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Kup reprodukcję A Morning Breeze

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Petra BauerBorn in Stockholm, Sweden, in 1970.She lives and works in Stockholm.Artist and filmmaker Petra Bauer examines the past to better resonate with our present and to anticipate the future, whether she focuses on the history of collective filmmakers; the work of critics and theoreticians involved in the London scene of the 1970s (Notes on Political Cinema) (2011); collaborates with the minority feminist organization Southall Black Sisters in making the eponymous film Sisters! (2011); or her installation What Women Want (2014), about Swedish women’s activism and desire for emancipation in the early twentieth century. Bauer usually undertakes these explorations in collaboration with others, using conceptual and documentarian research tools to explore the political stage, whether that of the city, public display, or public media. In her effort to redefine the role of the artist in society, Bauer is fascinated by struggles of individual identity and collective minorities. She uses film and institutions as a social and political negotiation space. In What Women Want, the artist looks into the journey of the socialist women activists and campaigners who traveled around Sweden between 1907 and 1920 to organize and mobilize women for the Socialist Women’s Movement. Bauer’s first iteration, presented in Malmo in 2014, focused on the potential for change conveyed by posters calling for women to come together to discuss present and future conditions. At the Biennale di Venezia, her installation A Morning Breeze includes a selection of these public calls as well as excerpts from Morgonbris, the magazine of the early Socialist Women’s Movement and a collection of more than fifty black-and-white group portraits representing different socialist women’s clubs in Sweden. The portraits, commissioned by the clubs themselves, speak to women’s thirst for self-representation as political beings before they were legally regarded as such. Women did not receive the right to vote in Sweden until 1919, one year after women’s suffrage became law in the United States. Bauer confronts our newsfeed with the persistence of messages belonging a priori to the past by using magazine archives and reprints of posters in Malmo’s public space. What happens when some of the questions asked in the 1970s are posed again today? What are the crucial feminist ideas of our time?

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Biografia artysty

Petra Bauer: A Voice for Feminist Praxis

Petra Bauer (born Stockholm, Sweden in 1970) stands as a compelling figure within contemporary art and filmmaking—a practitioner deeply rooted in feminist theory who consistently champions collaborative artistic endeavors aimed at addressing pressing social issues. Her work isn’t merely aesthetically driven; it's fundamentally engaged with interrogating power dynamics, advocating for marginalized voices, and challenging conventional narratives within the art world itself. Born into a Swedish cultural landscape marked by burgeoning discussions on gender equality, Bauer’s artistic trajectory has been shaped by an unwavering commitment to exploring themes of resistance and solidarity—particularly those experienced by women confronting systemic oppression. Her formative years witnessed the rise of influential feminist thinkers like Judith Butler and Gayatri Chakravorty Spivak, whose conceptual frameworks profoundly impacted her approach to artmaking and filmmaking. These influences instilled in Bauer a conviction that artistic expression could serve as a catalyst for social transformation. Bauer’s artistic practice is characterized by its intersection with political activism. She actively collaborates with organizations dedicated to empowering women and promoting justice—a deliberate strategy reflecting her belief that art shouldn't exist in isolation but should engage constructively with broader societal concerns. Notably, she spearheaded the “Film Workers!” project alongside Scot-Pep, documenting the labor struggles of sex workers during a TUC occupation, demonstrating her dedication to amplifying marginalized perspectives. Similarly, her film "Der Fall Joseph" tackled the sensitive subject of immigrant child mortality in Germany, prompting critical reflection on discrimination and institutional failures—a testament to her willingness to confront uncomfortable truths. Her involvement with artist Annette Krauss resulted in “Read the Masks,” an installation exploring the problematic tradition of portraying Black faces in European art history. Despite facing threats stemming from censorship concerns, Bauer’s unwavering stance against artistic appropriation underscored her commitment to ethical considerations within creative practice. Her work has garnered recognition on international platforms like Venice Biennale and Riga Biennial, cementing her position as a significant voice within feminist discourse and contemporary visual culture. Collaborations with groups such as Southall Black Sisters further exemplify her dedication to fostering dialogue and promoting social change through artistic partnerships.

Notable Film Projects: “Film Workers!”, “Der Fall Joseph,” “A Discussion: Stina Lundberg Dabrowski meets Petra Bauer”
Collaborations: Scot-Pep, Annette Krauss, Southall Black Sisters
Biennale Appearances: Venice Biennale (2015), Riga Biennial (2018)

Bauer’s artistic vision prioritizes collaborative engagement—a conscious decision to recognize that transformative change requires collective effort. Her ongoing projects continue to champion feminist perspectives and confront societal injustices, solidifying her legacy as an artist who harnesses the power of creative expression to advocate for a more equitable world.

Petra Bauer

1970 - , Sweden

Kluczowe informacje

Artistic Movement Or Style: Feminist art
Artists Or Movements Influenced By This Artist: ['Radical Filmmaking']
Artists Who Influenced This Artist:
- Cinema Action
- London Women's Film Group
Date Of Birth: 1970
Full Name: Petra Bauer
Nationality: Swedish
Notable Artworks: ['A Morning Breeze']
Place Of Birth: Stockholm, Sweden

A Morning Breeze

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