Adèle Romany, 1769 – 1846

Cele mai 37 celebre picturi ale lui Adèle Romany

Pictura care l-a făcut faimos pe Adèle Romany este Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795); aceasta este expusă în National Museum of Women in the Arts, Washington, D.C.. Madame Coury, Duhamel Widow (1811) și Portrait of a Young Woman (1804) îi urmează în inima colecționarilor și a vizitatorilor muzeelor. Dintre cele 39 opere ale lui Adèle Romany din catalogul nostru, acestea 37 sunt cele mai admirate, fiecare fiind prezentată cu data creării, muzeul de păstrare și elementele care o fac unică.

Clasate în funcție de scorul nostru de popularitate, care combină numărul de căutări, vizitele și comenzile pentru fiecare operă. Actualizat Octombrie 2026. Fiecare capodoperă de pe această pagină poate fi comandată ca o reproducere pictată manual în ulei, de calitate muzeală, sau ca o printare de artă fină, la dimensiunea aleasă de dumneavoastră.

Portretul lui Adèle Romany
Adèle Romany · 1769 – 1846
Născut · Decedat
1769 – 1846, Paris
Mișcare
Neoclassicism
Lucrări din catalogul nostru
39
Cele mai celebre
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
Cele mai multe lucrări în
Library-museum of the Comédie-Française

Adèle Romany: cele zece capodopere

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) de Adèle Romany
1

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

Reproducere pictată manual în ulei de la $181 27 × 36 cm Aceeași dimensiune ca originalul $525 97 × 128 cm Comandă în dimensiunea originală →
Madame Coury, Duhamel Widow (1811) de Adèle Romany
2

Madame Coury, Duhamel Widow

1811 · Oil On Canvas · Nationalmuseum, Stockholm

In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

Reproducere pictată manual în ulei de la $181 28 × 36 cm Aceeași dimensiune ca originalul $470 90 × 117 cm Comandă în dimensiunea originală →
Portrait of a Young Woman (1804) de Adèle Romany
3

Portrait of a Young Woman

1804 · Oil On Canvas · Musée Marmottan Monet, Paris

The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

Reproducere pictată manual în ulei de la $181 29 × 35 cm Aceeași dimensiune ca originalul $245 51 × 61 cm Comandă în dimensiunea originală →
Portrait of Julie Candeille (1791) de Adèle Romany
4

Portrait of Julie Candeille

1791 · Oil On Canvas

In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

Reproducere pictată manual în ulei de la $181 29 × 34 cm
Portrait of a Young Harpist (1795) de Adèle Romany
5

Portrait of a Young Harpist

1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lille

The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

Reproducere pictată manual în ulei de la $181 28 × 35 cm Aceeași dimensiune ca originalul $354 73 × 92 cm Comandă în dimensiunea originală →
Portrait of a woman (1795) de Adèle Romany
6

Portrait of a woman

1795 · Oil On Canvas · Musée Jacquemart-André, Paris

The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

Reproducere pictată manual în ulei de la $181 29 × 35 cm Aceeași dimensiune ca originalul $294 62 × 76 cm Comandă în dimensiunea originală →
Portrait of Amélie-Justine Pontois (1795) de Adèle Romany
7

Portrait of Amélie-Justine Pontois

1795 · Oil

In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

Reproducere pictată manual în ulei de la $181 28 × 36 cm Aceeași dimensiune ca originalul $243 49 × 61 cm Comandă în dimensiunea originală →
Charles-Antoine d'Artenay (1792) de Adèle Romany
8

Charles-Antoine d'Artenay

1792 · Oil On Canvas · Château de Versailles, Versailles

The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

Reproducere pictată manual în ulei de la $181 29 × 35 cm Aceeași dimensiune ca originalul $256 53 × 65 cm Comandă în dimensiunea originală →
Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) de Adèle Romany
9

Portrait of Amélie-Justine and Charles-Édouard Pontois

1800 · Oil

The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

Reproducere pictată manual în ulei de la $206 28 × 35 cm Aceeași dimensiune ca originalul $380 73 × 92 cm Comandă în dimensiunea originală →
A young person hesitating to play the piano in front of her family (1804) de Adèle Romany
10

A young person hesitating to play the piano in front of her family

1804 · Oil On Canvas · Frances Lehman Loeb Art Center

The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

Reproducere pictată manual în ulei de la $281 36 × 28 cm Aceeași dimensiune ca originalul $749 146 × 113 cm Comandă în dimensiunea originală →

Mai multe capodopere cu Adèle Romany, de la 11 la 37

Portrait of Emilie Leverd (1808) de Adèle Romany
#21

Portrait of Emilie Leverd

1808 · Library-museum of the Comédie-Française

Portrait of Emilie Leverd by Adèle Romany is a three-quarter length portrait composed with a deliberate sense of balance. The subject is positioned slightly off-center, directing her gaze…

Comandă o reproducere de la $181 →
Mlle Raucourt as Agrippine (1812) de Adèle Romany
#22

Mlle Raucourt as Agrippine

1812 · Library-museum of the Comédie-Française

In this portrait, titled Mlle Raucourt as Agrippine, the artist Adèle Romany presents a striking study of the celebrated French actress Françoise Marie Antoinette Saucerotte. Known professionally as…

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Portrait of mademoiselle A.P. (1806) de Adèle Romany
#24

Portrait of mademoiselle A.P.

