymous with the quiet contemplation of modern existence, wasn't merely capturing landscapes; he was distilling…

New York Office (1962) de Edward Hopper
#35

New York Office

1962

Edward Hopper’s “New York Office,” painted in 1962, transcends mere depiction; it embodies the very essence of modern solitude—a feeling profoundly familiar to viewers grappling with the complexities…

Office in a Small City (1953) de Edward Hopper
#36

Office in a Small City

1953

In the vast gallery of American Realism, few works possess the haunting, cinematic stillness found in Edward Hopper’s 1953 masterpiece, Office in a Small City. To gaze upon…

City Roofs (1932) de Edward Hopper
#37

City Roofs

1932

A Quiet Moment of Urban Existence Edward Hopper’s “City Roofs” (1932) is more than just a depiction of a cityscape; it's a poignant meditation on modern life, isolation,…

Self-Portrait (1930) de Edward Hopper
#38

Self-Portrait

1930

This oil on canvas painting depicts a man wearing a brown hat and a blue shirt. He is shown with a serious expression, looking directly at the viewer.…

Casele din Monhegan, Maine de Edward Hopper
#39

Casele din Monhegan, Maine

Introducere în Realismul American Edward Hopper, un pictor realist american de prim rang, este renumit pentru tablourile sale captivante în ulei care înfățișează scene urbane și rurale. Stilul…

Four Lane Road de Edward Hopper
#40

Four Lane Road

Edward Hopper's "Four Lane Road," painted in 1956, isn’t merely a depiction of a roadside scene; it’s a distilled essence of the American experience – a poignant meditation…

Woman at Cafe Table (1907) de Edward Hopper
#41

Woman at Cafe Table

1907 · Whitney Museum of American Art

Woman at Cafe Table: A Portrait of Urban Isolation Edward Hopper’s “Woman at Cafe Table,” painted in 1906-1907, stands as a quintessential emblem of New Realism and embodies…

First Row Orchestra (1951) de Edward Hopper
#42

First Row Orchestra

1951 · Hirshhorn Museum and Sculpture Garden

A Portrait of Quiet Observation: Exploring Edward Hopper’s “First Row Orchestra” Edward Hopper's "First Row Orchestra," painted in 1951, transcends mere depiction; it embodies the very essence of…

House by the Railroad de Edward Hopper
#43

House by the Railroad

In his 1925 masterpiece, House by the Railroad, Edward Hopper presents a scene that captures a profound sense of isolation through a meticulously controlled interplay of light and…

untitled (3714) de Edward Hopper
#44

untitled (3714)

Edward Hopper's "Untitled (3714)," painted in 1942, isn’t merely a depiction of a diner interior; it’s a distilled essence of modern American loneliness. This deceptively simple scene—an elderly…

el palacio (1946) de Edward Hopper
#45

el palacio

1946

Edward Hopper’s 1946 painting, “El Palacio,” isn’t merely a depiction of a city street; it’s a carefully constructed tableau of urban solitude and the quiet anxieties of modern…

the city (1927) de Edward Hopper
#46

the city

1927

The City, painted by Edward Hopper in 1927, is a striking black and white depiction of early 20th-century American urban life. This artwork isn't merely a representation of…

rooms by the sea de Edward Hopper
#47

rooms by the sea

Edward Hopper’s Rooms by the Sea is a painting from 1951 that depicts an interior space with a doorway opening toward the ocean. The scene features a room…

The Camel's Hump (1931) de Edward Hopper
#49

The Camel's Hump

1931

Edward Hopper's "The Camel’s Hump," painted in 1931, isn’t merely a depiction of a mountain range; it’s a distilled essence of American loneliness and the quiet drama unfolding…

the el station de Edward Hopper
#50

the el station

In the quiet, heavy atmosphere of Edward Hopper’s “The El Station,” we are invited into a moment suspended in time, where the bustling energy of the American metropolis…

Dawn in Pennsylvania (1942) de Edward Hopper
#51

Dawn in Pennsylvania

1942

A Solitary Glimpse: Dawn in Pennsylvania by Edward Hopper Edward Hopper’s *Dawn in Pennsylvania*, painted in 1942, isn't merely a depiction of a railroad station; it’s a distilled…

