Dzieło sztuki prezentowane na tej stronie podlega ochronie prawem autorskim, co oznacza, że nie mamy prawa do tworzenia ani sprzedaży jego identycznej reprodukcji. Ochrona ta jest egzekwowana na mocy umów międzynarodowych, takich jak Konwencja berneńska oraz przez przepisy prawa krajowego, w tym te określone w Prawo autorskie USA – Tytuł 17.
Metoda ta jest w pełni zgodna z przepisami prawa autorskiego, ponieważ nie polega na kopiowaniu ani powielaniu chronionego dzieła. Stanowi ona kreatywną reinterpretację – nowy obraz, który czerpie inspirację z oryginału, ale nie jest z nim tożsamy.
Wydruki giclée lub płótna o jakości muzealnej, szybka realizacja i szeroki wybór opcji wykończenia. ( Kup ręcznie malowany obraz
Przełącz na wersję cyfrową)
Wybierz spośród naszych standardowych rozmiarów, które zachowują oryginalne proporcje dzieła sztuki.
Wpisz wymaganą szerokość i wysokość, aby dopasować grafikę do ramy lub ściany. Wydruk można jedynie przyciąć, nigdy nie powiększając go poza oryginalny obraz, dlatego format o innym proporcji spowoduje utratę części kompozycji. Przed rozpoczęciem druku prześlemy Ci cyfrowy podgląd do zatwierdzenia. Obraz wyświetlany na tej stronie nie pokazuje rzeczywistego przycięcia — jedynie podgląd oddaje ten efekt.
Dostawa na cały świat () w ciągu 2 tygodni zamiast standardowych 4/5 tygodni. (24 Październik)
Ricoré
Rozmiar reprodukcji
Poziom kontrastu dzieła „Ricoré” autorstwa Žolt Kovač wynosi Serene.
Žolt Kovač występuje również pod innymi nazwiskami: Žolt Kovac.
Jeśli chodzi o prawa autorskie, "Ricoré" znajduje się w nadal chronione prawem autorskim.
In the contemporary landscape of Serbian painting, few artists navigate the delicate boundary between the mundane and the monumental as gracefully as Žolt Kovač. Born in Pančevo, Serbia, Kovač possesses a unique ability to transform the quietest moments of existence into profound visual narratives. His practice is deeply rooted in the energetic pulse of city life and the bold, graphic language of comic books, yet he often directs this energy toward themes of stillness and introspection. Through his work, the "empty time" of our daily lives—those unrecorded, silent intervals between major events—is elevated to a subject of intense beauty and contemplation.
Kovač’s artistic journey is marked by a rigorous academic foundation. After graduating from Mathematical High School, he pursued studies at the Faculty of Fine Arts in Belgrade, where he earned his M.A. in 2002 and later achieved his Doctor of Art degree in 2016. This blend of mathematical precision and fine art training perhaps informs the rhythmic quality found in his compositions. His exploration of visual theory was furthered at the School for History and Theory of Images at the Center for Contemporary Art in Belgrade, allowing him to weave complex layers of meaning into works that often draw from Pop Art, graphic design, and street art aesthetics.
The thematic heart of Kovač’s oeuvre lies in his ability to capture the intimacy of shared and solitary spaces. In series such as Empty Time, he presents snapshots of life—moments where two people might share a room yet remain lost in their own internal worlds. His paintings, such as Coffee or Little Plants, act as windows into these domestic dramas, utilizing a palette that feels both fresh and nostalgic. He employs bold color blocks reminiscent of Pop Art, but tempers them with a sensitive touch regarding light and shadow, making the textures of his subjects feel almost tactile to the viewer.
Beyond mere observation, Kovač uses his canvas to analyze the pressures of modern existence. In his ArtWORKs series, he delves into the complexities of contemporary labor, exploring themes of burnout, multitasking, and the exhaustion inherent in a hyper-productive society. This work is deeply personal, born from his own experiences navigating various creative and activist scenes. By integrating elements of typography, abstraction, and graphic design, he creates a communicative language that speaks to the precarious nature of work and the struggle for balance in an increasingly intense world.
Kovač’s influence extends far beyond the easel, as his creative spirit permeates various facets of Belgrade's cultural fabric. He is not only a painter but also a scholar and a collaborator. His contributions to the art community include:
With dozens of solo and group exhibitions spanning from Serbia to the United States, Germany, China, and beyond, Žolt Kovač has established himself as a vital voice in contemporary art. His work remains a testament to the power of finding significance in the small, the quiet, and the overlooked, inviting every viewer to pause and find resonance in the stillness of their own world.
1975 - , Serbia