Pictura care l-a făcut faimos pe Adam Pendleton este History (Lab 1964 Grey) (2005); aceasta este expusă în Carnegie Museum of Art, Pittsburgh. Dintre cele 1 opere ale lui Adam Pendleton din catalogul nostru, acestea 1 sunt cele mai admirate, fiecare fiind prezentată cu data creării, muzeul de păstrare și elementele care o fac unică.
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Muzeul care deține cele mai multe dintre picturile prezentate pe această pagină.
| Muzee | Oraș | Lucrări lui Adam Pendleton | Picturi din această listă |
|---|---|---|---|
 Carnegie Museum of Art |
Pittsburgh | 1 | History (Lab 1964 Grey) |
Fiecare capodoperă datată a lui Adam Pendleton de pe această pagină aparține anului 2005: iată-le.
History (Lab 1964 Grey) (2005)
21 ani: History (Lab 1964 Grey) datează din 2005, iar Adam Pendleton s-a născut în 1984.
Catalogul nostru include 1 lucrări ale lui Adam Pendleton.
Majoritatea acestora se află în Carnegie Museum of Art (Pittsburgh). Tabelul de mai sus enumeră muzeele pe rând.
Adam Pendleton is an American conceptual artist whose diverse practice encompasses painting, silkscreen, collage, video, performance, and word art. Born in Richmond, United States, he began writing poetry at an early age and later transitioned into painting. His academic journey included studying at the Artspace Independent Study Program in Peitrasanta, Italy, before moving to New York in 2002. Currently, he divides his time between New York City and Germantown, New York.
His work often involves the investigation of language and the recontextualization of history through appropriated imagery. Pendleton's artistic output has been featured in various international exhibitions, including shows at the Museum of Modern Art, the Whitney, the New Museum, and La Triennale at the Palais de Tokyo in Paris. In 2024, he was honored with the Rosenthal Family Foundation Award for Painting from the American Academy of Arts and Letters.
A central concept in Pendleton's work is "Black Dada," a term he uses to discuss the present moment by addressing both the future and the past. This concept is exemplified in his Black Dada series of paintings, which feature partial views of Sol LeWitt's cube sculptures alongside letters derived from the phrase "Black Dada." This phrase itself originates from the 1964 poem "Black Dada Nihilismus" by Amiri Baraka.
His various series and installations explore different visual and linguistic systems: