Sobre nós Contato / Ajuda Venda sua arte
      x
      Sobre nós Contato / Ajuda Venda sua arte
          Visualizar na parede Visualizar em RA Comprar pintura feita à mão Alternar para Imagem Digital Compartilhar
          Detalhes Guia Adicionar aos favoritos Baixar imagem Semelhantes Raio X Ver diaporama Perguntas e Respostas Baixar apresentação Estatísticas
          Bhavanidas

          The Stallion Kitab

          Dimensões
          26.0 x 34.0 cm

          Ler mais

          Discover bhavanidas, a master Mughal-trained Kishangarh artist renowned for his detailed miniatures and realistic style. His works, including regal portraits and majestic animals, are celebrated worldwide.
          Ler mais

          A obra de arte exibida nesta página é protegida por leis de direitos autorais, o que significa que não podemos criar ou vender legalmente uma reprodução idêntica. Esta proteção é aplicada por meio de acordos internacionais, tais como a Convenção de Berna e pelas leis nacionais, incluindo as estabelecidas por Lei de Direitos Autorais dos EUA - Título 17.

          Este método cumpre plenamente as regulamentações de direitos autorais, pois não envolve a cópia ou duplicação da obra protegida. Em vez disso, trata-se de uma reinterpretação criativa — uma nova pintura que é influenciada pela original, mas não idêntica a ela.

          Leia mais

          Giclée / Impressão de Arte

          Impressão giclée ou em tela de qualidade de museu, com produção rápida e opções flexíveis de acabamento. ( Comprar pintura feita à mão Alternar para Imagem Digital)

          Leia mais

          Tamanho padrão
          personalizado
          CM
          INCH

          Escolha entre os nossos tamanhos pré-definidos que respeitam as proporções originais da obra de arte.

          largura
          altura

          Insira a largura e a altura desejadas para se ajustarem à sua moldura ou parede. Uma impressão pode ser apenas cortada, nunca ampliada além da imagem original; portanto, um tamanho com proporções diferentes resultará na perda de parte da imagem. Enviamos uma maquete digital para sua aprovação antes de realizarmos a impressão. A imagem exibida nesta página não mostra o corte real — apenas a maquete o faz.

          Leia mais

          Leia mais

          Leia mais

          Entrega mundial () em 2 semanas, em vez das 4/5 semanas padrão. (15 Novembro)

          Leia mais

          Envio expresso gratuito para todo o mundo
          Tela de Linho de Alta Qualidade
          Seguro de transporte completo
          Garantia de Reembolso de Impostos Alfandegários
          Garantia de Fidelidade Cromática
          Política de Devolução em 100 Dias (Apenas para Defeitos)
          Garantia de reembolso de 100%
          Oferta de desconto por quantidade
          Leia mais

          Preço Total

          € 61

          The Stallion Kitab

          Giclée / Impressão de Arte

          Tamanho da Reprodução

          -

          Preço Total

          € 61

          About the Artist BhavanidasActive at the Mughal court until ca. 1719, then at the court of Raj Singh (r. 1706–48) in Kishangarh to ca. 1748 The later eighteenth-century Mughal painter Bhavanidas is one of the important links between the imperial ateliers and workshops outside the Mughal empire’s centers of power. His career falls into two periods; for the first, he was at the Mughal court at Delhi until around 1719, and during the second, he worked in the principality of Kishangarh in Rajasthan. In the first decades of the eighteenth century, Bhavanidas painted numerous pictures illustrating the genealogies of the great Mughal rulers. One of these, for example, depicts the sons and grandsons of the emperor Shah Jahan; another is a group portrait with Timur, the founder of the Mughal dynasty and his descendants. These works are characterized by a formal arrangement of the subjects, whereas others, for example a picture of Emperor Aurangzeb setting out on a hunting party, are structured with greater freedom and number among the last great works of the Mughal workshops. During Aurangzeb’s reign (1658–1707), these workshops were gradually dismantled, and the patronage and training of painters were increasingly neglected. Although a few artists, most notably Chitarman II and Mir Kalan Khan, achieved a last flowering of Mughal painting under Aurangzeb’s successors, others were obliged to seek their livelihood in other regions of India. Bhavanidas was one of these who sought a new position far from the political centers of power. From around 1719, he worked at the Rajput court of Raj Singh (r. 1706–48) in Kishangarh. His appointment there was probably arranged through family connections between the Mughals and the princes of Kishangarh. During this period, Bhavanidas began to experiment with new genres such as depictions of famous horses and dreamlike landscape settings for portraits of rulers and paved the way for the expressive characterization of the Krishna and Radha theme, which was brought to perfection by Bhavanidas’s student Nihal Chand.

          Perguntas e Respostas

          Quão saturada é a paleta de "The Stallion Kitab"?

          "The Stallion Kitab", de Bhavanidas apresenta uma saturação de Balanced Soft.

          Por que o status de direitos autorais de "The Stallion Kitab" é como é?

          "The Stallion Kitab", de Bhavanidas está em ainda protegido por direitos autorais. O período de direitos autorais conta a partir do falecimento do artista, ocorrido em 1748.

          Quem é o autor e qual é a data de "The Stallion Kitab"?

          "The Stallion Kitab" foi criado por Bhavanidas em 1730.