Corn Hill (1930) de Edward Hopper
#52

Corn Hill

1930

Edward Hopper's "Corn Hill," painted in 1930, isn’t merely a depiction of a rural landscape; it’s a poignant meditation on isolation and the quiet dignity of human existence…

tramp steamer (1908) de Edward Hopper
#53

tramp steamer

1908

A Storm-Tossed Soul: Edward Hopper’s “Tramp Steamer” Edward Hopper's "Tramp Steamer," painted in 1908, isn’t merely a depiction of a ship at sea; it’s a profound meditation on…

Self Portrait, , Whitney Museum of American (1930) de Edward Hopper
#54

Self Portrait, , Whitney Museum of American

1930

Edward Hopper's "Self Portrait," painted in 1930, isn’t merely a depiction of an artist; it’s a distilled essence of the anxieties and quietude that defined much of early…

Rocks at the Fort Gloucester (1924) de Edward Hopper
#55

Rocks at the Fort Gloucester

1924

Edward Hopper's 1924 painting, “Rocks at the Fort Gloucester,” is more than just a landscape; it’s a quiet meditation on human presence within the vastness of nature and…

Morning sun, Columbus Museum of Art, Columbus, (1952) de Edward Hopper
#56

Morning sun, Columbus Museum of Art, Columbus,

1952

A Window into Quietude: Exploring Edward Hopper’s “Morning Sun” Edward Hopper's "Morning Sun," painted in 1952, isn’t merely a depiction of a room; it’s an encapsulation of the…

Study of a Seated Woman (1899) de Edward Hopper
#57

Study of a Seated Woman

1899

Edward Hopper's "Study of a Seated Woman," rendered in 1899, isn’t merely a depiction of a figure; it’s a distilled essence of late 19th-century American introspection. This intimate…

Portrait Of Orleans de Edward Hopper
#58

Portrait Of Orleans

WahooArt offers exquisite hand-painted reproductions of Edward Hopper's "Portrait of Orleans," allowing you to bring this iconic work of American art into your home or office. Each reproduction…

sun empty room de Edward Hopper
#59

sun empty room

Edward Hopper's "Sun in an Empty Room," painted in 1963, isn’t merely a depiction of a vacant room; it’s a distilled essence of modern American isolation and the…

The Long Leg (1930) de Edward Hopper
#60

The Long Leg

1930

A Quiet Drama on the Waves: Edward Hopper’s *The Long Leg* (1930) Edward Hopper's *The Long Leg*, painted in 1930, is more than just a seascape; it’s a…

Bridle Path (1939) de Edward Hopper
#61

Bridle Path

1939

Bridle Path: A Portrait of Quietude in Modern America Edward Hopper’s “Bridle Path,” painted in 1939, stands as a quintessential emblem of American Realism—a genre that sought to…

night windows de Edward Hopper
#62

night windows

In the quietude of a dimly lit room, where the boundaries between the interior soul and the external world begin to blur, lies the profound essence of Edward…

Hotel by a Railroad (1952) de Edward Hopper
#63

Hotel by a Railroad

1952

Edward Hopper's "Hotel by a Railroad," painted in 1952, isn’t merely a depiction of an interior scene; it’s a carefully constructed meditation on loneliness, isolation, and the subtle…

Queensborough-Bridge (1913) de Edward Hopper
#64

Queensborough-Bridge

1913

In the vast landscape of American modernism, few images capture the quiet tension of urban existence as poignantly as Edward Hopper’s Queensborough Bridge. Painted in 1913, this monumental…

paris street de Edward Hopper
#65

paris street

In the quiet corners of Edward Hopper’s “Paris Street,” we encounter more than just a cityscape; we find a profound meditation on the human condition. Painted in 1926,…

cape cod morning de Edward Hopper
#66

cape cod morning

In the quietude of an early summer morning, Edward Hopper captures a moment that feels both profoundly intimate and hauntingly distant. Cape Cod Morning is not merely a…

sunday de Edward Hopper
#67

sunday

The Painting and Its Context Sunday, a painting by Edward Hopper, is a quintessential representation of modern American life in the early 20th century. Created in 1926, this…

Evening Wind de Edward Hopper
#68

Evening Wind

Edward Hopper’s “Evening Wind,” executed in 1930, stands as a quintessential emblem of American Modernism—a deceptively simple image brimming with psychological depth and masterful artistic execution. More than…

fără titlu (7523) de Edward Hopper
#69

fără titlu (7523)

O privire asupra vieții moderne: Reuniunea socială fără titlu a lui Edward Hopper Această operă captivantă a lui Edward Hopper, intitulată provizoriu „fără titlu (7523)”, oferă o fereastră…

