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Foxgloves

  • Data de criação2004
  • Dimensões76.0 x 31.0 cm

Discover Michele Elizabeth Field's vibrant floral paintings – anemones, poppies & more! Explore her evocative landscapes of Oxford & New Jersey art.

Reprodução em Óleo Feita à Mão

Óleo sobre tela pintado à mão no tamanho e moldura de sua escolha, feito sob encomenda pelos nossos artistas. (Comprar impressão Comprar impressãoComprar imagem Comprar imagem)

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Escolha entre os nossos tamanhos pré-definidos que respeitam as proporções originais da obra de arte.

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Pode inserir as suas próprias dimensões para se adequar a uma moldura ou espaço específico. Se o tamanho selecionado não corresponder às proporções da imagem original, iremos cortar a obra de arte ou estender a pintura com elementos adicionais pintados à mão. Um esboço digital será enviado para sua aprovação antes do início da produção.
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Exemplos do que pode ser personalizado: Substituir o rosto pela foto do cliente; Adicionar um animal de estimação (ex: substituir gato por cão); Incluir uma mensagem oculta no fundo; Alterar a paisagem ou elementos do fundo.
Após o pedido, a equipa WahooArt.com enviará um e-mail ao cliente para solicitar instruções e fornecer uma prévia do esboço.

Entrega mundial () em 3 a 4 semanas, em vez das 5 semanas padrão. (30 Agosto). Sem comprometer a qualidade.

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Preço Total

$ 272

reproduction

Foxgloves

Técnica de Reprodução

Tamanho da Reprodução

-

Preço Total

$ 272


Biografia do Artista

A Life Painted in Light and Water

Michele Elizabeth Field, born Michele Wright, was an artist whose soul seemed inextricably linked to the tranquil rhythms of the English landscape. Born on June 10, 1953, in Solihull, West Midlands, her early years were shaped by a profound fascination with the natural world. This innate curiosity found its most potent expression through the serene waterways and rolling vistas of Oxford—a region that would become the heartbeat of her creative vision. Her palette was often a direct reflection of this environment, mirroring the soft, luminous hues of the Thames and the verdant, undulating textures of the Chiltern Hills. Through her work, one does not merely see a landscape; one feels the atmospheric weight of a misty morning or the warmth of sunlight filtering through a summer canopy.

Her formal journey into the mastery of medium began at the Plymouth College of Art, where she meticulously honed her skills in both watercolor and oil painting. While her technical foundation was rigorous, it was her relocation to Oxford in 1980 that truly catalyzed her artistic evolution. Immersed in the city’s rich artistic heritage, Field established herself as a freelance artist with an unwavering commitment to emotional resonance. She possessed a rare ability to capture the essence of a scene, moving beyond mere representation to achieve a sense of profound stillness and accuracy that captivated both casual observers and seasoned collectors alike.

The Language of Flowers and Form

As her career progressed into the early 2000s, Field’s expressive range underwent a beautiful transformation. While she remained a master of the delicate, translucent washes characteristic of watercolor, she began to embrace the bold, tactile possibilities of acrylics and oils. This experimentation allowed her to explore deeper textures and more vibrant, saturated colors, adding a new dimension of physical presence to her canvases. Her botanical works, in particular, emerged as some of her most celebrated achievements. In paintings such as White Lilies and Yellow Lilies, she rendered floral subjects with a precision that bordered on the meditative.

Her floral compositions—frequently featuring anemones, poppies, and daisies—were far more than simple botanical studies. They served as poignant meditations on the ephemeral nature of beauty and the cyclical rhythms of life. In works like Daisies and Orange Flowers, she utilized a stylized, almost folk-art charm to evoke joy and rustic serenity, whereas her more abstract endeavors, such as Purple and Gold Abstract, showcased her ability to manipulate impasto textures and swirling forms to convey pure emotion. This versatility ensured that her work could speak to the viewer through both the literal beauty of nature and the abstract language of color.

Legacy of Empathy and Observation

Beyond the landscapes and botanicals, Field’s artistry was defined by a deep-seated empathy, a quality most evident in her highly sought-after pet portraits. Tasked with capturing the likenesses of beloved dogs, she approached each commission with an exceptional level of observation, seeking to translate the unique character and spirit of each animal onto the canvas. This ability to capture the "essence" of a subject became a hallmark of her professional reputation, making her work deeply personal to those who owned it.

A dedicated member of the Guild of Waterway Artists, Field was not only a creator but also a vital part of the artistic community. She was known for her professionalism and her skill as a promoter, often organizing exhibitions at venues such as the John Radcliffe Hospital and participating in major events like the Braunston Boat Show. Her presence was so impactful that her paintings were frequently featured on official Christmas cards, weaving her vision into the seasonal traditions of the region. Though her life was tragically cut short in 2014, her legacy endures through a body of work that remains vibrantly alive—a testament to a life lived with an open heart and an eye for the extraordinary beauty found in the everyday.

Dados Rápidos

  • Artistic Movement Or Style: Minimalist Art
  • Artists Or Movements Influenced By This Artist: ['Hudson River School']
  • Artists Who Influenced This Artist:
    • Agnes Martin
    • Donald Judd
  • Date Of Birth: June 10, 1953
  • Full Name: Michele Elizabeth Field
  • Nationality: British
  • Notable Artworks:
    • Anemone Painting
    • Poppy Artwork
  • Place Of Birth: Solihull, West Midlands