          Obras Relacionadas

          Árvore Do Morro (também Conhecida Como A Morera) — Vincent Van Gogh, Post-impressionism
          Vincent Van Gogh Árvore do Morro (também conhecida como A Morera)
          A Ponte Da Langlois Em Arles — Vincent Van Gogh, Pós-impressionismo
          Vincent Van Gogh A Ponte da Langlois em Arles
          Jardim Com Flores — Vincent Van Gogh, Impressionismo
          Vincent Van Gogh Jardim com Flores
          Orvalho Em Flor, Delimitado Por Ciprestes — Vincent Van Gogh, Post-impressionism
          Vincent Van Gogh Orvalho em Flor, Delimitado por Ciprestes
          Uma Cavaleira — Pablo Picasso, Naïve Art / Primitivism
          Pablo Picasso Uma cavaleira
          North South — Joan Miró, Fauvism
          Joan Miró North South
          American Neutrality Obverse — Karl Otto Götz, German Art Informel
          Karl Otto Götz American Neutrality Obverse
          Vividly, We Took Galich — Kazimir Malevich, Abstract Suprematism
          Kazimir Malevich Vividly, we took Galich
          Dawn - Bowl With Vivid Glazes — Tokuda Yasokichi Iii
          Tokuda Yasokichi Iii Dawn - Bowl with Vivid Glazes
          A Venetian Scene — John H. Twachtman, Impressionist
          John H. Twachtman A Venetian Scene

          Biografia do Artista

          The Twilight of the Imperial Tradition

          In the shifting landscape of the early eighteenth century, a period marked by both the fading grandeur of the Mughal Empire and the rising lyrical beauty of regional schools, Bhavanidas emerged as a preeminent master of the brush. Trained within the rigorous and prestigious confines of the Mughal imperial workshop, he was a scholar of the fine line and a devotee of meticulous detail. His early career was defined by his immersion in the imperial tradition, where he spent much of the first two decades of the century perfecting the art of generational portraiture. This foundational period allowed him to absorb the technical complexities of the Mughal style—a style that demanded an uncompromising commitment to realistic representation and a profound understanding of form. As he transitioned into the Kishangarh tradition, Bhavanidas did not merely replicate what he had learned; instead, he synthesized the formal precision of the imperial court with the evocative, emotive qualities of the Kishangarh school, creating a body of work that stands as a bridge between two monumental eras of Indian art.

          A Mastery of Detail and Atmosphere

          The artistry of Bhavanidas is most profoundly felt in his ability to breathe life into the miniature format, transforming small surfaces into expansive, breathing worlds. His technique is characterized by an extraordinary delicacy, where every stroke serves to capture the very essence of his subjects. This is perhaps nowhere more evident than in his watercolor masterpiece, Stallion Kitab. In this work, a majestic stallion takes center stage, rendered with such anatomical precision that its power feels palpable, even as it is attended by four ghostly, ethereal grooms who lend the scene a sense of supernatural mystery.

          Beyond the singular focus on animal portraiture, Bhavanidas excelled at capturing the quiet, narrative intimacy of courtly life. In Prince Padam Singh of Bikaner with his bard Gordhar on a terrace at night, the artist demonstrates his command over light and shadow, utilizing the nocturnal setting to highlight the distinctive atmosphere of the Kishangarh school. Through his use of fine detail, he was able to render the subtle textures of silk, the soft glow of moonlight, and the profound stillness of a night scene, ensuring that his subjects were not merely depicted, but deeply felt by the viewer.

          Historical Significance and Enduring Legacy

          The historical importance of Bhavanidas lies in his role as one of the final great masters of the Mughal painting tradition. His work represents a sophisticated culmination of centuries of artistic evolution, incorporating the deep-seated influences of the Timurid period into a uniquely Indian aesthetic. By blending the realistic rigor of the imperial workshops with the more romantic and stylized elements of Kishangarh, he helped define a period of transition that would influence many subsequent generations of painters.

          Today, the legacy of Bhavanidas continues to resonate within the halls of the world's most esteemed institutions. His paintings, which serve as vital windows into the artistic soul of eighteenth-century India, are preserved in prestigious collections such as the National Gallery of Modern Art (NGMA) in New Delhi. Through his ability to capture both the physical reality and the spiritual essence of his subjects, Bhavanidas remains a cornerstone of Indian miniature art, leaving behind a visual heritage that continues to inspire awe and admiration for its technical brilliance and poetic depth.
          Bhavanidas

          Bhavanidas

          1680 - 1748 , Mughal Empire

          Dados Rápidos

          • Place Of Birth: Kishangarh, India
          • Notable Artworks: ['Various works featured in The World Goes Pop exhibition']
          • Artistic Movement Or Style: World Goes Pop
          • Artists Who Influenced This Artist: ['Influenced by diverse artists within the World Goes Pop movement']
          • Artists Or Movements Influenced By This Artist: ['Influences various contemporary artists']

          Artigos Relacionados

          Refined Lineage: An Examination of Indian Miniature and Folk Art Traditions

          Refined Lineage: An Examination of Indian Miniature and Folk Art Traditions

          Explore the mastery of Mughal, Rajput, and Madhubani art traditions. Discover India's rich painterly heritage now.

          Explorar artigo read article