People in the Sun (1960) de Edward Hopper
#70

People in the Sun

1960

Edward Hopper's People in the Sun, completed in 1960, serves as a profound meditation on the human experience, capturing a sense of quietude and the pervasive feeling of…

The lee shore, private (1941) de Edward Hopper
#71

The lee shore, private

1941

Edward Hopper's "The Lee Shore," painted in 1941, isn’t merely a depiction of a coastal scene; it’s a distilled essence of American loneliness and the subtle anxieties simmering…

Rocks and Sea (1919) de Edward Hopper
#72

Rocks and Sea

1919 · Whitney Museum of American Art

A Moment Frozen in Azure The sea air feels heavy and salt-laden as the eye meets the deep, blue expanse of this landscape. In this 1919 scene, the…

Autoportret de Edward Hopper
#73

Autoportret

The world of Edward Hopper is one steeped in quietude, a poignant reflection of the modern American experience—a landscape populated by figures adrift in solitude and contemplation. His…

Sheridan Theatre de Edward Hopper
#74

Sheridan Theatre

Edward Hopper’s Sheridan Theatre, painted in 1937, isn't merely a depiction of an interior scene; it’s a carefully constructed tableau of loneliness and unspoken narratives. The painting immediately…

Freight Car at Truro de Edward Hopper
#75

Freight Car at Truro

In the vast, sweeping landscape of American art, few images capture the heavy, cinematic silence of a moment quite like Edward Hopper’s Freight Car at Trurol. Painted in…

Lighthouse at Two Lights (1929) de Edward Hopper
#76

Lighthouse at Two Lights

1929

Edward Hopper’s Lighthouse at Two Lights, completed in 1929, presents a striking visual meditation on the interplay between light and shadow. The composition features a tall lighthouse situated…

summer interior (1909) de Edward Hopper
#77

summer interior

1909

Edward Hopper’s Summer Interior, painted in 1909, presents a scene of profound stillness within a domestic setting. The composition centers on a young woman positioned on the floor…

cape cod evening de Edward Hopper
#78

cape cod evening

In the quiet corners of American Modernism, few images resonate with as much profound, whispered intensity as Edward Hopper’s Cape Cod Evening. At first glance, the painting presents…

rooms for tourists de Edward Hopper
#80

rooms for tourists

A Quiet American Narrative: Exploring Edward Hopper’s “Rooms for Tourists” Rooms for Tourists, painted in 1945 by the master of American Realism, Edward Hopper, is a captivating study…

Dimineața din Carolina de Sud de Edward Hopper
#81

Dimineața din Carolina de Sud

Edward Hopper's "South Carolina Morning," pictată în 1955, este o reprezentare poignantă a unei femei africane-americane, Dinah, care stă în fața casei sale din Charleston, Carolina de Sud.…

Intermission (small) de Edward Hopper
#82

Intermission (small)

Edward Hopper’s Solitary Stage: Unpacking “Intermission” Edward Hopper's "Intermission" (1963) isn’t merely a painting; it’s a distilled moment of American solitude, a poignant tableau captured with the artist’s…

untitled (7096) de Edward Hopper
#83

untitled (7096)

Edward Hopper’s “Untitled (7096),” a painting rendered in the twilight hours, isn’t merely a depiction of a pharmacy storefront; it’s a distilled essence of 20th-century American loneliness. Completed…

Eleven AM de Edward Hopper
#84

Eleven AM

A Quiet Moment of Urban Solitude: Exploring Edward Hopper’s “Eleven AM” Edward Hopper, a master of American realism, possessed an uncanny ability to distill the essence of modern…

New York Pavements, (1924) de Edward Hopper
#85

New York Pavements,

1924

Edward Hopper's "New York Pavements," painted in 1924, stands as a quintessential emblem of American Modernism—a deceptively simple depiction that speaks volumes about the anxieties and quiet contemplations…

Lighthouse and Building, Portland de Edward Hopper
#86

Lighthouse and Building, Portland

Edward Hopper’s Luminous Solitude: Exploring “Lighthouse and Building” Edward Hopper's "Lighthouse and Building," painted in 1927, isn’t merely a depiction of a coastal scene; it’s a masterful distillation…

Circle Theatre de Edward Hopper
#87

Circle Theatre

In the quiet, heavy atmosphere of Edward Hopper’s "Circle Theatre," we are invited to witness more than just a street corner in a bustling metropolis; we are invited…

Room in Brooklyn (1932) de Edward Hopper
#88

Room in Brooklyn

1932 · Muzeul de Artă Plastică din Boston

Edward Hopper's "Room in Brooklyn," painted in 1932, isn’t merely a depiction of an interior space; it’s a distilled essence of American loneliness and the quiet contemplation that…

Seven A.M. (1948) de Edward Hopper
#90

Seven A.M.

