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          Table (1650) por Andries Benedetti, reprodução em pintura a óleo feita à mão por um mestre artista
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          Andries Benedetti

          Table Reprodução de pintura a óleo feita à mão

          Dimensões
          121.0 x 147.0cm

          This opulent 17th-century Flemish Baroque still life by Andries Benedetti exudes luxury. Discover the beauty of this masterpiece today.
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          Discover Jan Davidsz. de Heem’s opulent Dutch Baroque still lifes! Master of florals, fruit & vanitas themes – a legacy of rich color and detail.
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          Reprodução em Óleo Feita à Mão

          Óleo sobre tela pintado à mão no tamanho e moldura de sua escolha, feito sob encomenda pelos nossos artistas. ( Alternar para Impressão Alternar para Imagem Digital)

          Corner sample of the P118B picture frame: poliestireno moldado, 5 cm wide and 3 cm thick
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          Corner sample of the P438Z picture frame: poliestireno moldado, 5.5 cm wide and 3.5 cm thick
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          Corner sample of the P508YH picture frame: poliestireno moldado, 7 cm wide and 3.5 cm thick
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          P919G €10
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          Corner sample of the P959ZH picture frame: poliestireno moldado, 5 cm wide and 3 cm thick
          P959ZH €10
          Corner sample of the P968JZ picture frame: poliestireno moldado, 6 cm wide and 4 cm thick
          P968JZ €12
          Corner sample of the W106C picture frame: madeira maciça, 5 cm wide and 3 cm thick
          W106C €8
          Corner sample of the W218G picture frame: madeira maciça, 5 cm wide and 3 cm thick
          W218G €10
          Corner sample of the W218JH picture frame: madeira maciça, 5 cm wide and 3 cm thick
          W218JH €8
          Corner sample of the W218Y picture frame: madeira maciça, 5 cm wide and 3 cm thick
          W218Y €10
          Corner sample of the W307PJ picture frame: madeira maciça, 6 cm wide and 3 cm thick
          W307PJ €10
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          W316G €10
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          Corner sample of the W398PJ picture frame: madeira maciça, 5 cm wide and 3 cm thick
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          Corner sample of the W4111J picture frame: madeira maciça, 6.5 cm wide and 3.5 cm thick
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          W500HY €15
          Corner sample of the W500JH picture frame: madeira maciça, 7 cm wide and 5 cm thick
          W500JH €15
          Corner sample of the W692G picture frame: madeira maciça, 8 cm wide and 4 cm thick
          W692G €12
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          W849H €8
          Corner sample of the W940BG picture frame: madeira maciça, 7.5 cm wide and 4.5 cm thick
          W940BG €15
          Corner sample of the W953PJ picture frame: madeira maciça, 6 cm wide and 3.5 cm thick
          W953PJ €8

          Tamanho padrão
          personalizado
          CM
          INCH

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          Entrega mundial () em 3 a 4 semanas, em vez das 5 semanas padrão. (16 Novembro). Sem comprometer a qualidade.

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          Preço Total

          € 242

          Table

          Técnica de Reprodução

          Tamanho da Reprodução

          -

          Preço Total

          € 242

          Informações Rápidas

          • Notable elements or techniques: Chiaroscuro, hyper-realistic detail
          • Location: Museo del Prado, Madrid
          • Artistic style: Flemish Baroque
          • Influences: Jan Davidsz. de Heem
          • Medium: Oil on canvas

          Quiz de Arte

          Cada pergunta possui apenas uma resposta correta.

          Pergunta 1:
          In which city was the artist Andries Benedetti born?
          Pergunta 2:
          What is the medium used for the painting 'Table'?
          Pergunta 3:
          Which museum holds the collection containing the painting 'Table'?
          Pergunta 4:
          What are the dimensions of the artwork 'Table'?
          Pergunta 5:
          According to the text, Andries Benedetti was an apprentice to which artist?

          Identification of the Still Life Painting

          The oil on canvas painting titled Table was executed by the artist Andries Benedetti. This work belongs to the still life genre, a category of painting focused on the arrangement of inanimate objects. The composition features a variety of items including fine metalwork, bread, and various fruits such as grapes, peaches, and citrus. These objects are positioned upon a table covered with white linen and set against a backdrop of heavy red drapery.

          The creation of this work occurred between 1636 and 1650. It is currently held within the collection of the Museo del Prado in Madrid, Spain. The dimensions of the canvas measure 121 x 147 cm. The artist, Andries Benedetti, was active during the mid-17th century, and this specific piece is part of the Flemish Baroque tradition.

          Composition and Visual Elements

          The arrangement is set upon a table covered with a crisp white linen cloth. A heavy red curtain cascades from the upper right corner, partially obscuring a glimpse of a classical column in the background. This drapery creates a sense of enclosure around the central objects. The composition is dense, featuring a variety of textures including the porous crust of bread and the smooth surfaces of metalwork. A silver ewer and a golden goblet are positioned among the items, catching the light against the darker backdrop.

          Fruit is distributed throughout the scene, including grapes, peaches, and citrus. A large, ornate gilded bowl overflows with fruit, adding height to the grouping. Beside these elements, a candlestick holds a partially burnt candle. The lighting originates from the left, casting deep shadows and creating bright highlights on the reflective silver and gold surfaces. The placement of the objects follows a structured arrangement of vertical vessels and organic, rounded forms.

          Perguntas e Respostas

          Qual é o tamanho de impressão recomendado para "Table", de Andries Benedetti?

          Sugere-se uma reprodução de Large para "Table", de Andries Benedetti. O tamanho pode ser ajustado mantendo as proporções.

