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Prince Albert of Saxe-Coburg-Gotha (1819-61) when a boy
Reproducere pictată manual în ulei de la $181 28 × 35 cm
Prince Albert of Saxe-Coburg-Gotha (1819-61) when a boy (1832) este cea mai celebră pictură a lui Herbert Smith, păstrată la Colecția Regală în Londra. Princess Antoinette of Saxe-Coburg-Saalfeld, later Duchess of Württemberg (1779-1824) (1844) și Princess Marianne of Saxe-Coburg-Saalfeld (1788-1794) (1844) sunt următoarele două opere pe care lumea le cunoaște cel mai bine. Dintr-un total de 18 opere ale lui Herbert Smith din catalogul nostru, iată cele 18 cele mai căutate de colecționari și vizitatori de muzee, incluzând anul, muzeul și povestea fiecăreia.
Clasate în funcție de scorul nostru de popularitate, care combină numărul de căutări, vizitele și comenzile pentru fiecare operă. Actualizat Noiembrie 2026. Fiecare capodoperă de pe această pagină poate fi comandată ca o reproducere pictată manual în ulei, de calitate muzeală, sau ca o printare de artă fină, la dimensiunea aleasă de dumneavoastră.
Muzeul care deține cele mai multe dintre picturile prezentate pe această pagină.
| Muzee | Oraș | Lucrări lui Herbert Smith | Picturi din această listă |
|---|---|---|---|
 Colecția Regală |
Londra | 17 | Prince Albert of Saxe-Coburg-Gotha (1819-61) when a boy, Princess Antoinette of Saxe-Coburg-Saalfeld, later Duchess of Württemberg (1779-1824), Princess Marianne of Saxe-Coburg-Saalfeld (1788-1794) |
Prince Albert of Saxe-Coburg-Gotha (1819-61) when a boy (1832), Colecția Regală, Londra. Urmează Princess Antoinette of Saxe-Coburg-Saalfeld, later Duchess of Württemberg (1779-1824) (1844) și Princess Marianne of Saxe-Coburg-Saalfeld (1788-1794) (1844).
21 ani: Prince Albert of Saxe-Coburg-Gotha (1819-61) when a boy datează din 1832, iar Herbert Smith s-a născut în 1811.
Prince Albert of Saxe-Coburg-Gotha (1819-61) when a boy, Princess Antoinette of Saxe-Coburg-Saalfeld, later Duchess of Württemberg (1779-1824), Princess Marianne of Saxe-Coburg-Saalfeld (1788-1794), Princess Victoria of Saxe-Coburg-Saalfeld, later Duchess of Kent (1786-1861), Ernest I, Duke of Saxe-Coburg-Saalfeld, later Duke of Saxe-Coburg & Gotha (1784-1844), Prince Ferdinand of Saxe-Coburg-Saalfeld (1785-1851), Princess Sophia of Saxe-Coburg-Saalfeld, later Countess von Mensdorff-Pouilly (1778-1835), Prince Leopold of Saxe-Coburg-Saalfeld, later Leopold I, King of the Belgians (1790-1865), Augusta, Duchess of Saxe-Coburg-Saalfeld (1757-1831) și Princess Juliane of Saxe-Coburg-Saalfeld, later Grand Duchess Anna Feodorovna of Russia (1781-1860).. Clasamentul de mai sus indică anul și muzeul pentru fiecare.
Catalogul nostru include 18 lucrări ale lui Herbert Smith, datate între 1832 și 1862.
Majoritatea acestora se află în Colecția Regală (Londra). Tabelul de mai sus enumeră muzeele pe rând.
În 1840s: 14 dintre cele 18 lucrări de pe această pagină datează de atunci, printre acestea Princess Antoinette of Saxe-Coburg-Saalfeld, later Duchess of Württemberg (1779-1824).
Cea mai veche lucrare de pe această pagină este din Prince Albert of Saxe-Coburg-Gotha (1819-61) when a boy (1832), iar cea mai recentă este din Prince Albert (1819-1861) (1862).
Prince Albert of Saxe-Coburg-Gotha (1819-61) when a boy, Princess Antoinette of Saxe-Coburg-Saalfeld, later Duchess of Württemberg (1779-1824) și Princess Marianne of Saxe-Coburg-Saalfeld (1788-1794) sunt printre cele 17 opere de pe această pagină păstrate de Colecția Regală, Londra.
Da. Orice pictură de pe această pagină poate fi comandată ca o reproducere pictată manual în ulei, de calitate muzeală, sau ca o print de artă fină, în dimensiunea aleasă de dumneavoastră, direct de pe pagina propriei picturi.
Born in London, Herbert Luther Smith entered the world as the son of the painter Anker Smith. His path was carved early through the halls of the Royal Academy schools, where he arrived in 1826. He did not merely study there; he excelled, securing medals in 1828 and 1830. This early success signaled a talent for the precise and the formal, a skill that would eventually bring him into the intimate orbit of the British monarchy. He was a man of steady hand and disciplined vision, finding his place among the most respected circles of his era.
His reputation grew through a series of exhibitions held between 1830 and 1854. He presented his work to the public through the Royal Academy, the British Institute, and the Society of British Artists at Suffolk Street. These years were marked by a steady presence in the London art scene, as he moved from a promising student to a professional painter of significant standing. His ability to capture the likeness of those in power led to a prestigious appointment: he was employed by Queen Victoria to copy state portraits. This duty required a profound understanding of character and a devotion to the nuances of the sitter's presence.
While his service to the Crown brought him proximity to royalty, Smith’s interests extended far beyond the courtly sphere. He was a painter of portraits, but he also turned his gaze toward historical and biblical subjects. His work often sought to bridge the gap between the contemporary world and the weight of history. In his hands, a figure from the past could be rendered with the same dignity as a living nobleman. This versatility allowed him to move between the intimate scale of a portrait and the grander narratives of scripture.
His legacy is preserved in several notable collections, ensuring his likenesses remain part of the historical record. His hand can be found in the works held by the Royal Collection, including a portrait of the Duchess of Kent, the mother of Queen Victoria, painted in 1840. He also left behind a posthumous portrait of Prince Albert, completed in 1862. Other works, such as his depiction of Sir Walter Raleigh, reside in Oriel College, Oxford, while his presence is also felt in the British Museum in London. Through these varied subjects, he captured the faces of an age, from the sovereign's family to the legendary figures of history.
