Óleo sobre tela pintado à mão no tamanho e moldura de sua escolha, feito sob encomenda pelos nossos artistas. ( Alternar para Impressão
Ver Imagem Digital)
Escolha entre os nossos tamanhos pré-definidos que respeitam as proporções originais da obra de arte.
Digite a largura e a altura de que necessita, para se ajustar à sua moldura ou à sua parede. Esta obra é pintada à mão, por isso, para um tamanho com uma proporção diferente, o artista pode pintar um pouco mais ao redor da imagem ou cortar um pouco — você escolhe. Enviamos-lhe uma maquete digital para aprovação antes de a pintura começar. A imagem exibida nesta página não mostra o resultado real — apenas a maquete mostra.
Entrega mundial () em 3 a 4 semanas, em vez das 5 semanas padrão. (22 Outubro). Sem comprometer a qualidade.
Returning from the well
Dimensões da Reprodução
Frederick Goodall, a distinguished English artist born on September 17, 1822, in London, United Kingdom, was the second son of Edward Goodall, a steel line engraver. His formative years were shaped by a rigorous academic upbringing at Wellington Road Academy, fostering his innate artistic talent and preparing him for a lifetime dedicated to creative pursuits.
Goodall’s artistic journey commenced with an ambitious commission for Isambard Brunel – six watercolor paintings depicting the Rotherhithe Tunnel. Remarkably, he secured his first solo exhibition at the Royal Academy at just sixteen, showcasing his prodigious talent and establishing him as a rising star within the British art scene. His debut oil painting garnered recognition from the Society of Arts, earning him a silver medal.
Between 1858 and 1870, Goodall embarked on an unforgettable expedition to Egypt, immersing himself in Bedouin culture and meticulously documenting its landscapes and traditions. Driven by a desire for accuracy, he brought back sheep and goats from Egypt – a deliberate effort to ensure the authenticity of his artistic representations.
Egypt profoundly impacted Goodall’s oeuvre, resulting in 170 paintings exhibited at the Royal Academy over four decades. His work reflects a deep engagement with Victorian aesthetics and draws inspiration from luminaries like Isambard Brunel, whose engineering prowess served as a catalyst for artistic innovation.
Married to Anne Thomson, daughter of engraver James Thomson, in 1846, Goodall established a family rooted in artistic heritage. Following Anne’s passing in 1869, he found solace in companionship with Alice May Tarry, whom he married in 1872. Frederick Goodall's enduring legacy resides in his contribution to Victorian genre painting and his unwavering commitment to capturing the essence of his era.
1822 - 1904 , Reino Unido