          Que tom emocional acompanha o estilo Baroque de "Table"?

          A emoção Dramatic de "Table" acompanha seu estilo Baroque.

          A qual estilo pertence "Table"?

          "Table", de Andries Benedetti pertence ao movimento Baroque. Este movimento fornece o contexto estilístico da obra.

          Obras Relacionadas

          Grapes In A Basket And Roses In A Vase — Frans Snyders, Flemish Baroque
          Frans Snyders Grapes in a basket and roses in a vase
          Still Life With Milk Jug And Fruit — Paul Cézanne, Impressionism
          Paul Cézanne Still Life with Milk Jug and Fruit
          Still-life — Willem Kalf, Baroque
          Willem Kalf Still-Life
          Oil Sketch For High Altarpiece, St Bavo, Ghent — Peter Paul Rubens, Flemish Baroque
          Peter Paul Rubens Oil Sketch for High Altarpiece, St Bavo, Ghent
          Still-life Of Flowers And Fruits — Jean-baptiste Monnoyer, Baroque
          Jean-Baptiste Monnoyer Still-Life of Flowers and Fruits
          Still Life With Garland And Golden Tazza — Jan Brueghel, O Velho, Baroque
          Jan Brueghel, O Velho Still Life with Garland and Golden Tazza
          Still-life With Oysters — Alexander Adriaenssen, Flemish Baroque
          Alexander Adriaenssen Still-Life with Oysters
          Still-life With Fruit And Flowers — Giuseppe Recco, Baroque Still Life
          Giuseppe Recco Still-Life with Fruit and Flowers
          Flemish Kermess — David Teniers, Filho, Baroque Flemish Genre
          David Teniers, Filho Flemish Kermess
          Vegetable Still-life — Frans Snyders, Baroque
          Frans Snyders Vegetable Still-Life

          Biografia do Artista

          The Enigmatic Origins of a Flemish Master

          Andries Benedetti remains a figure partially obscured by the mists of time, a talent whose brilliance flickered intensely before being lost to history. Born around 1615, his beginnings are shrouded in a beautiful ambiguity; while some whispers suggest a connection to Parma, Italy, his heart and his art were undeniably rooted in the vibrant, bustling atmosphere of Antwerp. As the son of Italian immigrants, Pietro Benedetti and Maria Torres, he was a product of the cosmopolitan tapestry that defined the Dutch Golden Age. This heritage likely gifted him with a unique perspective, blending the classical sensibilities of his ancestors with the burgeoning Flemish Baroque style.

          His early years in Antwerp were not merely spent in quiet observation but were marked by rigorous preparation within the prestigious Guild of Saint Luke. The records of 1636 reveal an artist emerging from the shadows, having served as an apprentice to the obscure yet skilled Vincent Cernevael II. This formative period was essential, providing him with the foundational tools to manipulate oil and light, setting the stage for a career that would eventually touch upon the very heights of pronkstillevens—those opulent, grand-scale still lifes that celebrated both earthly abundance and the fleeting nature of existence.

          The Alchemy of Light and Lineage

          To understand the technical prowess of Benedetti, one must look to the masters who shaped his hand. Beyond the foundational training under Cernevael, Benedetti had the extraordinary privilege of honing his craft in the studio of Jan Davidsz. de Heem, one of the most formidable names in Dutch still life painting. This lineage is evident in the way Benedetti approached the canvas, treating every surface with a reverence for texture and luminosity. He mastered the dramatic technique of chiaroscuro, using deep, velvety shadows to push his subjects forward into the light, creating a sense of three-dimensional weight that feels almost tactile.

          His brushwork was an exercise in precision and sensory delight. When observing his work, one does not merely see fruit; one experiences the dew on a petal or the subtle bruising on a ripening peach. This mastery is characterized by:
          • The luminous rendering of organic textures, from the velvet skin of a pear to the translucent zest of a lemon.
          • A sophisticated use of chiaroscuro to create depth and theatrical tension within the composition.
          • The integration of symbolic elements, such as candles or skulls, which whispered of the vanitas tradition—a reminder of mortality amidst plenty.

          A Symphony of Abundance and Decay

          The true legacy of Andries Benedetti lies in his ability to capture the ephemeral. His paintings serve as a feast for the eyes, yet they are often tinged with a profound melancholy. In works such as “Still Life with Peaches, Pears, Lemons and Roses,” currently held in the Kunsthistorisches Museum Wien, we see the pinnacle of his ability to render the succulent and the delicate with breathtaking accuracy. He excelled at the pronkstilleven style, where overflowing platters of seafood, such as oysters and lobsters, sit alongside lush floral arrangements, creating a visual spectacle of wealth and natural beauty.

          Yet, beneath this layer of opulence, there is always a deeper narrative. The way a flower begins to wilt or the way light catches a dying ember suggests the inevitable passage of time. This tension between the magnificent and the mortal is what elevates his work from mere decoration to high art. Though his recorded presence in the annals of history fades after 1649, the enduring impact of his compositions continues to resonate, reminding us of a period when the canvas was a stage for the most exquisite dramas of the natural world.
          Andries Benedetti

          Andries Benedetti

          1615 - 1649 , Belgium

          Dados Rápidos

          • Full Name: Andries Benedetti
          • Nationality: Flemish
          • Date Of Birth: 1615
          • Date Of Death: 1649
          • Place Of Birth: Antwerp, Belgium
          • Notable Artworks: ['Floral Still Life']
          • Artistic Movement Or Style: Dutch Baroque
          • Artists Who Influenced This Artist: ['Vincent Cernevael']
          • Artists Or Movements Influenced By This Artist: ['Baroque Painting']