1948

In the quiet, early hours of a mid-century morning, Edward Hopper’s "Seven A.M." invites us into a space where time seems to hold its breath. Painted in 1948,…

The City (1927) de Edward Hopper
#91

The City

1927

A Quiet Vision of Urban Life: Edward Hopper’s “The City” (1927) Subject and Composition: “The City” presents a strikingly composed street corner scene, a quintessential example of Edward…

First Row Orchestra (1951) de Edward Hopper
#92

First Row Orchestra

1951

A Moment Frozen in Time: Edward Hopper’s “First Row Orchestra” Edward Hopper's "First Row Orchestra," painted in 1951, isn’t merely a depiction of an evening at the theater;…

House with big pine de Edward Hopper
#93

House with big pine

The painting depicts a white house featuring a black roof and a large chimney positioned on its side. Two windows are visible within the structure. The setting includes…

Valley Of The Seine (1908) de Edward Hopper
#94

Valley Of The Seine

1908

Edward Hopper's "Valley Of The Seine," painted in 1908, isn’t merely a landscape; it’s a distilled essence of early 20th-century America – a poignant tableau of solitude and…

Ryder's House (1933) de Edward Hopper
#95

Ryder's House

1933

Edward Hopper’s “Ryder’s House,” completed in 1933, stands as a quintessential emblem of American Realism during the Depression era. More than just a depiction of a simple farmhouse…

Intermission de Edward Hopper
#96

Intermission

Edward Hopper’s Intermission, painted in 1963, isn't merely a depiction of a theater lobby; it’s a meticulously crafted tableau of human isolation and the poignant beauty of unspoken…

Gas, Moma, NY (1940) de Edward Hopper
#97

Gas, Moma, NY

1940

Edward Hopper’s “Gas,” painted in 1940 and currently residing at MoMA (Museum of Modern Art), isn't merely a depiction of a roadside gas station; it’s a masterful distillation…

Cape Cod Morning (1950) de Edward Hopper
#98

Cape Cod Morning

1950

In the vast landscape of American modernism, few images resonate with as much profound stillness as Edward Hopper’s 1950 masterpiece, Cape Cod Morning. This striking canvas serves as…

Room for tourists, Yale University Art Gallery, (1945) de Edward Hopper
#99

Room for tourists, Yale University Art Gallery,

1945

A Quiet American Night: Exploring Edward Hopper’s “Room for Tourists” “Room for Tourists,” painted in 1945 by master realist Edward Hopper, is more than just a depiction of…

Eleven A.M. (1926) de Edward Hopper
#100

Eleven A.M.

1926

Edward Hopper’s “Eleven A.M.” (1926) is more than just a depiction of a woman in a room; it’s a meticulously crafted meditation on the quiet loneliness inherent within…

Edward Hopper's paintings by period

The subjects Edward Hopper painted most

The four subjects that return most often among these masterpieces, with the finest example of each.

Where to see Edward Hopper's paintings

Cele 8 muzee care dețin cele mai multe dintre picturile de pe această pagină.

Muzeu Oraș Lucrări lui Edward Hopper Picturi din această listă
MoMA - Museum of Modern Art, New York CityMoMA - Museum of Modern Art New York City 4 Casa de lângă caleua ferată, Filmul din New York, untitled (5560)
Whitney Museum of American Art, New YorkWhitney Museum of American Art New York 10 Early sunday morning Whitney Museum of American, Woman at Cafe Table, Rocks and Sea
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 3 Nopții, Institutul de Artă din Chicago, Chica, nighthawks, Interior (Model Reading)
Yale University Art Gallery, HartfordYale University Art Gallery Hartford 3 În luminile unei cafenele, Camere pentru Turisti
Muzeul de Artă Plastică din Boston, BostonMuzeul de Artă Plastică din Boston Boston 3 Farmacie, Room in Brooklyn
Hirshhorn Museum and Sculpture Garden, Washington, D.C.Hirshhorn Museum and Sculpture Garden Washington, D.C. 3 First Row Orchestra
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 2 The Cat Boat
Des Moines Art Center, Des MoinesDes Moines Art Center Des Moines 1 Automat (small)