1806 · Musée de la Chartreuse de Douai

A young woman is positioned in a three-quarter length pose, situated slightly off-center within a landscape setting. She wears a satin gown of luminous white and silver tones…

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Picturile lui Adèle Romany pe perioade

Subiectele pe care Adèle Romany le-a pictat cel mai des

Cele patru teme care se regăsesc cel mai des printre aceste capodopere, cu cel mai fin exemplu pentru fiecare.

Unde puteți vedea picturile lui Adèle Romany

Cele 8 muzee care dețin cele mai multe dintre picturile de pe această pagină.

Muzee Oraș Lucrări lui Adèle Romany Picturi din această listă
Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
Muzeul de Artă Plastică din Boston, BostonMuzeul de Artă Plastică din Boston Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
Musée Marmottan Monet, ParisMusée Marmottan Monet Paris 1 Portrait of a Young Woman
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
Musée Jacquemart-André, ParisMusée Jacquemart-André Paris 1 Portrait of a woman

Adèle Romany, deceniu cu deceniu: picturile care definesc fiecare epocă

  1. 1790s
  2. 1800s
    Portrait of a Young Woman (1804) de Adèle Romany
    Locul 3 din 37

    Portrait of a Young Woman

    Vârsta 31 – 40 · Musée Marmottan Monet

    The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

  3. 1810s
    Madame Coury, Duhamel Widow (1811) de Adèle Romany
    Locul 2 din 37

    Madame Coury, Duhamel Widow

    Vârsta 41 – 50 · Nationalmuseum

    In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

  4. 1830s

capodoperele lui Adèle Romany: întrebări și răspunsuri

Pentru care pictură este cel mai cunoscut Adèle Romany?Afișează răspunsul

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Urmează Madame Coury, Duhamel Widow (1811) și Portrait of a Young Woman (1804).

Ce vârstă avea Adèle Romany când a pictat Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou?Afișează răspunsul

26 ani: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou datează din 1795, iar Adèle Romany s-a născut în 1769.

Care sunt cele mai importante zece picturi ale lui Adèle Romany?Afișează răspunsul

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois și A young person hesitating to play the piano in front of her family. Clasamentul de mai sus indică anul și muzeul pentru fiecare.

Câte lucrări a pictat Adèle Romany?Afișează răspunsul

Catalogul nostru include 39 lucrări ale lui Adèle Romany, datate între 1791 și 1836.

În ce muzee pot fi vizionate capodoperele lui Adèle Romany?Afișează răspunsul

Majoritatea acestora se află în Library-museum of the Comédie-Française (Paris), Château de Versailles (Versailles) și Muzeul de Artă Plastică din Boston (Boston). Tabelul de mai sus enumeră muzeele pe rând.

Când a pictat Adèle Romany capodoperele?Afișează răspunsul

În 1800s: 13 dintre cele 37 lucrări de pe această pagină datează de atunci, printre acestea Portrait of a Young Woman.

Care sunt primele și ultimele picturi celebre ale lui Adèle Romany?Afișează răspunsul

Cea mai veche lucrare de pe această pagină este din Portrait of Julie Candeille (1791), iar cea mai recentă este din Portrait of Voltaire (1836).

Care au fost subiectele preferate ale lui Adèle Romany?Afișează răspunsul

Woman (21), Man (12) și White dress (6), printre cele 37 opere de pe această pagină.

Ce tehnică a preferat Adèle Romany?Afișează răspunsul

Oil On Canvas: 26 din cele 37 lucrări de pe această pagină.

Din ce mișcare artistică face parte Adèle Romany?Afișează răspunsul

Neoclassicism, așa cum demonstrează picturile de pe această pagină.

Ce capodopere ale lui Adèle Romany sunt expuse la Library-museum of the Comédie-Française?Afișează răspunsul

Portrait of Emilie Leverd, Mlle Raucourt as Agrippine și Portrait of Fleury sunt printre cele 5 opere de pe această pagină păstrate de Library-museum of the Comédie-Française, Paris.

Pot să dețin o reproducere a unei capodopere a lui Adèle Romany?Afișează răspunsul

Da. Orice pictură de pe această pagină poate fi comandată ca o reproducere pictată manual în ulei, de calitate muzeală, sau ca o print de artă fină, în dimensiunea aleasă de dumneavoastră, direct de pe pagina propriei picturi.

Viața lui Adèle Romany

Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

Early Life and Artistic Training

  • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
  • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
  • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

Artistic Style and Notable Works

  • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
  • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
  • Notable Works:
    • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
    • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
    • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
  • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

Recognition and Historical Significance

  • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
  • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
  • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
  • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

Legacy and Rediscovery

Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.