Edward Hopper, decade by decade: the defining painting of each

  1. 1890s
    Study of a Seated Woman (1899) de Edward Hopper
    No. 57 of 100

    Study of a Seated Woman

    Vârsta 8 – 17

    Edward Hopper's "Study of a Seated Woman," rendered in 1899, isn’t merely a depiction of a figure; it’s a distilled essence of late 19th-century American introspection. This intimate…

  2. 1900s
    Woman at Cafe Table (1907) de Edward Hopper
    #41 of 100

    Woman at Cafe Table

    Vârsta 18 – 27 · Whitney Museum of American Art

    Woman at Cafe Table: A Portrait of Urban Isolation Edward Hopper’s “Woman at Cafe Table,” painted in 1906-1907, stands as a quintessential emblem of New Realism and embodies…

  3. 1910s
    Queensborough-Bridge (1913) de Edward Hopper
    No. 64 of 100

    Queensborough-Bridge

    Vârsta 28 – 37

    In the vast landscape of American modernism, few images capture the quiet tension of urban existence as poignantly as Edward Hopper’s Queensborough Bridge. Painted in 1913, this monumental…

  4. 1920s
    Casa de lângă caleua ferată (1925) de Edward Hopper
    #3 of 100

    Casa de lângă caleua ferată

    Vârsta 38 – 47 · MoMA - Museum of Modern Art

    Introduction to Edward Hopper and His Work Edward Hopper, a renowned American artist, is celebrated for his captivating oil paintings that often depicted modern life in the early…

  5. 1930s
    Filmul din New York (1939) de Edward Hopper
    Rank 4 / 100

    Filmul din New York

    Vârsta 48 – 57 · MoMA - Museum of Modern Art

    Pictura "CITE>New York Movie" de Edward Hopper este o pictură emoționantă în ulei pe pânză, realizată în 1939. În prezent, aceasta este expusă la prestigiosul Museum of Modern…

  6. 1940s
    Nopții, Institutul de Artă din Chicago, Chica (1942) de Edward Hopper
    No. 1 of 100

    Nopții, Institutul de Artă din Chicago, Chica

    Vârsta 58 – 67 · Art Institute of Chicago

    O Fărâmă de Lumină în Noapte: Explorând Capodopera lui Hopper Edward Hopper, un nume sinonim cu liniștea și melancolia subtilă care au pătruns viața americană din secolul al…

  7. 1950s
    În luminile unei cafenele (1958) de Edward Hopper
    #13 of 100

    În luminile unei cafenele

    Vârsta 68 – 77 · Yale University Art Gallery

    Obra lui Edward Hopper, Sunlight in a Cafeteria (1958), este o reprezentare magistrală a singurătății urbane, realizată cu precizia și profunzimea emoțională care definesc stilul său iconic. Acest…

  8. 1960s
    Oameni în Soare (1960) de Edward Hopper
    No. 14 of 100

    Oameni în Soare

    Vârsta 78 – 85

    Un moment de liniște capturat în timp „Oameni în Soare” de Edward Hopper îi invită pe spectatori într-o scenă tranquilă, unde cinci persoane se bucură de un moment…

Edward Hopper's masterpieces: questions and answers

Which painting is Edward Hopper best known for?Show the answer

Nopții, Institutul de Artă din Chicago, Chica (1942), Art Institute of Chicago, Chicago. Next come Automat (small) and Casa de lângă caleua ferată (1925).

How old was Edward Hopper when painting Nopții, Institutul de Artă din Chicago, Chica?Show the answer

60 years old: Nopții, Institutul de Artă din Chicago, Chica dates from 1942 and Edward Hopper was born in 1882.

What are Edward Hopper's ten greatest paintings?Show the answer

Nopții, Institutul de Artă din Chicago, Chica, Automat (small), Casa de lângă caleua ferată, Filmul din New York, untitled (5560), Early sunday morning Whitney Museum of American, Automat, Duminică, Gaz și Chop Suey. The ranking above gives the year and the museum of each.

How many works did Edward Hopper paint?Show the answer

Our catalogue lists 366 works by Edward Hopper, dated from 1899 to 1965.

In which museums can I see Edward Hopper's masterpieces?Show the answer

Most of them are in MoMA - Museum of Modern Art (New York City), Whitney Museum of American Art (New York) și Art Institute of Chicago (Chicago). The table above lists the museums one by one.

When did Edward Hopper paint the masterpieces?Show the answer

In 1920s: 15 of the 100 works on this page date from then, among them Casa de lângă caleua ferată.

What are the first and last famous paintings of Edward Hopper?Show the answer

The earliest on this page is Study of a Seated Woman (1899), the latest Doi Comedianți (1965).

What were Edward Hopper's favourite subjects?Show the answer

Solitude (46), Isolation (37) și Urban landscape (26), among the 100 works on this page.

Which technique did Edward Hopper favour?Show the answer

Oil On Canvas: 34 of the 100 works on this page.

What art movement is Edward Hopper part of?Show the answer

Realism contemporan și American realism, as the paintings on this page show.

Which masterpieces by Edward Hopper hang at the MoMA - Museum of Modern Art?Show the answer

Casa de lângă caleua ferată, Filmul din New York și untitled (5560) are among the 4 works on this page held by the MoMA - Museum of Modern Art, New York City.

The life of Edward Hopper

Liniștea Scenei Americane

Edward Hopper s-a născut în Upper Nyack, Statele Unite ale Americii. Primii săi ani au fost dedicați observării lumii cu un ochi neclintit, un obicei care a început încă din copilărie, prin schițe meticulos datate și semnate. Deși părinții săi i-au sugerat o cale pragmatică în ilustrația comercială, pasiunea sa a rămas ancorată în arta fină. A studiat la Școala de Artă din New York sub îndrumarea lui William Merritt Chase și Robert Henri. Acești ani i-au oferit competența tehnică necesară pentru a surprinde lumea într-o formă onestă și fără artificii. Hopper nu a căutat pensulele fugare ale Impresioniștilor pe care i-a întâlnit în Paris; în schimb, a dezvoltat un mod de a vedea care privilegia liniștea unui moment în detrimentul mișcării unei mulțimi.

Opera sa se concentrează adesea pe banal. El a privit case, restaurante, birouri și camere de hotel, eliminând detaliile inutile pentru a descoperi adevărul emoțional subiacent al unei scene. În House by the Railroad (1925), o compoziție simplă dezvăluie un sentiment de mister și izolare. A utilizat lumina și umbra nu doar pentru a descrie o încăpere, ci pentru a crea o atmosferă. Reprezentarea precisă a unei umbre pe un perete sau modul în care lumina lovește o fereastră au devenit mijloacele prin care comunica o stare psihologică a subiecților săi.

Lumina și Interiorul Urban

Modul în care lumina pătrunde într-un spațiu este un personaj central în picturile sale. În Nighthawks (1942), lumina crudă, fluorescentă, a unui diner de la malul nopții, străpunge întunericul unei străzi urbane pustii. Figurile din interior sunt fizic apropiate, dar par pierdute în propriile gânduri, deconectate unele de altele. Această senzație de anonimat într-un oraș aglomerat a devenit o temă recurentă. El a capturat tensiunea de a fi singur într-un loc public, un sentiment care rezonează în lucrări precum Automat și Office in a Small City. A fost fascinat de modul în care lumina artificială interacționează cu întunericul natural al nopții.

Soția sa, Josephine Nivison Hopper, a fost o prezență constantă. Artistă la rândul ei, ea a servit adesea ca model pentru lucrările sale, prezența ei fiind simțită în caracterizarea multor figuri feminine. Împreună, au trăit o viață modestă, petrecând adesea verile în New England, ceea ce a influențat peisajele pictate de el. Reprezentările sale ale peisajului american, atât rurale cât și urbane, subliniază adesea o anumită asprime sau vid. Fie că este vorba de o benzinărie de la marginea drumului în Gas (1940) sau de o cameră liniștită dintr-un hotel, subiectul este întotdeauna intersecția dintre un loc fizic și o experiență privată, internă.

Moștenirea Observației

Influența lui Hopper se extinde până în limbajul vizual al filmului și al literaturii. Capacitatea sa de a crea tensiune psihologică prin compoziție a fost remarcată de mulți studenți ai modului în care poveștile sunt spuse prin imagini. Picturile sale rămân prezente în marile muzee din întreaga lume, fiind păstrate în colecții precum Whitney Museum of American Art și Museum of Fine Arts, Boston. El nu a urmărit narațiuni istorice grandioase; și-a găsit subiectele în colțurile liniștite ale vieții de zi cu zi, transformând o simplă fereastră sau un străin trecător într-o studiu al condiției umane. Opera sa rămâne o meditație asupra tăcerii care există între oameni.

Toate cele 366 de lucrări ale lui Edward Hopper →